BOB CATLEY - Middle Earth City Girl's Boys - City Girl's Boys CORONACH - THE GIFT OF FORESIGHT
The Creature Comforts - The Politics Of Pop Crowbar - Sonic Excess In Its Purest Form The Cult - Beyond Good and Evil
C
June |
|
Chickenfoot –
S/T
(2009) A Supergroup that feature 2 ex-members of Van Halen (Michael Anthony – Bass & Sammy Hagar – Vocals) coupled together with Guitar God, Joe Satriani & Chad Smith (Drummer of ‘Red Hot Chilli Peppers). It’s a stupid name that even they’ve admitted to that. More importantly what do they sound like? Well to me, it’s very like Hagar Era Van Halen with Satch in the place of Eddie (no doubt I could get either hailed or stoned for saying that!)– though there’s more than that at times. I even hear a bit of Led Zeppelin creeping in there and a wee bit of Extreme. Highlights include the funky rock bluesness of ‘Soap On A Rope’; the arena 80’s rockin’ ‘Sexy Little Thing’; ‘Oh Yeah’ where Sammy wants to be your hoochie coochie man; the great stompinly riffed ‘Down The Drain’ – love the bit where Sammy calls to Joe at the start of the number; the Satch driven ‘Turnin’ Left’ and the excellent ballad come funker ‘Future In Ihe Past’ as an epic closer. Well worth buying and playing – wish they were doing a UK Tour and not just 1 date in London. 10/10 By
Glenn Milligan |
|
Citizen Charlie - S/T
(SKU – 2009) This self-titled CD is from a very enthusiastic Norwegian female rocker who takes no shit; Citizen Charlie was formed after the collapse of the previous project Charlie’s drugstore. Charlie decided to go solo and in doing so has produced an eleven-track 40-minute masterpiece. Her style of rock is based on the Hellacopters, AC/DC, Led Zeppelin, Motorhead, Joan Jet and Patti Smith with a vocal content of Courtney love and Amy Lee. Citizen Charlie gives there all throughout all their tracks, filling the airwaves with good solid rock attached to a rebel attitude. From the start of ‘Pulling out your nails’ to ‘Rock ‘N’ Roll Poser’ through ‘Running Wild’ to finish with ‘Holding On’ Citizen Charlie will engulf any listener into the world of rock. 7/10 By
Tony Watson |
|
Les Claypool - Of
Fungi and Foe
(Prawnsong – 2009) When Les was with Primus you know he was one crazy fucker with the style base playing and the vocal content, but he has definitely surpassed himself here by supply us with a 12 track collection of weird and wonderful sounds and freaky lyrics. I think Les is either a genius or a complete nutcase, but this collection of tracks has totally lost me, I haven’t got the foggiest what the hell is going on. Know matter how much I liked Primus, there were some tracks that didn’t make sense but once you got past those tracks the CDs were works of art. Is this the case for this one? I don’t know? I cannot give you a truthful answer to those questions. All I can say is that ‘Mushroom Men’ was made for a Game by the same name, but we also have wonderful tracks, such as ‘Booneville Stomp’, ‘You Can’t Tell Errol Anything’ And ‘Ol’ Rosco’ that makes you love this guy, but the rest is a bit too freaky. What a dam shame. 5/10 By
Tony Watson |
|
Cold Truth –
Do Whatcha Do
(S/R – 2008) Awesome Southern Rockers from Murfreesboro, Tennessee who have some deep rooted elements of Free & Bad Company both musically and vocally but have also carved out their own mark on the outstanding Dixie sound that can only come from artists who live and breath the sound and experience of living in these parts of the USA. 13 is definitely a lucky number for these guys as every single song is an absolute joy to take in with a great deal of stand-out songs that include ‘Shakedown’ where he’ll be waiting by the county line; ‘Cold As Hell’; ‘If That Ain’t Enough’ with Ed King on slide guitar that also has wonderful bv’s from Nancy Roark; the incredible ballad ‘Peace With Me’ that reminds me kind of ‘Ride On’ by AC/DC and even This Flight Tonight by Nazareth. Then there’s the later Skynyrd like ‘This Time’ which you’ll agree when you agree the opening riff and chorus section about taking things when they are offer because they don’t last long or the fast ‘n’ tonkin’ ‘Payin Dues’ and the closing ballad ‘Ligh My Way’. One hell of an amazing band that I feel proud in hearing and reviewing. You must check these guys out – www.myspace.com/coldtruthmusc or www.coldtruth.net 10/10 By Glenn Milligan |
| March |
|
The Chelsea Smiles
– S/T
(DR2/Global Music– 2009) A decent bunch of sleazey rock numbers from a cool sounding band from the US of A – Hollywood, California to be exact that features ex-Danzig & D-Generation member Todd Youth. Sadly though, the production lets it down as the sound is way too compressed making the overall mix of the album very muffled. That said, there’s some great songs in the hot punk edged racin’ ‘On The Run’; ‘Action Coming Down’; the downbeaten but rock-it-out ‘So Low’; a great cover of The Rolling Stones ‘The Last Time’ and the closing acoustic number ‘Broken Lullabies’ that reminds me of a decent Oasis number done unplugged. See them live in the UK in 2009 with Wednesday 13. 7.5/10 By
Glenn Milligan |
|
Richard Christ –
S/T
(Narcotica Publishing/Killer Pool Records – 2008) An artist who totally reminds me of Marilyn Manson crossed with Sisters of Mercy and Wednesday 13 – Gothic Metal I guess you’d call it. It’s very much shock-factor stuff of a similar vein with highlights being the opener ‘Eyes’; the fast ‘n’ heavied up ‘Richard ‘n’ Roll – a la Rob Zombie; a great cover of ‘Call Me’ by Blondie though I’d personally like to have seen it less electronic; the disturbing freaky intro’d ‘Revolution Drugs’ or the closing ballad I’d think you’d call it ‘Grey Day’. Good album but not one to play if you are feeling suicidal. 8/10 By
Glenn Milligan |
February
2009 |
|
Circus Boy - Are
You For Real
(Circus Boy Music/BMI – 2008) Is it Dead Kennedy’s? No! Is it Nomeansno? No! Is it DOA? No! Is it Bad Religion? Or is it AOD? No! As we can see it’s none of the above, which is probably a good thing. Circus Boy have that Detroit underground feel which shouldn’t have surfaced. This hardcore underground punk feel should have been left in the late seventies and early eighties, in-fact the guys on the front cover seem to have been from the seventies and are wanting to get their youth back. Musical wise I think they are playing the same cords in the same order with an additional hit of the tin cans to change the beat slightly. Overall as underground punk goes, if it’s your stuff you will enjoy it, but if not keep clear. 5/10 By Tony Watson |
|
Calie Cox - Obvious
(Independent Records – 2009) We have a very talented individual who can play every instrument placed in front of him. ‘Obvious’ is an interpretation of 80’s style epic rock with bands such as Rush but without the keyboards, even the vocal content is very close to Geddy Lee of Rush. This CD is a very calm a collective collection of music that is very entertaining to listen too. With the Rush influence there is also a hint of Led Zeppelin and Marillion to bring the whole CD into a class of it’s own. This 13-track epic rock compilation gives a full hour of classic rock with a subtle vocal tone that keeps you drawn into the track. 7/10 By
Tony Watson |
December |
|
Cockpit – Mission
To Rock (E.P)
(Pedal To The Metal – 2008) A hot 4 piece female quartet based in LA – in fact the lead guitarist/backing vocalist was from Sheffield and played on our scene on a regular basis. This CD is packed with killer hooks and piping vocals and they come across like a female AC/DC crossed with elements of Lita Ford and Joan Jett. Every number is a corker indeed with highlights for me being the opening
title track ‘Mission To Rock’ and the monster partyville
Young-like riffed ‘Gun For Hire’. 10/10 By Glenn Milligan |
Cornerstone
- Head Over Heels Cornerstone is a four-piece melodic rock band from Austria. On first impressions I thought of The Cranberries but without the Irish feel. This thirteen track CD provides
a very pleasant and atmospheric feel throughout the whole album, with
the gentle vocals of Anja Schirmers that sets the melodic scene. A very exciting CD that puts you in a state of calm from stat to finish, very easy to listen too and very easy to understand. This is melodic rock at it’s best. 9/10 By Tony Watson |
| The
Cotton Soeterboek Band – Twisted These are
a great band and come across like a Southern Rock-like version of
Whitesnake complete with vocalist, Robert Soeterboek who even sounds
like David Coverdale as well. 10/10 |
|
Crack Horse -S/T
(Dead Famous Records - 2008) With a name like Crack Horse, I expected a stoner rock sort of band, and what a shock I got, Crack Horse are nothing I have heard before, they are a rock version of the Scissor Sisters but without the gay attitude. This twelve track CD is really funky, energetic with a rocky dance floor feel. From the start of ‘This Song Might Safe The Planet’ you have the urge to get up and party, which in may case is a good thing if we want to save the world. This attitude rolls out through ‘Fixed’, ‘Help Yourself’, and ‘Radio’ to finish with ‘Out of the Dark’. With the doom and gloom throughout the world, this is a must feel good CD that will have everybody dancing like a gay dad. 9/10 By Tony Watson |
|
Cream Pie – Dirty
Job
(S/R – 2008) Seems that all the Sleaze seems to be coming from Europe these days, with the Italians having their own cool batch too – a good example being this hot quartet ‘Cream Pie’. Every song is spot on, no matter where you go here you are bound to like it – if you like the soundz of dirty sunset strip stuff that is. Highlights include ‘Tokyo Nightz’; ‘Leave In Coma’; ‘Electric Blue’; ‘So Bad’ & closer ‘Hungry For Mayhem’. Good album. 8/10 By
Glenn Milligan |
November |
|
Civet - Hell Hath
No Fury
(Hellcat Records - 2008) It’s nice to have an all female band once in a while, Civet are a punk rock quartet with an attitude that kicks ass. The first thing I thought of was L7 then I thought of Girl School, then I thought of Rock Bitch, then I thought this CD is a mixture of all these bands with their own punk rock influences and attitude, which comes across very well. The production of the CD has come across with a raw feel to it, which I think helps the way the band comes across. This 13 track CD starts as it means to go on ‘Do a Line (of alibis)’ to ‘Bad luck’, through ‘Gin N Tonic’ to finish with ‘Hell Hath No Fury’ shows how these rock bitches mean business in the world dominated by men. These girls aren’t going to take any sh*t from anyone. 7/10 By Tony Watson |
|
Coerced into Battle
- Enemy Mine
(Rising Records - 2008) A Californian trio full of hate, aggression and power, release their debut album that has more balls than a kiddies ball pit. A ten track CD that delves into the lungs of hell with full on thrash, death and hardcore metal that engulfs a tornado of vicious energy which picks you up and spits you out like a piece of sh*t. This violent masterpiece is an energy releaser, as soon as you put track one on ‘Erase the Mind’ it defiantly does that, you totally forget you are in your living room and all you want to do is go out onto the street and thrash about with some little death banger or show an emo what life is about. As the CD develops so does the solid relationship with life, love, hate and politics… let the battle begin. 10/10 By Tony Watson |
| August |
|
Circle II Circle -
Delusions Of Grandeur
(AFM Records - 2008) CIIC is a Florida based band formed and fronted by ex-Savatage singer, Zak Stevens. 'Delusions..' is thier fourth album release, the line up remains unchanged from the musician overhaul after the debut without any influence from notable fellow Savatage members Jon Oliva and Chris Caffery. Zak appears to have relished this new opportunity and with a solid band base, including a multi-talented Paul Michael Stewart, have grown to find some form. The single from this album 'Every Last Thing' opens with piano and tender vocals before moving through the gears and showcasing Zak's voice. Also evident here is the balance between heavy and melodic power metal backing up the vocals. This, I'm pleased to say, is also the case across the album; 'Dead of Dawn' and 'Waiting' stand out for me as best examples. 'Fatal Warning' opens the album on a somewhat unexpected heavier note (given their previous album based on the Da Vinci Code, Burden of Truth) but on the whole treading a line that would satisfy the majority. With such a strong vocal performance the music can tend to take a back seat, only allowed to shine during breaks in the lyrics, though ever-present. Every word is clear and the lyrics are direct and instantly catch your attention which is slightly unusual and refreshing. Production-wise you could argue Zak needs the equivalent of a 'fist up his french horn' to take some of the edge off but what the hell, if you''ve got it why save it for the live album!? 8/10 By Al Hoath |
| COLDSPELL
- S/T
(Self-Released - 2008) Cold….now
look laddie, I know Britain isn’t known for its lovely weather
in August but there’s no need to rub it in like….. Oh, it’s
all well, they’re Swedish (YES!!!) and a melodic rock act (YES
again!!!) so we know there’s plenty in just a name. 9/10
|
| Alice
Cooper - Along Came A Spider A brand new concept album
from the master of rock n roll sickness, Alice Cooper who presents us
with the story about a serial killer called 'The Spider' - so why's
he called that - buy the album and find out!
10/10 |
|
C-T PREVAIL - Mean
Season
(Morningstar Records - 2008) “I would like to take you on a strange journey” offers one nice old gent at the start. Would that be one that doesn’t involve hearing another disc-ful of bog-standard hate-core metal din? And would your name be Jeffrey Archer by any chance in that case as that exactly what this Scandi quartet more or less inflict on us here. Not robbed of redeeming factors, a few numbers of its fourteen do have some passable rhythms and one or two real stompers and the instrumental near the end saves it from total lack of interest, but its still too much of a day at the office otherwise. For those totally glued to the scene only, but for those wanting to be introduced - Hey, I know, what about….. Loud, shrieky, earsplitting, normally lyrically meaningful but quite often musically directionless, like this. Will that do you? 5/10 By Dave Attrill |
July |
|
Chokehold - The
Sweet Sense Of Genocide
(Self-Released - 2008) It's been a rough year for Oxfordshire based metallers Chokehold, but after going through the motions with their former label and waving goodbye to a few members; the band appear to be back on track and ready to pick up exactly where they left off with their new opus "The Sweet Sense Of Genocide". Kicking off with the visceral "Life On Loan" through to the caustic "Blindfolded"; a rhythm lead beast, that later erupts into a full on At The Gates-esque thrash throwdown, with all the subtlety of a back street brawl. This is before we're thrown kicking and screaming into the guttural assault of "Post Work Syndrome", a 4-minute, moshtastic assault of the senses, that hammers home the fact that Chokehold are back with a fucking vengeance. Not one's to rest comfortably on any particular flavour of the metal banquet, the band proceed to toss in some Pantera-esque influences into the mix with stunning results, as demonstrated on the malevolently destructive “Die Free” and the aural annihilation of “Eyes Of Democracy”, slabs of quality southern metal that sit neatly next to the likes of innate fury of “Pay, Pain, Crave” and the Biohazard-esque “Gutterman” like they were soulmates. Fact is, if it's a well rounded, brutal as holy fuck metal album that you're after, written by pissed off young men who've had enough of this dank pisshole of a country we inhabit, then Chokehold are very much your men. 7/10 By Tom Brumpton |
|
Cubensis - Metaphysical
Impact
(666 Productions - 2008) Oh, now this is more like it. Y'see, as a freelance scribe, I seem to be a target for whatever sh*te record labels are peddling as "The Next Big Thing" every week. And while every so often they send out a corker, 9 times out of 10 they send you a terd; a stinking, wretched excuse for aural pleasure, that fails to meet even the most basic of requirements when it comes to penning a half decent song. Don't you feel sorry for us poor scribes? No? F*ck ya then.. Anyway, back onto the topic; the new album from French polymath metallers Cubensis easily qualifies as said corker. Absent are the awful haircuts, the non-sensical cliches and the general shoddiness that many modern bands seem content to deliver, and in their place are mountanous riffs, earth rumbling vocals and an overwhelming and concussive percussive assault, tightly wound into a violent, eerie and overall enthralling musical experience. From the Meshuggah-esque, disjointed rhythms of "Metaphysical Impact" to the pummelling aggression of The Greed, Cubensis offer a musical assault that combines incredibly technical music that while complicated, is incredibly accessable; boasting thick grooves and incredible vocal melodies, akin to that of fellow countrymen Gojira. The only real sour element to Cubensis are their lyrical content. Let's be fair, any album with a track titled "Mother Ball Break Club" deserves another glance before deeming them either genius or idiots. Then again, if this is overlooked you're left with a simply incredibly album that's rife with intriguing ideas, top-notch writing and an overall sensation that these quirky frenchmen really are onto something. In a nutshell, while this isn't a million miles away from Gojira or Meshuggah, this is still a mightily enjoyable album; complex, yet catchy, brutal, yet melodic; Cubensis may have written one of the finest metal albums of the year. All they need now is that final boost to get them to the astute level of their countrymen. Best of luck. 9/10 By Tom Brumpton |
June |
|
Crossfire – Dirty
Games
(Perris Records – 2007) A real together, precision tuned bunch of party-positive fun-filled rockers from Israel – yes you read that right – kinda like Slaughter meets Def Leppard & even a bit of Tyketto in there as well plus other bands of that ilk. They are extremely harmonious and melodic that the chicks are bound to swoon over – they can catch your attention with the keyboardy Bon Jovi’ish ditty opener ‘Heartbreaker’ and turn to mushy romantic female grabbing material like the ballad ‘All I need’ then whisk you off with ‘Dirty Game’ and uplifted on ‘Show me the way’ or the Malmsteen-like ‘T.K.O’ before languishing us with the lovely closer ‘Heaven Is Waiting’. First ever 80’s LA-inspired band from Israel – the flag is yours guys so wave it well. 10/10 By Glenn Milligan |
May |
|
Crowning Glory –
Path To Glory (E.P)
(S/R – 2008) Excellent quality 5 tracker of classic 80’s Metal – think Judas Priest meets UFO and other elements as well along the way. Goes to show that the UK still has Metal bands it can be proud of (these guys hail from London & Birmingham to be exact.) They deliver songs as trad metal and in-ya-face as good as ‘Sea Of Dead Dreams’ & ‘Sands Of Time’ and also try and bring newness and freshness into it too. Included are a couple of live tracks as well – one of which is their single released on ‘Rise Above Record’ which I fully recommend – this being ‘Dead Man’s Paradise’. They have supported the likes of Orange Goblin & Skindred already and played Bloodstock too. Big things for the future – this is metal! 8/10 By
Glenn Milligan |
CRY
FOR SILENCE – The Glorious Dead Since forming in 2000, Watford's Cry For Silence have made quite the impression. They've opened for the likes of Sepultura and My Chemical Romance, played the prestigious Give it A Name festival, and inked a deal with Visible Noise. Now with the pressure firmly on for the boys to deliver on record, will CFS's debut outing, ‘The Glorious Dead’, offer the opening shot needed for the band to rise through the sanctimonious ranks of metaldom? Exploding into the blistering salvo of ‘Nightmare’, a vicious slab of Carcass-buggering-Meshuggah-esque extremity, the band deliver a thrashier approach to the Metalcore formula than that of the “twidly-bit-breakdown-scream-repeat-formula” of their peers. While the insane guitar work of ‘A World Benign’ and the slow burning ‘Into The Sun’ echo the sounds of a band that, over time, have become masters of their craft. The only problem is, CFS aren't touching on any new ground and unlike their acclaimed label-mates, the band aren't leading, nor starting a trend, they're simply following. And it isn't long before Adam Pettit's weak vocals begin nagging unbearably, as his piercing wail resounds throughout the title track like a tortured scream in a subway tunnel. While lacklustre instrumental ‘Beneath The Storm’ is a blasé exercise in laziness, leaving the impression that Pettit was probably just sick that day. While they're not the most original bunch, Cry for Silence are still a relatively good band and ‘The Glorious Dead’ is still a relatively strong opening statement, but as to whether it'll open any doors for the band in the long term is yet to be seen. As sounding like the b*st*rd child of Unearth and As I Lay Dying leaves them running the precarious risk of disappearing into obscurity once the trend dies out. If CFS wish to gain any sense of longevity, they'll have to work a lot harder on album number 2 in order to win over the broader minded audience. 7/10
By Tom Brumpton |
January
2008 |
| Coheed
& Cambria – No World For Tomorrow
(Columbia Records – 2007) One of the most interesting major signings in years who remind me of a mixture of Faith No More & Skunk Anansie and even the deepness of Pink Floyd & Iron Maiden at times. They were at Download last year and I missed them – dammit – missed out there big style if this album is anything to go by. A very eclectic mix of rock, metal and pop all rolled into one making it impossible for lazy journalists out there to pigeon them in any single genre making it a score of 1-0 to C&C. Each number drags you in with highlights being the title track ‘No World For Tomorrow’; ‘The Running Free’; ‘Mother Superior’; ‘Gravemakers & Gunslingers’ and then there’s the epic 5-song strong ‘The End Complete’ with the fabulous orchestral like ‘The Road & The Damned’ – what a build up to a chorus section and my, what a gorgeous chorus it is too. I gotta sat that albums don’t get any better than this. 10/10 By
Glenn Milligan |
|
J.C. Cynel –
Before My Eye
(S/R – 2007) An artist who I discovered via myspace – an Italian artist who has a liking for Southern Rock and other similar styles of music. He is also the frontman for a band from Italy called Black Widow. It’s relaxed material that has some gorgeous country elements and reminds me of Eagles, my 2 buddies Bryce Barnes & Joey Monroe of The Oysters in Fort Myers, Fl. USA,and Crosby, Stills & Nash etc – you’re catchin’ on then – well I hope so. Highlights on here include the southern rockin’ ‘Ships In The Wind’, the brilliant laid-back countryness of ‘Out In The Frontline’, the epic ‘Brush My Cymbals’ – that reminds me of Supertramp’s ‘Rudy’ gone deep south with a really strong southern feel to it with its guitar work and harmonica intro. ‘What I See’ with its bright magical melody and vocal harmonies and the optimistic closer ‘Taking Chances’ because life is good to be living as J.C. tells us. Can’t help but really like this album a lot. Go to www.myspace.com/jccynel for more info and of course www.jccynel.com 10/10 By
Glenn Milligan |
November |
|
Clawfinger –
Life Will Kill You
(Nuclear Blast – 2007) I didn’t realise these were still going but am pleased to say they sound as strong as ever – I remember them in the earlier part of the 90’s with songs like ‘Nigger’ (an anti-rascism song actually) and ‘Tell The Truth’. Rappin’ and singing away with crushing riffery about topics including parental child abuse in ‘Little Baby’; mortality in ‘Life will kill you’; Isalmic Suicide Bombers in ‘Final Stand’ or looking at your days positively like in ‘It’s Your Life’. Decent enough album but not the most exciting one out there. 7/10 By
Glenn Milligan |
|
CONVERGENCE - Points
Of View
About as aptly descriptive a name as they could pick to call themselves, Italian four-piece Convergence have most certainly done that with the variety of inspirations relied on for this, their debut album. Categorised under nu-metal on the promo A4, they do bear a likeness, in particular vocally to scene legends Korn but also take in similarities to Sick of It All, Boy Sets Fire. Thrash-oriented opener ‘Bleed’ pounds with an intense old-school metal rhythm that dominates the tune, but for the remaining nine numbers, we seem to be taken in all directions but thankfully not too many at once. Albeit adding a wholesome industrial edge that matches the sound of Frontline Assembly and Fear Factory quite closely at small but distinct intervals, the whole album maintains a largely melodic leaning for the most parts of its duration contributing factor of which existing in some rather ‘Black Album’/’Re-load’ – era Metallica rhythm guitar crunching. My point of view here is, simply, this one’s a belter, boys, and I don’t get the privilege to say that about a lot of nu-metal releases. ‘Six Feet Under’, ‘Always The Same’, ‘Vanished Memories’, ‘Silent’ and ‘Train To Leave’ having already established that, along with ‘Bleed’ of course, the genre often reviled by veteran metal followers has served up one much more likely to entice the doubters. The occasional dragging moment intact, ‘P.O.V.’ is credit done to the contemporary metal scene and success for this promising band is deserved. Italy does it again. 9/10 By Dave Attrill |
August |
|
CANDLEMASS - King
of The Grey Islands
(Nuclear Blast - 2007) Swedish doom goliaths Candlemass help keep strong the vast collection of bands that refuse to be buckled by the changes in musical trends as time passes. After about two decades in the trade, the veteran sextet still ply their trade in dark and brooding but melodic metal noise that relies on depth ad feel more than speed and aggression. Bucketloads of the former two abound here as per norm and although it quite easily picks up where their self-titled previous album left us, two years back, tunes like ‘Empreror Of The Void’, ‘Of Stars And Smoke’, ‘Demonia 6’, ‘Destroyer’ and ‘Clearsight’ make this album stand on its own. Not that the music is entirely their own, listening to that blatant rip off of the intro riff to Slayer’s ‘Dead Skin Mask’ that kicks off closer ‘Embracing The Styx’, their musicianship is as equally powerful if an almost together different animal to what the LA thrash legends embody in the extreme metal circle. The melodies both on throat ad strings stay with one all the way through and captivate, fully in leiu of just serving as an excuse to knock the stuffing out of one another in a future moshpit. Heavy music for those grown up enough to appreciate the thought put into it, Candlemass’s flame never manages to stay out no matter how hard you blow on it. Recommended - equally so for new fans. 8/10 By
Dave Attrill |
|
CAPDOWN - Wind
Up Toys
(Fierce Panda - 2007) The first time I encountered Buckinghamshire Ska-sters Capdown was their support stint with US legends Less Than Jake on their 2001 UK trek and it’s since taken me half a decade to catch up. Without intending to rub any fans up the wrong way, I am not a particular nut on the genre but have lent my ears to enough to know belters from...beer mats when it comes to dishing the dirt on such an album. Quite some time itself since their last full-length album, the Down boys haven’t exactly walked on ignored and if anything, should replenish their cred six-fold with this beaut’. Opting for the more punkier, guitar prominent elements of the ska sound rather than just sit on sounding like a second division Madness as do a fair few bands of this scene, these five jolly young men keep me listening non stop through all twelve and while there are the usual tiny portion of less than incredible intervals the disc rocks as a whole. Stick ‘Blood Sweat and Fears’, ‘....Toys’, ‘Terms And Conditions Apply’, ‘Surviving The Death Of A Genre’, ‘Thrash Tuesday’, ‘Keeping Up Appearances’ or ‘Strictly Business’ on your spinners and you should see what I’m on about. Kindly don’t disappear six years again, please, lads. 8/10 By
Dave Attrill |
|
CAUSEMOS - Severed
Senses Combined (3-track demo)
(Self-Released – 2007) Gearing up to be a bit of metal’s answer to Kimi Raikonen, these four lads are both Finnish and fast but not boring as a fair loadful of other black metal acts, whose offerings are thrown our way, variably tend to be. Indeed they put a lot of the ideas into their sound as stated on the promo sheet though an industrial feel is the most notable. Noisy but nice, three songs by a band of this genre is usually about enough for me but this time round, more would have been welcomed. 7.5/10 By
Dave Attrill |
|
CHEOPE - Downloadideas
(Heartlines - 2006) Cheope are a five-piece progressive nu-metal band based in Rome, they have two guitars in the lineup and also introduce electronic samples into their work. By listening to this album you begin to realise that Cheope aren't quite your run-of-the-mill Nu-metal outfit, they will drag in elements to their work that will remind the listener of numerous other artists. I'd have to describe the album as 'experimental' because it appears
to be, as the album title suggests, a melting pot for the different
ideas the individual performers have for the bands direction. Unfortunately
there isn't anywhere near enough of the right influences on offer here
to keep me interested. The tracks lack sufficient weight and gravity,
the melodies are few and far between and I couldn't help but feel disappointed
by the absence of any notable twin-guitar attack, which On a positive note I noticed numerous skillful rhythm changes and the vocals and lyrics seem to fit into the scheme of things rather well. Still, I think yet another person airing their views as to how Cheope should proceed is the last thing they need. As it is, I can see 'Again', 'On Air' and 'Face to Face' being popular and would recommend these to people as being indicative of the album. Give it a go. 5.5/10 By
Al Hoath |
"Blast from the Past"
Cannibal
Corpse - Butchered At Birth I became hooked
to this release when it was finished and out in stores. The Every track on this release rules though I tend to favor the opener the most "Meat Hook Sodomy". CC was not as technical with their riff-writing as they are nowadays. I think that the simpler riffs tend to captivate the listener a bit more especially the thickness of the guitar pieces and overall production indeed. Barnes' vocals were the lowest I've heard from him even more so than on their debut CD "Eaten Back To Life". If you are a die-hard Death Metal fan then this CD is for you! I can't stress how many times that the riff-writing was not only original but heavy as all hell! Track listing: 1. Meat Hook
Sodomy 9.5/10 Reviewed By Death8699 (MethylinInfo@aol.com) |
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"Blast from the Past" Children Of Bodom - Hatebreeder
Even though this CD has a plethora of Mozart rip-offs I still think that it's one of COB's best records to date. The intro to this album is actually from the movie "Amadeus" with Salieri uttering "from now on, we are enemies. . You and I" He was speaking in terms of the Crucifix and in the movie he burned it because of his envy towards Mozart. I'd say this CD is pure Melodic Death Metal Alexi kicking ass on Guitar/Vocals shows sheer talent with speed and precision on both Rhythm and Lead Guitar Work. Alexander puts together an awesome effort as well on Rhythm Guitar. The band as a whole worked wonders on this release. Just check out "Bed Of Razors" and you'll see what brilliance and technicality from the entire band!!! There's a mix of extremely fast tremolo picked guitar work, keys as well demonstrating awesome tie-ins with the guitars, the drums fast paced and on cue and Alexi's vocals feature mostly high-pitched screams with a little bit of clean as variety. The production by Anssi Kippo does a great job giving each instrument precision in the recording. Alexi on lead shows us such well designed solo work plus incorporating like I mentioned earlier Mozart cuts very well executed. The band wholeheartly kicked serious ass on this album. Another track to take a listen to would be "Warheart". Track listing: 1. Warheart Credits: Alexi Laiho - Vocals/Lead Guitar By
Death8699 (MethylinInfo@aol.com) |
| "Blast from the Past" Cradle
Of Filth - Dusk And Her Embrace The intro to this album is
quite dreary and solemn which describes the mood I think Dani's vocals are the highest pitched on this release never again to be duplicated in the entire Cradle Of Filth discography. For some people it's a little too extreme but I think the vocals are phenomenal. It's not just the screams there are lower pitched vocals as well just not as prevalent as the high-pitched screams. This album is anything but boring. Very intense I'd say with an array of blast beats, tremolo picked guitar frenzies, well mixed in bass guitar and of course Dani's onslaught. Production wise this isn't their best I'd have to say that their latest "Thornography" is one of the best productions they've ever had on a full-length release. Dusk And Her Embrace packs with it many different things such as the variety in the vocal department, a mixture of guitar both at fast paced onslaughts as well as slower melodic sections, and the drum department displaying an wide array of different time signatures. This remains to be my favorite COF release although "Thornography" is up there as well. I'd have to say that if you
are not a big fan of high-pitched screams from Dani then this release
is not for you. There are also British women speaking on some tracks
adding a little bit more of variety to the vocal department. Best to
try out some tracks to see if this release is something worth getting.
Of course I'm biased because it's my favorite but you can hear for yourself
"Heaven Torn Asunder", "Haunted Shores", and "Funeral
In Track listing: 1. Humana Inspired To Nightmare 9.5/10 By
Death8699 (MethylinInfo@aol.com) |
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Neil Carswell - Good
Man’s Journey
(East Winds Records – 2006) Solo album from the frontman of Southern Rock band ‘Copperhead’ and draws you to his attention from the start with ‘The Cain Preacher’ and keeps you there throughout with his real life stories about livin’ in the South. There’s special guests on the album too – Barry Goudreau (Boston); Johnny Neel (The Allman Brothers); Stu Kimball (The Bob Dylan Band) & Chris Anderson (The Outlaws) that make it all that bit more special The material appears more laid back and autobiographical than what I have heard on the Copperhead ‘Live & Lost’ CD – a good example being the beautiful ‘Righteous Side of Life’ that’s got Gospel and country aspects running in the song and ‘Never Been Born’ about his child with his mum and dad when he lived on a farm. Love the close to the bone ‘Edge of the Green’ – Daddy won’t ya spare me a little change – what a song man, what a song !! – a real epic of a number as is ‘Malibu days’ with its crackin’ bit of organ playing. Check him out via www.neilcarswell.com 8/10 By
Glenn Milligan |
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Copperhead –
Live & Lost
(Eastwind Records – 2002) Fancy a nice musical mix of Blackfoot, Molly Hatchet & Lynyrd Skynyrd ? Well I do anyway and you should too !! 4 numbers live and 8 from the studio that sees my hearing the sounds of the south just the way I like it - this band rocks and blueses out the way you’d want them too leaving a full indication that these boys are the authentic real deal – I mean they even cover ZZ Top’s ‘Whiskey Mama’ much to my delight – a classic from the ‘Rio Grande Mud’ album released back in ’72 – even the ‘Texan Trio’ haven’t played that ditty in years as well as doing a heartfelt cover of ‘Drift Away’ as well. Their own songs are absolutely killer - take the opening instrumental ‘Stricken’, the anthemic ‘Hard Livin’ or ‘Whiskey’. They also get deep and ballady as well on the brilliant ‘Voices in the Night’ or slide guitarin’ ‘I’ll Get By’. The Southern sound don’t get much better that this. 10/10 By
Glenn Milligan |
2006 |
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CIRCLE TO CIRCLE -
Burden Of Truth
(AFM - 2006) Zak Stevens…where has this bloke been hiding then? Hardly a hair of him since he left Savatage six years ago and then he pops up from just about no-where. Obviously parting company with power metal’s greatest ever band took its toll on his commercial credibility so badly that he was forced into a low profile for a bit - come on mate, they do at least have Jon Oliva back now. Or has he just been busy working his musical socks off ever since? Well, he does seem to have picked up four good looking young men en route - nothing dude meant by that of course – and while none of their names or faces ring any bells, their style has and who else better for Zak to take on the job with his latest exploit. Aiming for a darker more gothier edge than before, C.T.C. are very much as metal as you’d expect but matured for this side of the millennium and Zak’s range resembling Eddie Vedder’s more by the minute means that there is almost no attempt to drag a dead horse to its feet with this outfit. Velvety melodic metal with superb stringery courtesy of Messrs Lee and Christopher maintains the still strongly vintage angle on the sound as to minimise offence to purists and their sound veers surprisingly close to Brit hair rock legends Shy on one number a band who would have also benefit immensely more with Stevens’s soulful voice. A welcome and very masterfully crafted return from one of heavy metals most respected throats. Zak Stevens, don’t you dare ever disappear like that again, you naughty ….. You’re forgiven mate. Belter. 9/10 By Dave Attrill |
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Cactus – V
(Escapi Music – 2006) They recently reformed with Jimmy Kunes from Savoy Brown on lead vocals. I read about these guys lately before the album came out and wasn’t too familiar with them but I knew who Carmine Appice was since he was Rod Stewart’s drummer for a few years plus a member of Vanilla Fudge as well. This album is pure 70’s rock and blues all the way through the fourteen tracks and it’s class stuff with highlights including the opening ‘Doing Time’; ‘Cactus Music’; ‘Hi in the City’; ‘Electric Blue’; ‘Blame/Game’; ‘Gone Train Gone’. Ya just can’t beat this. 10/10 By
Glenn Milligan |
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COLDSEED - Completion
Makes The Tragedy
(Nuclear Blast – 2006) In every generous batch of discs Glenn (Editor) drops on me to write up, I can Almost always rely on one or two from Germany’s Nuclear Blast label amongst the many and this time was no exception. Coldseed are probably their greatest discovery of late, even if their style takes some surmounting. Kicking in with roaring industrial thrashcore for the opening number but about halfway through becoming something sounding like Corrosion of conformity, circa ‘Wiseblood’ is n almost dead cert guarantee of getting most Metal fans confused. One is reminded of a more commercialised Fear Factory, by most of these twelve numbers but with bigger hooks and a lot more old-school flavour in guitar styles - check out some frighteningly Megadeth/Anthrax oriented attacks…. and yes we have solos as well (I think you are confusing me now, Dave - Ed’). An extraordinary yet incredible album, ‘C.M.T.T’ is a colossal work that I’ve rarely heard any other band attempt to assemble let alone to such astounding end product. A lot of preposterous conglomerations fall flat on their face but Coldseed don’t even come close to losing balance with this. The fastest growing seed of metal’s future has been sown - kept the patch well watered. 9.5/10 By Dave Attrill RECOMMENDED IF YOU LIKE Fear Factory, Shadows Fall & Anthrax |
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Crescent – S/R
(S/R – 2006) A traditionally sounding Heavy Metal/Power Metal band whose vocalist ‘Chris Parrish’ has a large range of baritone to squawking tenor. Not the best sounding of CD’s as its rather flat and mono– well this is a self produced demo for gods sake but if put in a studio that a band like Blind Guardian and Hammerfall would use and the right Producer and Engineer then these guys would sound miles better and stand a chance of competing with the big bands out there – this is a start though. Of the six strong song cd highlights include ‘Forgotten Future’ and ‘Garden of Memories’. Look out for ‘em at a metal venue near you. 7/10 By
Glenn Milligan |
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Roger Chapman
and the Shortlist – He was, she was, you was, we was
(Angel Air – 2005) Now friends, here’s the vocalist of Family, Roger Chapman caught live with his Shortlist in concert in Kiel, Germany, 1981 at the Ost Halle. This is a re-release and was originally a Rockpalast show and focuses on Roger’s ‘He Was’ album. There’s some outstanding material on here such as the opener ‘Higher Ground’; ‘Blood and Sound’; the quirky ‘n’ weird, reggae’ish like ‘Hyenas only laugh for fun’; the uptempo dancing ‘Night Down No. 2A LA ZZ’ that sees Roger opening the song up with the opening verse of The Supreme’s classic ‘You keep me hanging on’ before driving into some crackin’ sax playing. You get a grippin’ medley that features The Beatle’s ‘Slow Down’ to the mandolin like intro of that’s coupled with Chapman’s ‘Common Touch’; the well known ‘He was, she was’ ; a nice bit of Hendrix’s ‘Stone Free’ – love that cowbell in the background. Let that waling, vibrato tenor of Roger’s up your night for a while – if ‘Unknown Soldier’ doesn’t then nothing will. 8.5/10 By
Glenn Milligan |
July |
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Caroline Blue –
Slave to the Hourglass (E.P)
(WWJ Productions – 2006) A good ole metal 3-piece from Syracuse, New York who take us back to the mid 80’s with their Kiss like sound and Paul Stanley’ish vocals. It’s a five tracker with songs that have cool playing and plenty of hooks such as those found in ‘Mine, Mine, Mine’ or the cheesey lyriced ‘The Queen of Pleasure’ with its throbbing distorted rhythm playing. Keep the cd player on till track 13 as it’s really funny – a telephone call of complaining from their landlord. 7.5/10 By
Glenn Milligan |
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Casus Belli –
In The Name Of Rose
(Limb Music Products/SPV – 2006) Demonic high speedin’ power metal from these German Metallers – you simply don’t know what to expect with a name like Casus Belli do you – Deep, dark, heavy as sh*t Malmsteenesque like material that is on full pelt virtually throughout the album. Racin’ double bass drummin’, chuggin’ guitar riffery, galloping basswork and a throaty buy ever clear vocal style. Highlights on here include the opening ‘I’m your master’ the title track with it’s melodic cavalcades of milestone solos; the bulleting machine gunning of ‘Isolation’ – a la ‘Painkiller’ Priest; the Faith No More like ‘Naked King’ with blinding tremolo guitar solos and ‘Eastern Dance’ – especially the extraordinary guitar solo from 1.37 to 2.26 plus it’s a right blaster of a song too. What’s amazing is they finish it off with a slow beautiful acoustic/electric instrumental entitled ‘Whispering’. They stand out from Europack for sure when it comes to power metal stylings. 10/10 By
Glenn Milligan |
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Chrome Division –
Doomsday Rock ‘n’ Roll
(Nuclear Blast – 2006) Motorheaded leather clad mothers who got the dirty guitar chops and bashing at you ferociously in the vocals department – I just know you’ll believe me when you hear the 1st vocal effort ‘Serial Killer’. They are actually somewhat an underground supergroup made up of Shagrath from Dimmu Borgir (Guitar); Tony White of Minus Tirith (Drums); Luna of Ashes to Ashes and on vocals Eddie Guz of The Carburetors & Ricky Black (Guitar) – they are all Norwegians as well. This album will shake you up 1st thing in the morning - it did me – it fully sorted my head out big style with cutz like ‘Chrome Division’; the Harleyfied ‘Trouble with the Law’; the brutal battering ‘When the sh*t hits the fan’; the head-boppin’ ‘We Want More’ and the road-trodden ‘Till the break of dawn’. Wonder if these motherf*ck*rs will tour – I’d go see ‘em for sure – if you put this album on for a chick and she digs it then you know you’ve got the right woman for sure. 10/10 By
Glenn Milligan |
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Creech – Take
It All
(S/R – 2005) A band from Australia that are kinda new-breed punky alternative and come across very fresh. ‘Far Too Sober’ and ‘Maia’s Teething’ have that Alice In Chains and Stone Temple Pilots thang going down with an almost Mike Patten vibe at points in the songs – well to be honest the majority of it does – must be a big thing in OZ at the moment. That’s a f*ck*n’ crackin’ solo in ‘Take It All’ and has got a little bit of ‘Skynyrd’s ‘Freebird’ style thrown in there for those who love that southern riffery. Finishes up with an undelightful ditty called ‘Donald’ who ain’t got a house is lonely and whatever else – I guess it’s Mickey Mouse’s Duck mate. One for the grungers to revel in. 7.5/10 By
Glenn Milligan |
Jan-April
2006 |
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Celtic Frost - Monotheist
(Century Media – 2006) “Highly anticipated comeback album”…”first for 13 years”. These are some of the phrases that graced me from the page of the press release I was holding in my hands upon receiving this Cd to review & by f*ck is this quite rightly “highly anticipated”. Celtic Frost have held true to form & released a “come-back album” with a truly dark, heavy, utterly raw, droning & almost doom-like drudgery about it. But by no means is this a boring release, far from it, as the first track of the Cd “Progeny” kicks in with an almost tribal guitar riff then explodes into mid-paced blast beats courtesy of Franco Sesa, any listener can hear they’re in for something truly monolithic. As always the Anti-Christian sentiments run throughout this release & are accompanied by a truly crushing, perhaps even minimalistic, instrumntal work. Tracks that stood out to me on this release: “Progeny”, The first track & a fistful of total fucking aggression. “A Dying God, Coming Into Human Flesh”, an acoustic beginning accompanied by haunting vocals that evolves into a truly crushing monolithic chant. The purely hateful “Domain Of Decay” & “Ain Elohim”. Celtic Frost true to their aggressive headbang-fodder form & the last beautifully depressive instrumental track “Winter (Requiem Chapter 3: The Finale)”. I have to say this is the one album I’ve heard from an old classic band like Celtic Frost than has impressed me even more than their previous offerings. A raw, back-to-the-underground, heavy sound entirely true to form. I highly recommend this to all old Celtic Frost fans, not to mention those of the Black & Doom Metal inclination! 9.5/10 By
T.Xjort |
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CHILDREN OF BODOM -
In Your Face (1-track promo)
(Spinefarm Records) Black metal favourites Children of Bodom are an ever hyperactive machine on the scene, and this is another slab of their breakneck old-school intensity as only they know how. For the less-initiated of you, they are a little more melodic than you may expect, - they actually sing as well as shriek their guts inside out - and though in possession of over familiar guitar rhythms, they are all the worth checking. In your faces as they always are. 8.5/10 By
Dave Attrill |
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CRIMES OF PASSION -
S/T (3-Track EP)
Rising from the ashes of Rotherham rockers Deadline, who changed their name, and almost totally their sound with the addition of ex-Tikaboo Peak crooner Dale Radcliffe, Crimes Of Passion have already made a sizeable reputation for themselves with their demo selling out at several gigs last year. Luckily, for those missing the old stuff from ‘Mind The Gap’, consolation can surely be found here in three impressive numbers from their already swollen catalogue. We find Dale still in powerful voice, especially on the excellent ‘Exit Wound’, a tune which still retains elements of their Harem Scarem sound but more combined with Dokken and early Skid Row’s classic melodic metal style all carried to soaring heights by Andy Lindsay’s distinctive guitar style. On sale at their gigs, this one is worth picking up and supporting the start of another great South Yorkshire act in the making. 8.5/10 By
Dave Attrill |
March |
| BOB
CATLEY - Spirit Of Man
(Frontiers - 2006) Quite doubtlessly Bob Catley is one busy old chappie
of late, with his commitments to reformed legends Magnum which of
course include the recent ‘Storyteller’s Night’
anniversary tour. Which is why we’ve had to wait over 2 and
a half years for this, his fifth solo album. On one side that’s
a good thing as some of us would have done with this time, to tear
ourselves away from its phenomenal predecessor ‘When Empires
Burn’.
On another side, it’s given one of his longest serving backing band members time to jump ship, keyboard king Paul Hodson seemingly too busy with Ten and other things. Enter Irvin Parratt who makes his presence felt very strongly on this album, alongside drummer Jamie Little, still here from last time. Still in situ of course are Bob’s longstanding old muckers Al Barrow and Vince o’ Regan, and joined by another familiar face on the Brit AOR scene, Lost Weekend’s Dave Thompson, who adds additional harmony guitar layers as well as contributing to the writing on most of the 12 numbers. Quite clearly Bob’s longest album, at something close to sixty five minutes, O’Regan’s incendiary progressions once again keep things motoring almost all the way along whilst that unmistakable Catley throat collectively dominates. Sadly, Vince’s band Pulse are no more but at least his style and presence are very much maintained, not unlikely owing to working on this project so soon following. Ironically enough, his melodies are just sometimes a little Lost Weekend-ish too but put anything under Bob Catley and he’ll apply his mighty lungs to the cause. A little less instant on some occasions, a few numbers collectively lack the pull of the previous offering, though only just enough to lose one point, I am still looking forward to hearing powerful tunes such as ‘Heart Of Stone’, ‘Moment Of Truth’, ‘Blinded By A Lie’, ‘Judgement Day’, ‘Walk On Water’ or ‘End Of The Story’ on this April’s UK tour. ‘Spirit Of Man’ is in general a very good disc despite the trivial flaws aforementioned and is an essential part to any Catley /Magnum collection. Recommended. 9/10 By Dave Attrill ALSO RECOMMENDED
(** Just gone to press at time of writing, Al Barrow and Irvine Pratt will not play on the UK tour – they will be replaced by Gavin Cooper (Bass) Oliver Wakeman (Keys.) respectively. |
| CHARGER/BIRDS
OF PARADISE - Split single Charger’s contribution to this double A-side, is subtitled ‘You Are already Dead’, which may work as a tactical description of their fortunes if they fail to produce anything more listenable than this twelve minute lump of totally directionless industrial dirge which I just manage to sit through in its entirety. Repeating the same riff for two thirds of the duration tests me as it is. The latter act are better but no more than acceptably so, same sort of vocals though very badly affected by the mixing, but to more a tuneful musical trek, adding in pin-prick pinches of pop and blues twang but still nothing to get too excited about overall. Still, they’ve got more than just one song - I hope - of their making so maybe next time.. 5.5/10 By Dave Attrill |
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CHINCHILLA –
Take No Prisoners
(Armageddon Music - 2004) On first listen to this album the sound was reminiscent of Judas Priest, Iron Maiden and WASP. The fast opener ‘The Almighty Power’ had certain thrash/punk elements that weren’t to my taste but ‘Death is a Grand Leveller’ soon caught my attention showing good promise. ‘The Call’ has strong Maiden vibes, ‘The Ripper’ reminiscent of Halford both musically and vocally. All three tracks were catchy and in my opinion showing a welcome departure from the first track with good melodies that were well performed with good guitar throughout and some great bass in ‘The Call’. The title track, ‘Money Talks’ and ‘Rich Hounds’ all had that distinct punk feeling, faster tempo and blatant over-repetition emphasised by some unimaginative drumming that proved a little tedious for me. ‘Lost Control’ was an improvement if only for a deep, rich guitar hook but the lyrics in the verses sounded awkward and a little forced into the music. ‘Silent Moments’ showed another more refined side to the band that I found impressive. The slower pace seemed to bring a better quality of vocal talent from Thomas Laasch (who sounds like Bruce Dickinson in this track) and the violin was also well used in the background. ‘Stillborn Soul’ was my favourite track from the album; again set at a slower pace it plodded along well with lyrics and grows on you with each play. This track has a strong melody and has none of the faults I outlined on some of the earlier tracks – great work. In summary, a bit of a mixed bag but overall enjoyable and worthy of recommendation. 7.5/10 By Al Hoath |
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City Weezle –
S/T
(S/R – 2005) hailing from the Mike Patton school of music – well they do give this impression anyway. It’s funky, crazy soul stuff with quirky vocals. Grade A students with mad arrangements You simply don’t know what’s gonna happen next – so god knows what these guys are like live. A band who deserve to be signed up and heard. 9/10 By
Glenn Milligan |
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Alice Cooper –
Dirty Diamonds
(Spitfire/Eagle – 2005) Mr. Furnier’s current release that is similar to his previous effort ‘The Eyes of Alice Cooper’. On this album you get 13 songs that were written in as many days but this time with the allowance of more production coming from Rick Boston (Rickey Lee Jones) and Steve Lindsey (Elton John/Leonard Cohen). The line-up is the Alice Cooper (Vocals/Harmonica); Ryan Roxie (Guitar); Damon Johnson (formerly of Brother Cane) and Drummer, Tommy Clutetos. There’s an army of other guests on here that include keyboard player Teddy ‘Zig Zag’ Andreadis, most notably of GNR fame. Songwise there’s everything you’d want from an Alice Cooper album – twisted humour – a good example being ‘The Saga of Jesse James’ about a cross-dressing cowboy that is reminiscent of ‘The Ballad of Dwight Fry’ but in a Texas style. There’s ‘Woman of Mass Distraction’ with its sultry cookin’ riffage – a classic play on words and the Beatle-esque quality of ‘Perfect’ about a girl who can perform in the shower … ooer – he’s talking about singing actually but falls to pieces at the karaoke bar. Cooper’s cover of The Left Bank’s ‘Pretty Ballerina’ is real nice and he sings that in a beautiful yet uneasy tranquil style. He’s soon back to his stick the dagger and sword in style song with ‘Sunset Babies (all got Rabies)’ that takes the piss out all those good lookin’ but braindead blondes – it’s pure rockin’ singalong Alice humour. Other highlights include the ‘I can’t explain’ like ‘Your own worst enemy’ and the biggest turn up for the books being the bonus track called ‘Stand’ - a rappin’ thang with Xzibit. It’s album that goes towards setting the standard of shock rock ‘n’ roll with its clever lyrics and first and foremost, hot entertainment. 8/10 By
Glenn Milligan |
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Cosmic Ballroom –
Your Drug of Choice
(Roastinghouse Records – 2005) Slammin’ punk glam 4 piece from Sweden, blowin’ the dust away throughout this album – it don’t let up from ‘Barely Legal’ to ‘Psycho’. Imagine Therapy meets Teenage Casket Crew, the 3rd release just keeps going rock n roll , party on, bash, bash, bash. They have even toured with the Big Bang Babies and The Hellacopters and it ain’t hard to see why. Crank it up and stand well back. 7/10 By
Glenn Milligan |
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CREOZOTH – Creozoth
(Escapi) With a name that sounds as bit like that funny green stuff you put all over your garden fence, Creozoth have quite a colourful approach to their ssociated area of noise, delivering a palatably Testament-ish power metal assault. Relying on scope for substance, to pepper their product with a contemporary vibe, inspiration for true metal fans young and old alike, with meaty rhythm guitar lines in particular adding sturdiness to all twelve songs. Playing jointly in their favour is the ‘gothic-toned echo effect used on some of the vocal parts throughout the album, which vitally contributes to its latter-day essences. Creozoth’s main down-letting is that only seven numbers are particularly or nearly instant on the listener and the others would have thrived from bigger vocal hooks but for those who approach the album with purely instrumental aspects in mind, there’s less disappointment. 7/10 By
Dave Attrill |
| 2005 |
CLUTCH
- Pitchfork & Lost Needles
Hardcore legends Clutch were one of the scene’s top bands that I never managed to get a good full length spin of when I was into it, full on. This latest offering, despite being an odds n’ sods affair, throws a little light on what I’ve probably been missin’. I HAVE caught the odd tune or two of theirs over the years so am not speaking from total lack of knowledge. Sporting melodic guitar lines for a band at the heavier end of the HC. spectrum, the Madball-esque range of frontman Neil Fallon therefore seems to stand out as the solely fulfilled regular obligation but it obviously forms distinctively more accessible material that way. Might decent in the main and like I mentioned earlier, I have actually heard a little bit of their stuff before, so I should be safe in saying this more or less meets expectations but I’d still suggest you give it a listen first if you can. 7.5/10 By
Dave Attrill |
|
CUSTARD - Wheels
Of Time
(Mausoleum Records - 2005) Er, excuse me, do you mind just repeating that name again. Now look, I don’t care what country you’re from, boys but calling a heavy metal band ‘custard’ is an own goal, on the commercial front, of the utmost magnitude. Provided you can cross the obstacle that is their more-than-a-little-questionable moniker, their sound is about 99.9 percent less absurd than forecast - in fact remarkably akin to another Gerry fivesome that have been doing the rounds for the last couple of decades (their name begins with ‘H’ by the way). Twin guitars as opposed to one set of strings and one row of keys, they have, all the same, a very symphonic list in their sound but avoid the epic territories their fellow mainland contemporaries constantly wonder into - the longest song here being 5min 28. Vocalist Guido Breke boasts a range not totally unlike TNT/Westworld wailer Tony Harnell but some of those backing harmonies with the four other fellas does almost prompt pressing of the ‘skip’ button every now and then. Assuming that some will be no doubt listening for hook value, do not despair as this line of rock does still deal, and paired with their preference to keep things short, sweet and straight, and welcome but not over-formulaic guitar activity, - depending on how most purists judge - you have a band placed firmly at melodic power metal’s better end. A custard you can enjoy without worrying about any skin forming on top. 8.5/10 By Dave Attrill Also Recommended : LAST
TRIBE Witchdance (Frontiers 2002) PAN
RAM - Rats (Event Records 1996) |
| CARNAL
RAPTURE – S/T (3Track Promo)
(Unsigned) Back on with the sweet names again are we? Mind you, Carnal Rapture’s sound isn’t, instrumentally speaking that un-sweet itself, trying to slide progressive funk-edged twangings and beats comfortably under the….. well you probably know what the vocals are going to be with a name like that. A weird combination but watch out, it may yet work. 7/10 By
Dave Attrill |
| CATFISH
- The Teaser (7 - track Demo) This 'ere fangled idea of blending psychedelic fuzz and alt rock sounds together seems to be catching on, doesn't it. Unlike full use of such technique to write SONGS. Sadly committing almost the same crime as Tronin but not quite as seriously, the first half of this mini-album sounds like and is just muddled pieces of strange dark noise, lasting from 1-and-a-half to three minutes while the final four tracks just about sound like this band have actual tunes to speak of. Sadly, it still all gets lost in the mess and a case of all image and no content looks quite inevitable. 3.5/10 By Dave Attrill ALSO AVOID |
|
Cherry St – Monroe
+ 3
(Perris Records – 2004) More AC/DC like stuff from Cherry St. Starting with my fave ‘Dogtown’ and goin into more rock n roll party sleaze. It came out originally in 1996 and features on vocals ‘Marq Torein’ from Bulletboys and Kevin Steele from ‘Roxx Gang/Mojo Gurus’.– They always put a smile on my face. I dig ‘em – Sin City here I come !! If only they’d play over here. 8/10 By
Glenn Milligan |
| Cherry
St. - X-Rated
(Perris Records) Very like their label mates, Broken Teeth., the music is a staple diet of AC/DC, AC/DC and a bit more AC/DC -. Slutty sounding songs splattered at you in less than half an hour. It's all good stuff, making it hard to pull out stand outs - I'll give it a go tho. OK, notebooks at the ready - be sure to crank up 'Luv Junkie'; 'Red Devil'; and the 'beatin' around the bush' like 'Whiskey' - oh f*ck it, it's all a big highlight, so who am I tryin' to kid. 8/10 By Glenn Milligan |
|
CHROMA KEY - Graveyard
Mountain Home
I’ve known of this act for a while now… and I’m starting
to wonder why, on finally listening to what these prog ‘sensations’
have to offer. Generally speaking there’s nothing particularly musically
inept about their brand of smooth acoustic driven noise except that it
doesn’t exactly hesitate to bore the s**t out of me.
(SPV/Inside Out - 2004) Initially it seems an interesting idea but after about three tunes you know it’s going in no real direction with absence of hooks or any real catching factors, and vocals that sound like someone was accidentally picked up humming along to this in the studio ruin things even more. Strictly for the ‘nuts’, I’m afraid. 4/10 By Dave Attrill |
| COURAGEOUS
- Inertia
(Mausoleum - 2005) The label who've just supplied me with a absolute stonker from Imagika (see 9/10 review elsewhere on the site) also sent me this almost equally commendable disc from German melodic metallers Courageous. A tad tricky to categorise as almost anyone who listens to just one or two tracks of this platter will grasp, some smart young hooked up on the hint that throwing together Thrash, Hardcore and Goth into the same jar and shutting the lid firmly fro a few hours makes fro sweet listening. 'Inertia' seems to have it proven in almost its own way. If you enjoy In Flames or a less industrialised Fear Factory and with no less than three different lead vocal styles alternating shifts throughout, this band might meet with most of those preferences. A combination of styles that hasn't totally eluded me before, and on most attempts to work it succeeds. Well, for these lads it does, anyway. 8/10 By Dave Attrill |
|
Crucified Barbara -
Losing The Game (Single)
(GMR Music/Black Egg - 2004) Scandinavian female 4 piece that are a cross between Rockbitch Girlschool and Broadzilla all rolled up into one - Girls with balls who can play real well too - yes I am talking musically before any of you get rude!! 'Losing the game' is an bolshie number against blokes who don't treat women with the respect they deserve - It's presented as an edit and full album form. These girls have class as they've performed a killer version 'Killed By Death' by Motorhead !! My fave number by them as well. Nice One !! Looking forward to the full album !! 10/10 By Glenn Milligan |
| Dec.
2004 |
| CROPMENT
- Spiral Of Violence
(Fast Beat Records - 2004) The dreaded old story again, ladies and gentlemen. Name I've never come across this side of my birth, meets music I have, more than my share of times necessary. This Swiss fivesome's typically tedious deathly seethings ride atop predictable and quite often recycled-sounding 200mph guitar rhythms, with occasional surprises but little else. As always, recommended with no hesitation for fans of all things 'Grrrrr..' but for those seeking anything to go 'ooooo!!!' at, you're probably only likely to end up going bo-o-o-o at this instead. Another too average day on the job. 5/10 By Dave Attrill |
| CHAOS
STAR - The Scarlet Queen
(Holy Records - 2004) Just to warn those of you in the habit of judging books - or CDs for that matter by their cover, this is another of this label's belly-dives into more deeply diversified waters in order to stretch the parameters as wide of the more common sounds associated with the metal genre as is acceptable to most. If you like a blend of orchestral-based sounds with a dark brooding overtone, however, and more than a few well-accommodated gospel-esque moments to boot, then you should not have too much against trying this one out. The tunes are pretty well varied in their directions and the gothic feel remains in effect throughout, a bit like those magic images of dolphins that are supposed to show up when you look at those collage pictures of oranges or bananas laid out on city street pavements, for half-an-hour or so, though this album is still a lot less patience testing than those things. Absorbing stuff by the end of the day but I recommend most of the even slightly doubting give it at least a second spin before making judgement either way. 7/10 By
Dave Attrill |
| August |
| CHERRY
FALLS - Standing Watching (1-track promo)
(Universal/Island - 2004) Another lot latched by the growing craze of coupling alternative rock rhythms with Hard Rock/AOR - influenced harmonies, 'Standing Waiting' picks me up from the start and more or less keeps me with it all the way. The hooks are not at times the biggest I've heard but after three listens it's proved quite absorbing, If you like the recent albums from top Canadian melodic rock act Harem Scarem (as I do), this proves quite recommendable. 7/10 By Dave Attrill |
| Crimson
Altar - The Ghost Ship Sails A darkish UK based metal outfit with a straight sounding female lead vocalist who give us 8 songs of majesticism - it's cheesey and I think that it would be betterly suited to the European and Japanese market rather than to the UK. The vocal harmonies aren't brilliant but it's sound enough musically - although it's rather heard it before a million times. Crimson Altar have plenty of enthusiasm though. Check it out yourself and
make your own mind up. 5/10 By Glenn Milligan |
| March |
| Cherry
Street - S/T
(Perris Records - 2003) Doing the 'DC the AC' way in good old LA. Tom Mathers (of Perris) has his band rippin' at us with plenty of full-frontal rock 'n' roll with killer cookin' cuts. It reminds me of a cross between Strongheart (ther song 'Dogtown' especially) and splatterings of Rhinobucket. There's tons of partyin' highlights such as 'Heart of Stone'; 'Me against the world' and 'Black 'n' Blue' and enough dirt and grit to fill a highway maintenance skip. 8/10 By Glenn Milligan |
| February |
| Crown
10 - S/T
(So Cal Records - 2003) No it ain't nothing to do with paint or a type of car but 'Crown 10' are in fact a Californian trio that features 'Joel Maitoza' who was the drummer for '24-7 Spyz' who were a kind of Hendrixy 'Living Colour' mixed in with elements of 'The Dan Reed Network'. This band is more like 'Alice In Chains'. Many of the songs sound very similar and have a kind of downward spiral feel to them but I do recommend the track 'Innocent' if nothing else. The album is tedious and not what dreams are made of - unless they are dismal ones. 5/10 By Glenn Milligan |
| Jan. 2004 |
| The
Cooters - The Moon will rise again
(T-Bones Records - 2002) Hailing from Oxford, Mississippi, The Cooters are a highly entertaining bag o' 'billies who I'm sure must have changed their names sometime in the past and were actually members of some crazy 80's grindcore bands. They go by the names of Judas Cooter (Drums, Vocals and Alto Sax), Raw (Guitar, Vocals, Tenor Sax) and Neuter Cooter (Bass, Vocals, Moog, art and design) It's metal and completely nuts - take the hectic 'Purge' for instance and 'Purge Reprise', strangely enough, straight after it - bizarre or the cracking 'Punch yer neighbor'. 'Unclaimed Furniture' is an absolute hoot - a 'cooter hoot', I add which is actually a phone call to audition to become a singer in a band - it's OTT and well worth checkin' out. These guys even have there own 'Cooter Theme' that a bangin' bit of country that's perfect for a barndance. This is zany, southern humoured and a 100% grower. File in between your 'Lawnmower Death' records and your Emmerdale 'Woolpackers' album that you stole off your mum. 7/10 By Glenn Milligan |
| Dec. 2003 |
| California
Guitar Trio - The First Decade
Acoustic and Electro-Acoustic instrumental pieces from the CGT - 19 in all that are intricate, relaxing and perfected exceptionally well such as the sharp 'Melrose Avenie'; the powerful almost Pink Floydy meets John Williams 'Kan-non Power'; the Led Zeppy calm and energetic trilogy called 'Train to Lammy Suit (parts 1-3) and the Spanishy 'Great Divide'. One for the musical lovers of the wooden guitar. 8/10 By Glenn Milligan, BA Hons CS |
| David
T. Chastain - Rock Solid Guitar
Chastain, the man behind Leviathan Records throws another instrumental album at us. There's Rock, there's Blues, Rock-Blues (Dancing with Devils Mistress), Stripper likened slutty blues (Getting a little crazy), Jazz in 'Keeper of Tomorrow' and even a salute to AC/DC's Young Brothers in 'Hats Off to Angus and Malcolm' This guy can basically play any style of music and proves that fact here - OK, there's no country but no doubt he's an expert at that too. 8/10 By Glenn Milligan, BA Hons CS |
| CONSPIRACY
- The Unknown
There are some things that
instantly work miracles within a music scene for a Mixing elements of his day
act with slices of stripped down, smoothed Recommended. 8/10 By Dave Attrill |
| Alice
Cooper - The Eyes of Alice Cooper
Detroit's famous make-up wearer has now ditched his nu-metal dirgy style of the last two albums 'Brutal Planet' and 'Dragontown' and gone back to the roots for a good old rock 'n' roll garage like get it down on tape album - it's easily the best he's released since 'Trash' and recorded by the guy who goes by the name of Mudrock (Godsmack's Producer). Alice's gutsy rock 'n' roll and sick 'n' twisted lyrics have hit an all-time high and especially on 'Man of the Year' about a guy who's perfect but bored and then blows his head off - there's even a gun click to give the impression he's pulled the trigger - followed by a verse about his funeral being perfect as well. Then there's 'Novocaine' about a feeling no pain or a jump back to the style of 'Welcome to My Nightmare' where 'This House is Haunted' scares the sh*t out of the faint hearted and concerns a man who sits in his house with the ghost of his girl who has committed suicide. 'The Song that didn't rhyme' is pure Cooper humour about precisely that. Mr. Furnier also salutes his birthplace and artists like the MC5 in 'Detroit City' - oh and while I'm on the subject of Detroit 'Wayne Kramer' of the MC5 plays additional guitar on the opener 'What do you want from me?'. Alice even admits that he felt or feels like an outcast who's trapped 'Between High School and Old School'. This is an outstanding album and he hope he continues like this until he's hung, electrocuted, guillotined or buried alive. Sh*t, things like that happen at every show - but I've heard the current tour is completely back to basics without all the theatrical props - with songs like this as good as this you can get by without 'em. 10/10 By Glenn Milligan, BA Hons CS |
| CAUTERIZE
- Something Beautiful (1-track Promo Sampler)
(Wind-Up Records - 2003) Having only one song to assess a band on the account of is quite often annoyingly hard, but when the band is of that most predictable of all genres - pop-punk, hearing one tune is like hearing all of them as the ancient proverb says. On the brighter side, Cauterize aren't the worst I've picked up recently and although little originality exists herein, 'Something Beautiful' is still a bit of fun for the three minutes that it's playing for, and a likely chart success on this isles. Not all that bad, this stuff really, is it. 7/10 By DaveAttrill |
| CLAMS
- Stray/Try & Fail/Capricorn (3-track promo sampler)
(Boss Music - 2003) No, it's not a renaming of Ginger's short-lived project with Life Sex & Death/Anti Product man Alex Kane that fell so flat on its arse a few years ago but a new band who just happen to have a similar name, that's all (I hope). Frankly though, while a totally different bed of roses, this sampler, whilst not particularly abysmal is little other than particularly so-so in its average-y industro-garnished alternative rock content, although the acoustic instrumental at the end batted an eyelid. As always a possible case, they could have some great songs on offer and I just happened to have been landed with the less advisable selections. 5/10 By Dave Attrill |
| Kory
Clarke - Opium Hotel Warrior Souls frontman will roll your rock and mysteriously will have you thinking "What the hell was all that about? But I dug it anyway". Imagine mixing in Marilyn Manson, Hawkwind, Nine Inch Nails and at various points in the proceedings get all experimental and weird on you and then branch out into Stoner rock before sailing into abstract oddness - well that's exactly what this album is like. When you then consider his political angst, social awareness and environmental issues you realise that this is gonna stand out from many releases out this year - unless Korey brings another album out in the next few months. He's out on tour in the UK soon with support coming from the excellent Sheffield outfit, 'Induce'. 8/10 By Glenn Milligan, BA Hons CS |
| July 2003 |
| CAGE
- Darker Than Black
(Massacre Records - 2003) I've often seen this lot's last CD filed under melodic rock in specialist rock store shelves but on the enclosed print for this, their 2nd album, the style description of San Diego's 'Cage' makes them out to be more of an extreme metal act. So who's bluff do we call here then. Cage sit moored between both ports or to cut to the facts - this is a very good melodic power metal album. Opening cut 'Kill The Devil' - as the title incriminates - may be more clichéd than is worth thinking about - but the Judas Priest-educated chirpings of frontman Sean Peck, with deviations at appropriate intervals into goth and death-ular tones work in distracting one from the album's sole flaw. The strumming and the drumming sustain excellent momentum throughout though solos are quite limited in both length and quantity - not the seemingly endless shred-fests that Messrs Tipton and Downing made the trademark of herein mentioned Brit metal legends over the last two or three decades. 'Wings Of Destruction', 'Kill The Devil', (yes I still sort of liked it despite its title and lyrical content) 'White Magic', 'Chupacabra' and 'Door To The Unknown' are songs on an album that will to this genre of metal do little either in the way of increasing commercial credibility (sadly) or furthering disrepute. As regarding the faithful, it's a wet dream for the majority of Priest fans walking the planet. Own it. 9/10 By Dave Attrill |
| BOB
CATLEY - When Empires Burn
(Frontiers/Now & Then - 2003) When Bob Catley released 'Middle Earth' two years back, most including myself were speechless at its power. Aided again by Ten motivator Gary Hughes, it was a giant amongst melodic rock albums of the new millennium. And then the way of the world rendered Gary unable to ink a fourth contract but Catley was left in a very short-lived limbo if any at all. Bob's Hard Rain/solo touring keyboardsman Paul Hodson saw the vacancy straight away and took it with both hands and on account of the standards excelled here, a third one was possibly involved too. An orchestral intro could not seem more appropriate for such a masterpiece as this and guitarist Vince O'Regan's equally drilling intro into 'Children Of The Circle' is immediate testimony of his musical prowess that's licensed also his first studio outing with the great man. (I take it Bob was impressed with the Pulse album then). 'Children' is almost immediately established as a Hodson-brand number, despite sounding like any of the best tunes off Ten's 'Babylon' and 'Far Beyond The World' albums, the latter Paul's debut with the Mancunian goliaths. An incredible tune not only for such obvious reasons, neither does 'Gonna Live Forever' deviate from such description in the slightest, armed with one of the most memorably choruses Bob has ever sung and bring to mind one or two tunes from 'Storyteller's Night'. 'The Prophecy' and 'I'll Be Your Fool' uphold such standards with absolutely no bullsh*t and bring to mind melodies from the 'Tower' and 'Middle Earth' discs. 'Every Beat Of My Heart' and Meaning Of Love' are two mind-numbing lumps of AOR that distance themselves from Catley's past associations as far as the fence allows - Catley stretching his soul as far as it can go without ripping it. The title track and 'This Is The Day' arc back to 'Robe'/'Spellbound' ear Ten with '.Day' led off by a clean snippet of Hodson's talents on the playing front, which align with those of his in penning. 'Someday Utopia' is one of the fastest tunes Bob has ever fronted and alongside Hodson's hitherto mentioned day acts also sports a vague Royal Hunt inspiration. 'My America' begins with a few bagpipes. Yeah, right .. that makes sense and so it ends though is a superior tune to the Magnum number of similar name and is the only really 'Legends' -esque number on the disc. Coming on to the two bonus tracks finally, 'Heaven Can Wait', while being the second Iron Maiden title Bob's stolen, is very much in the same mould as 'I'll Be Your Fool' but with surprising as it seems even better vocal melodies and demo 'When The Earth Lies Still' - which I HOPE will be kept for the next album is a modern day 'Les Morts Dansant'. A piano/vocal only number from Paul and Bob, it allows these two men to showcase the strong musical relationship they've forged through the recent years from when they first worked together in Hard Rain, to the present day via this PHENOMENON of a melodic rock album. This is practically the very, very, very, Ve-Ry best work to bear the Bob Catley name, ever -absolutely no buts about it. Only outweighed if at all by Magnum's 85-88 material and perhaps nearly 'Middle Earth' too, the melodies created by Catley himself, the mega-gifted Mr Hodson, O'Regan, and let's mention Al Barrow (Hard Rain/Magnum) and new drummer Jamie Little (Saracen) too, made it all possible. This my friends is one album that will make Tony Clarkin quake in his boots. 10/10 By Dave Attrill |
| CHARGER - Confessions
Of A Man Mad Enough to Live Amongst Beasts They are British. They are heavy. They are.. Well other straight descriptions of Staffordshire-based sludgecore metal arrivals are a bit tricky although they would hold quite an appeal to fans of Iron Monkey with their sound. Putting some though into how to back up their sometimes Devin-moulded mouthery, they have an interesting amalgam of guitar arrangements that know when to stand and when to kick. Supported also by drumming from a chap who seems to be frightened of claming down, and production handled by Billy Anderson, behind releases by Neurosis and Eyehategod, the addition of another UK act like this to the scene should do plenty to balance the credibility in the contemporary metal market. One point itself is practically deserved alone for the titles of some of these tracks - I'll let you see them for yourself when you buy this album that I suggest you consider doing. Material with little cause for complaint, apart from, from the neighbours. 8/10 By Dave Attrill |
| Johnny
Gioeli and Jun Senove - Crush 40
(Frontiers/Now and Then - 2003) A Racin' Rockin' full on fifth gear overdrive - let's go that features the vocalist of Hardline (Gioeli) and Japanese guitar dude Jun. The songs are similarly styled redlining 200+ mile an hour melodic rock gems that they obviously had a good time putting together. Highlights include 'Revvin' up'; 'All the way' and the tasty 'Escape from the city' that features Ted Poley (original 'Danger Danger' vocalist). 7/10 By Glenn Milligan, BA Hons CS |
| Pre-July 2003 |
| THE
CALLING - For You
(Wind-Up Entertainment - 2003) Another recently conceived rock act this time opting for the big break via the big screen and it would have to be this oh-so -slightly much talked about blockbuster, wouldn't it. Accounting for themselves musically, the solitary tune on offer here is a pleasantly mellow-sounding post-grunge number combined with that sort of new design melodic rock fell on behalf of its soulful implication. I would have appreciated more than just one song, but this taste is just about enough to convince me there's something appetising round the corner. For me? Hmmm.. Probably. 7/10 By Dave Attrill |
| CHOLERIC - Weed Out The Weak (Cholericmusic - 2003) Y'know, there are those bands who just love to make a racket. But they like to write songs too, by the way. Choleric are doing that highly approved of styles in relentless death-core mixed with alternating-mode vocals, changing from growling to graceful and back on a well laid out synchrony we have seen perfected by Shadows Fall amongst recent others. The guitars get in on the action and go through the styles, dominated by wisely influenced Sepultura-meets-Testament brute, notably on 'Colder', 'Mind Like Mine', 'Frieds Like You' and 'Kolobos' and there are moments that could have belonged to Usurper, Dearly Beheaded and even Extreme Noise Terror, to be traced. In absolute contrast, 'My Angel', is an almost total departure from the sledgehammer brutality of the other ten tracks, going for a totally melodic dirge that accounts for an absolutely unexpected blast of versatility and has a vaguely noticeable grunge vibe. 'When The Sun Goes Down' then closes the album in style by compiling every idea from the rest of the disc onto one track and adding a smidgen of industrial vocal layering on the top for good measure. At only half-an-hour or so long, it doesn't stop around long enough but extreme metal acts are long trained in the art of keeping it short and keeping it on top. Choleric know how it is. 8/10 By Dave Attrill |
| COMA STAR - Headroom Of Conscience (Locomotive Music - 2003) Like Spain, Switzerland have played a relatively minor role of profile in the rock/metal industry they've got less to be ashamed of, especially when bands of the Coma Star caliber show their face round the door. Either someone is trying to say that grunge is still big in 2003 or they are trying to reinvent an old machine, by replacing about 70% of its parts and polishing the others so thoroughly, you'd think they'd just rolled it off the belt, this morning. Mixing the vital components of Cold, Soundgarden, Bush, and taking quite a few hints down the corridor from Brit hotshots Cortizone, and as the flyer quite rightly states, U2, intended trajectory of this band's musical craft is almost but not entirely known. The licks, the passion and the angst soaked melodies are all present and correct, and on listening a second time, I'm actually thinking suddenly of a more lightweight Disturbed - sod all the other comparisons. Moving stuff by Coma Star there, a vital passenger on the modern day metal wagon. Worth hearing. 8/10 By Dave Attrill |
| California
Guitar Trio - A Christmas Album
(Inside Out - 2002) Ok, for the record, it ain't rock or metal but it's far to good not to review and simply throw to one side. 3 Classical guitarists playing Christmas ditties - the members being Bert Lambs (Brussels), Hideyo Moriya (Tokyo Native) and Paul Richards (Salt Lake City, Utah). They play up and down the West Coast of the USA. I don't usually go near Christmas albums but when you get mind blowing performances of John and Yoko's 'Happy Xmas (War is over'; 'Greensleeves' - (the theme from the kids tv show 'Lassie') and 'Merry Christmas, Mr. Lawrence it's just got to be set spinning near the laser. Here's to another great Christmas. 10/10 By Glenn Milligan, BA Hons CS |
| CORPORATION
187 - PERFECTION IN PAIN
(EARACHE RECORDS - WICK 14CD) These Swedish thrashers hit the stereo with a full on assault and battery of European thrash metal at its best 'Perfection in Pain' is the second CD to be released from the brutality that lurks in the depths of Swedish hell. Corporation 187 started out being a Slayer cover band so you have a rough idea what is about to enter into the sorry lives you lead. 'Religious Connection' starts off this ten track CD as any thrash metal CD is suppose to start, with extreme whirlwind guitar playing that rips the roof of any house to the intense pounding of the pneumatic drilling of the drums to the torturous screaming of the vocals that can and will bring the dead awake. Corporation 187 start as they mean to go on, but with a mission to put full on thrash/death metal to the forefront of the metal scene. Although the CD lasts just over 30 minutes, it's tight, it's clear and it's worth a place in anyone's thrash metal collection along side your 'IN-Flames', 'Bathory' and 'Slayer' collection. 9/10 By Tony Watson |
| Pre-2003 |
| Ruud
Cooty - Aftermath
(Lucretia Records - 2002) A blues-rock album featuring famed guitarist David T. Chastain that's got a vocalist called Stephen Frederick who sounds like a 70 year old heavy smoker who's constantly trying to removing sticky green stuff from his throat. It's ok for a while but it doesn't break any new ground at all as the bulk of the album is a tedious task top get through and falls well short of David's other blues outing 'Southern Gentlemen'. Highlights though include 'Crying through another heartbreak' with Chastain's metallic extended blues solo and 'Shoot 'em up (Drop 'em dead) about distressing a murder and nearly being killed in the process. For hardcore blues-rock fans and David T. Chastain completions only. 5/10 By Glenn Milligan, BA Hons CS |
| CAMAROS
- ROMANTIQUE
This trio from the outer limits of a rocky unpopulated environment of Norway hit the stereo with desperation, bought forward with genuine passion for authentic rock, Camaros are not your typical kick ass rock 'n' roll band with an attitude bigger than America, these guys know how to combine coherent riffs with fusion of fuzz and mantra like addictive grooves, which takes hold of you from the start of 'Babe, You Got Me Down'. This Mixture of style could have you thinking is it 'Led Zeppelin', 'Hendrix' or even 'Oblivians' or even the alternative hardcore bands like 'Nomeansno', 'Butthole Surfers' and 'Lard' but you will make your own mind up when it's been played endlessly as their style grabs you by the balls, which leaves you with a sense of self satisfaction. This 11 track 56 minute CD is a lot more interesting and fascinating than the camp cover they have used (don't let this put you off). If you are that sort of person how purchases a CD for it's cover then you will miss out on one of the greatest authentic rock albums of the year. 9/10 By
Tony Watson |
| Crown
of Thorns - Karma
Warm, passionate, powerful rock that's extremely melodic with a large abundence of beautiful harmonies and hard edge featuring elements of Firehouse, Def Leppard, Danger Danger and a tad bit of Bon Jovi. The Californian vocalist and leader, Jean Beauvoir with his rich sweet vocals guides the band into musical splendour with some bright moments like the opening 'I believe' (and before you ask, no it's not that Bon Jovi song that starts off their 'Keep the Faith' album) with the news that it's be a scorcher of a day in LA, California. So many highlights placed neatly together in a album lasting around 41 minutes such as rockin' 'Til you've had enough' with its crashing and gunshot sound effects; the realism of the ballad with Doro Pesch - 'Shed No Tears' - these two were born to sing together because their voices blend perfect; the sadness of another ballad 'Alone Again' with deep atmospheric keyboards. 'Keep on Survivin' seems to be an ode to staying in the music biz - which Crown of Thorns have managed to do for nearly a decade. 10/10 By
Glenn Milligan, BA Hons CS |
| CREED
-BULLETS Bullets, 3
minutes and 49 seconds of Creed at their hardest and at their best,
this is probably the heaviest track on the CD and as an album track,
probably the best. 10/10 By Tony
Watson
|
| Gilby
Clarke - Swag
Gilby Clarke (that some of Joe Public will remember as the riff-meister who replaced Izzy Stradlin' in G 'n' R) is back with his latest studio album 'Swag' of which Gilby told me recently was a year in the making and the title means nothing - it's just a rock album. Guests galore appear, most notably, guitarist Tracii Guns (LA Guns) and Kiss/Alice Cooper Drummer, Eric Singer who add that extra bit of spice 'n' kick to it. There's an amass of up-tempo original material and even a fresh 'n' lively cover of David Bowies 12-bar boogie epic, 'Diamond Dogs'. 'Swag' is modern, punky, pop, rock and metal all under the same banner. There's enough varied material to keep every listener entertained and coming back for more lavish helpings. 'Broken Down Car' is a 50's styled boss nova rocker that'll have you twistin' and smashin' up those seats and after which you'll need time to recover - so relax to 'Margarita' (a nice little song about a bar bird). How about the ballsy G 'n' R'ish, 'Beware of the Dog' with some awesome NIN vocal effects. One of the stand-out's though in my humble opinion is the blues harmonica squealer 'Warm Country Sun' where it seems AC/DC's Angus Young is paid tribute to because it's jam packed with crangin' riffery and dirty swagger. Ok, it took Gilby a year to get this out onto the street - but there's a fair tunes that make it worth the wait.
By
Glenn Milligan, BA Hons CS |
| The
Company of Snakes - Burst The Bubble
After their splendid amass of gigs throughout the UK in the last year or so - it's really great to see this collective force of ex-Whitesnake and ex-Rainbow members plus the ex-vocalist from Snakes in Paradise Stefan Berggren bring out their first all-new material studio album. Quite frankly, if you loved early Whitesnake before Coverdale jumped over the pond then just it bought. It's got everything - blues-rock, throbbing 'snakey riffs thanks to ex-Whitesnakers Micky Moody and Bernie Marsden and even Rainbow come 'snake styles, courtesy of bassist Neil Murray and Keyboard extraordinaire, Don Airey. Splendid drumming comes from ex-Manfred Man's Earthband member, John Lingwood - who salutes Cozy Powell proudly - God Rest and Bless his Soul !!! If you cast your mind back to the early 70's you may remember a band going by the name of Jo Jo Gunne - well C.O.S have adopted their rock classic 'Run, Run, Run' and mixed it in with one of their own 'Ride, Ride, Ride'- turning it into 'Ride Ride Ride (Run, Run, Run)'. It works a treat - god these boys are good. I'm real pleased that they didn't stop as a parody of themselves - their new material may not completely over-ride standards like 'Slide it in' or 'Fool for your loving' but they have a damn good go. There's plenty of classy hard rock, like the title track itself, 'Burst the bubble' with it's big fat bluesy riffs, that reminds me of a cross between ZZ Top's 'Cheap Sunglasses' and 'Manic Mechanic' (from 79's 'Deguello album) - then there's the amazingly atmospheric whispering of the year '1984' from female backing vocalists. Produced by Nikolo Kotzel who's worked with 'Accept' and has only recently stopped twiddling the knobs for Saxon (the awesome 'Killing Ground' album). 'Burst the Bubble' has a full-on raw energy rock production that captures them the way they come across in the live surrounding - the way it should be - REAL !!! Sell-wise, the album is bound to do well - if moves as well as gig tickets then that'll be grand. I can see it being a future classic album with tracks like the ballsy 12-bar 'Little Miss Happiness' or the Whitesnake meets AC/DC with loads of harmony ditty called 'Kinda wish you would' about wanting a real nice bird to return the favour. 'Back to the Blues' is a stand-outer as well. To sum it up, 'Burst the Bubble' is pure early 'snake written and recorded in the new millennium. The album comes complete with an into and outtro - the acoustic 'Ayresome Park' that'd fit snugly on Led Zeppelin Zep 3 or 4. This is the nearest you'll get to a classic Whitesnake album !!! Now I wonder what Mr. Coverdale thinks to it ?!?! 10/10 By
Glenn Milligan, BA Hons CS |
| February 2002 |
| CLAWFINGER
- A WHOLE LOT OF NOTHING If you are not familiar with Clawfinger Then let me remind you of what they have released in the past. 'Nigger', 'Warfare', 'Pin Me Down', Do What I Say', 'Two Sides' and 'The Biggest And The Best' to name but a few popular tracks that have given Clawfinger the credit and a loyal fan base throughout the world. Clawfinger have released their best CD to date with their techno metal, thrash guitars, sampling and rapping vocal content. With it's thirteen high tempo beats 'A Whole Lot Of Nothing' doesn't and won't give you time to settle down. This is the forth-amazing CD from the Swedish techno metallers that contains the two hit singles 'Out To Get Me' and 'Nothing Going On', it also contains a wonderful surprise at track thirteen, 'Vienna' yes the same 'Vienna' from Ultravox, If you wonder whether they have made an abortion of it, then you will be pleasantly pleased with the out come. 'Vienna' is their version it is not a direct copy, it is Clawfinger at their best doing their best, it's a song that should be a single and given massive air play if it isn't already. Clawfinger over the years have progressed with their style of music and every CD has that little bit extra to keep you interested. Songs like 'Burn In Hell', 'Evolution', 'Two Steps Away' and 'Paradise' have that hidden quality, which creeps out with every play. This forty-eight minute CD is one that needs to be played load to really appreciate everything going off in the tracks, as a lot can be missed. 10/10 By Tony Watson |
| CONTAGIOUS
- The Calling
(Z Records - 2001) About a year ago, I was talking about the first full-lengther from Liverpudlian sextet Contagious, and how that year flew, despite me always thinking 'wish they'd hurry up with the new album.' They did at least have most of the material ready for its live airing at the 2001 Z-Rock show, and how I enjoyed it, so. 'Hear It Calling' is the I best remember from that day, although my favourite up to then had always been 'Muscle', a song originally recorded by Treat and appeared on Contagious 'Red White and Slightly Blue' four-tracker (which is worth getting). 'Time And Again', 'Lost And Lonely' and 'Suzi Ann' (trust there to be one, titled after a lady's name) rule the roost as well here, and there is actually in fact, a song called 'Lady' on the album. The style continues very much as it did on the EP with all the bite you'd expect from eighties old-school heavy metal, with UFO and also hints of Paul Di'Anno-era Maiden. This is more or less purely everything today's trendies take pleasure in ridiculing to the ground- leather, denim, long hair and musical talent too. None of that ridicule comes from Metalliville quarters though, (you listening, Kerrang?) as quality not fashion is as always the strict principle us rockers - who still have a life - live by. It may be the very form of hard rock often associated with torn-jean-clad thirty somethings but 24-year olds are allowed to like it too. Superb. 8/10 By
Dave Attrill |
| Cradle
of Filth - Midian
|
| CREED
- WEATHERED
WIND-UP 60150-13075-2 'Weathered' the long awaited new CD for over two years. Creed have definitely developed themselves mentally as well as musically, they have looked deep and hard within each other to bring the best out into their style of music, with a mixture of hard rock and ballads that reaches out to the depths of your heart. 'Weathered' probably starts off with the heaviest track to date for the band. 'Bullets' hits you harder than any Machine Head track, which comes as a bit of a surprise. Have Creed turned thrash? May be not, as you will soon find out if you haven't already. Creed have hit the market
with another wonderful masterpiece that again will give them worldwide
credibility. 'Weathered' is an eleven track CD that contains the massively
acclaimed single 'My Sacrifice', but this definitely isn't the best
track on the CD, track three 'Who's Got My Back?' is a wonderful ballad
that starts off for a minute or so with a faded solo Indian chanting
as he gradually fades away a dark and eerie sound comes across, which
reminds you of a still mornings fog, an extremely heart felt track. Creed have again risen above their expectation and the expectations of their fan base, with another CD that will be left in the Player for years to come. 9/10 By
Tony Watson |
| January 2002 |
| Alice
Cooper - Dragontown
Mr Furnier's latest release sounds very much like an echo if his 'Brutal Planet' album - in fact 'Deeper' (about a plummeting lift) is more or less the title track with different words, whereas the chorus from 'Dragontown' sounds just like 'Pick up the bones' (again from 'Brutal Planet). I guess these tracks are leftovers from the Brutal Planet sessions or he's simply got this album out too quick to be different. It's a bit like Metallica's 'Load/Re-load syndrome'. Lyrically 'Dragontown' is as sick and twisted as ever, but the album, in my opinion is spoilt by the over use of bland nu-metal sounding chug-chug guitar playing (which the Brutal Planet suffers from on a large scale!!!). I can't understand why Alice has done this - the kids have got the likes of Coal Chamber, Slipknot and Soulfly etc etc to beat out their frustrations to. I think I'm probably speaking to the real fans on this point when I say 'I'd sooner hear a real Alice Cooper album - not a nu-metal replica of what's been mainstream for the last few years. Don't get me wrong, there
are some great songs on the album though, like 'Triggerman' which wouldn't
be out of place on the 'Buffy the Vampire' series with it's catchy chorus
and pacey drum work. Alice has include one of the coolest tributes or
should I say 'Diss-tributes' to the King of Burger Eating - Elvis Presley,
where Mr. C performs a great impersonation of The dark 'n' grooving 'Somewhere' is pure sickly spread decapitation fun about dead bodies, tribal warfare un-merciful killing and other happy stuff like that - it's one that granny will love mixed in with her tape featuring Des O' Connor and Val Doonican, hmmmmm!!! Like Brutal Planet, Alice has included a gorgeous ballad about the fairer sex called 'Every woman has a name', which stands in line with 'Only woman bleed' from 75's 'Welcome to my Nightmare' - Brilliant stuff - again about a female (or any female) who gets treat badly by her man. If only the majority of the album was as good as this track or better, then it would have been a definite 10/10. Come on Alice - you can do miles better than this - here's to a future album that can match 'Billion Dollar Babies', 'Welcome to My Nightmare', 'Trash', or 'Killer' because this one definitely doesn't. 'Dragontown' is an album that's overall very disappointing and incredibly average sounding for Alice Cooper.
6.5/10 By Glenn Milligan, BA Hons CS |
| CREED
- MY SACRIFICE (single)
WIND-UP WUJC20001-2 (2001) This is Creed's 1st single 'My Sacrifice' taken from the new album 'Weathered' out 20th November 2001. If you are a big fan of 'Creed' you won't be disappointed with the new release, I don't think it's the best track to come off for promoting the new album, but it's one of those songs that grow on you the more you hear it and one that will get the air play. 8/10 By
Tony Watson |
| Larry
Carlton/Steve Lukather - No Substitutions (Live in Osaka)
Recorded before a club in Osaka (while on a three week tour of Japan), these two musical legends have brought us five beauties and leave you realising just what you are missing out continuously on in Great Britain. Super-session Guitar man, Larry Carlton, (who's worked with Streisand, Joni Mitchell and Steely Dan) twinned up with Toto's Steve Lukather and assembled a Dogs B*ll*cks backing band of Greg Bisonette (drums), Chris Kent (Bass) and Rick Jackson (on Keyboards). There's vibing humour ever present as well as error-free perfection when the musicianship is concerned. What else is expected with a line-up like this with the blues-rock of Larry Carlton's 'Don't Give it Up', backing up every word I say. O.K, so not many songs are included on the CD, but what do you expect when Jeff Beck's 'The Pump' is dragged out for 14 and a half minutes or a 14 minute rendition of 'All Blues' by Miles Davis' is included as well. The best track on the CD has got to be the magnificently momentous Larry Carlton classic 'Room 335'. Hey guys, when do you plan to play the U.K. some time soon and elevate our spirit with a couple of class gigs. 7/10 By Glenn Milligan, BA Hons CS
|
| (Now and Then/Frontiers Records 2001)
Anyway, let's sit down with our drinks, darken the room, light a few candles and huddle round the table as we enjoy the greatest adaptation of novel-into-rock album, probably ever created. I may not have actually read any of Tolkien's stuff in depth, but Bob seems to have gone cover to cover a good few times of late. 'The Wraith Of The Rings' opens the show with what sounds in ways like a carbon copy of 'The Light' from previous record 'Legends' but I don't complain, as satisfactory improvisations are well in order. The second track is broken into three parts, the main body of which is 'Emissary' preceded by 'The Fields That I Recall', which virtually replicates the melody off the beginning of 'Scream', and is followed by 'The Fields That I Call (reprise)'. A truly handsome little trilogy of tunes, each explaining various small stages of the story, and that keyboard lick which always heads the chorus on 'Emissary' is pure classic Magnum. 'The City Walls' begins as what I can only describe as 'Les Morts Dansant Part 2' but then it suddenly triples its speed into something that sits comfortably between Hard Rain and Ten, and I love it. 'Against The Wind' is one of the standouts, is there is such a thing on an album completely loaded with 'em, with some of the best vocals on the whole album, with what seems like an entire choir of them taking turns on that chorus with the cleverly staggered vocal line arrangements. Magnum territory, circa 'Chase The Dragon' ensues with a further three-piece song, consisting of 'Where You Lead I'll Follow', 'Stormcrow & Pilgrim', and 'Where You Lead I'll Follow (reprise), another splendid conceptual core to the album, with a better range of tempos to the previous medley. 'Return Of The Mountain King' is the greatest song we've got today, and they really spoilt things by giving it out on a recent Powerplay taster CD. 'The End Of Summer' is the evidence of Hughes's work - it is practically a Ten song with a different singer. And when things can't match the style of Bob's recently reformed legendary act any more, 'This Gallant Band Of Magic Strangers' swings together Chase The Dragon, Storyteller's Night, and clutches firmly at Vigilante too in a spectacular manner. 'The Fellowship' is once again Ten territory, bearing ample similarities with 'We Rule The Night' from the Spellbound album, and is a thoroughly grand way of ending an even grander album. Bob's already blown us into space with that December show at the Corporation Night-club, Sheffield and most people thought that might be it until the Magnum comeback begins in earnest - but that sneak preview of the aforementioned tune that he gave us at the end of the set told me, though obviously not many others of you, that something incredible was coming even sooner. Here it is all of a sudden, enriched with the passion, emotion and power that no album of Bob Catley's is complete without, but this album is somewhat more than 'complete", matey! 10/10 by Dave Attrill |
| These
boys are from LA and if you like trashy punk sleaze then surely enough In this pack you'll come across Steve on Guitarz, Chris playing Baze, Lesli being guilty for vocalz and Jerry who batterz thoze Drumz, who'll simultaneously assault your ears with lashings of Glam land splendour. What can I say - some of these guyz have been members of Pretty Boy Floyd and Queeny Blast Pop. With six tracks in total, here's the run-down: Opener, 'Waiting' has a melodic Dogs D'Amour quality to it, gone more up to date in an Indie Punk kind of way and incorporates a scary instrumental section reminiscent of very early Alice Cooper (think 'Pretties For You', 'Easy Action' and 'Love it to Death'). 'Heroine' is straight-up 2,3,4 in-your-face punk rock. The lyrics are bound to take hold of you. 'You are my heroine', sings Lesli and he means it. It's a great 2 and a half minute power surge. Imagine 'Toilet Boys' without the cheesy handclaps and you get the idea. 'What I Want' is a future pop-punk classic with a moderate tempo and great melodics. 'Believe' is a song that's obsessed with spending a million dollars - and it's a great thing that everyone would love to do - I like this track a lot. 'Reality Check' is probably the most commercial cut on the CD - with its sort of Manic Street Preachers meets Suede style. Check out the nice guitar solo here - top stuff!! 'Space Ships' is the best track by far on the CD. If you can imagine The Police turning kicking out a rollicking punk cut then I reckon they'd sound something like this. Utter Brilliance. What a chorus. If City Girl Boys get enough airplay and promotion they are destined to go far. I look forward to the next release if this is anything to go by. 7/10
By Glenn Milligan, BA Hons CS |
|
Getting things off to a good start for my first decent listen to death metal, this US act's six tracker rages into action with the somewhat slightly over complex 'Sackcloth and Ashes', which practically uses up all the many musical ideas on this 32-minute CD in just around 6. It's actually about three-quarters of the way through 'The Defeated' by the time I realise we're onto another song. When you're dealing with tunes that distinguishable from one another by little more than their titles, you really ought to have a bigger or recognisable gap in between. The guitar
work is actually quite melodic when it feels like being, and the vocalist
- as do quite a few (thousand) in this field of metal, probably takes
his cues from a chap called Dani (Filth) plus more than likely, our
Norwegian friends too. Death and Black metal have moved on though a
bit since I was a lad even if virtually all the recommended ingredients
are still being used.
By
Dave Attrill |
|
Basic punky-pop, which isn't
far removed from the post-punk/new-wave bands of 3/10 By
David Roberts, BA Hons FS |
|
I've heard the name before but this is my first hearing of Crowbar's music. I have to say I am impressed with some of the songs on offer. Opener, 'The Lasting Dose' comes across as very much a Pist-On/Type O Negative/Black Sabbath blast where you hear vocalist/guitarist, Kirk Windstein rawping his throat out about pain. If you like heavy deep attitude metal caked in dark thick sludge and down-tuned doom complete with Roaring vocals then you'll f**kin' love Crowbar. Many of the songs have a similar kind of feel, but don't be put off by that - it's all done excellently - and hats off to 'em for it. Check out 'Thru the Ashes (I've watched you burn)', 'Counting Daze', 'Suffering Brings Wisdom' or the hardcore assault of 'Failure to delay gratification' for top-notch examples of this. If you fancy a quiet 'n' mellow instrumental moment then lay back and relax to 'In Times Of Sorrow' - you just won't believe that it's the same band - it's from one extreme right to the other!!! Crowbar's 'Sonic Excess…' album is gonna do well and I imagine it'll receive high ratings in many rock and metal publications throughout the world. 6/10 By
Glenn Milligan, BA Hons CS |
|
After seven years of silence, The Cult hit the market with a new CD, that's Produced and Engineered by Bob Rock. If you love The Cult then you will go out and purchase it anyway - but if you aren't - then it is well worth getting a copy. Don't expect it to have tracks like 'She Sells Sanctuary'; 'Firewoman'; 'Wild Flower'; 'Li'l Devil' or even 'Edie (Ciao Baby)'. This CD is a lot harder and heavier. If you have heard the single 'Rise ' or even 'War (The Process) then expect the rest of the album to be of a similar nature. There are some excellent tracks like 'Take The Power'; 'Breath'; 'American Gothic' and 'My Bridges Burn' as well as a couple of semi-acoustic tracks (these being 'Nico' and 'True Believers' - which I can see being the next single). 'Beyond Good and Evil' is very much a typical Cult CD - an album that keeps growing on you the more you play it. It's such a shame that it's not had much publicity - Give it a blast. 8/10 By
Tony Watson |
