J

December
JaR - Scene 29
(Zink Music - 2008)

You always get one in the bag that is about as exciting as a bag of wood shavings.

JaR are Jay Graydon and Randy Goodrum, who play their instruments with such elegance and precise accuracy, but this is no good when you don’t want to listen to jazz crafted, harmonic, sophisticated sounds of Steely Dan.

An eleven track CD that is a pleasant to the ear as Kenny Rodgers when having your teeth out. The catchy songs did absolutely nothing to me or my depressed state, in fact I got so depressed I went and did some ironing, while watching some sort of bargain hunt.

This may please some people but it’s not my cup of tea.

1/10

By Tony Watson

August

Journey - Never Walk Away / After All These Years (2 Track CD Single)
(Frontiers Records - 2008)

They come back and set the speakers alive like they've not been away - well OK, live thy haven't but its been a while with regard to new material what with the vocal changes they've become - they picked a good one in new man, Arnel though and he is sh*t hot both on record and live.

The single shows the band at their best in the fast, rocking department (Never Walk Away) and as slow, heartfelt gang of radio-friendly balladeers (After All These Years).

Little wonder that the new album 'Revelations' is doing so well.

10/10

By Glenn Milligan

April 2008
Jaded Sun – Gypsy Trip
(SiAn Records – 2007)

An Irish bunch of muckers than follow in line from the likes of The Answer – this is gutsy real rock ‘n’ roll right the way through.

It’s got sunset strip and the deep south combined all over it as well as healthy portions of sounds from this side of the pond – think Led Zeppelin, Thunder on a meet up with The Quireboys and The Black Crowes.

Highlights on here include the wailing harmonica, guitar slidin’ ‘Crazyman’; the sultry sounding ‘Hey You’ with the amazing gospel singers on there; the pulsing ‘Can’t Stop’; the acoustic to electric ‘He Knows Home’; the rockin at ya ‘Positive’ & the funky almost AC/DC’ish ‘She’s Got Class’ with its reprisal at the end of the song.

Given enough publicity and tour support slots I reckon these guys are onto big things.

10/10

By Glenn Milligan

2006
Joker Five Speed – Rock ‘n’ Roll is a Motherf*ck*r
(Perris Records – 2006)

Thrashy, trashy sleaze stuff with corny lyrics and ferocious throaty vocals that put me in mind of The Almighty with a liking for a Green Day kinda style but in a biker attitude.

Coming from New York these are ‘Too Far Gone’ in ‘Jet Set City’ and ‘So Bored’ they could do with a ‘Shotgun’ (sorry but it fit), so I ‘Turn to you’ to make it happen for this band.

If you like cheesey lyrics they are in abundance and more importantly – these guy rock and have a good time doing it as well.

7/10

By Glenn Milligan

2005

JUDAS PRIEST - Angel Of Retribution
(Sony - 2005)

As with fellow Brit metal legends Iron Maiden, Judas Priest have suffered a long period of pear-shaped fortunes in the absence of their most prolific member, Rob Halford. When they reappeared in 1997 with Ripper Owens behind the mic, the metal scene had moved on, all things leather an' stud related in rock n' roll now tabooed in fashion trend circles. Their two albums in Rob's wake went down less than well for more than one or two obvious reasons whilst for others in the reverse direction so did Halford's industrial/alternative meanderings with Fight and Two though things did improve with his subsequent solo disc.

Finally in '03, the bald old pirate plumped to the pleading of fans and his old bandmates alike and under full mutual agreement with Ripper, the reunion of the decade finally happened. So, the question we all dread…. Is Priest's first outing with Rob back in the ranks any good? Er… that might well be a yes. In the best of places, we still sit where 'Painkiller' dropped us off fifteen years ago, and as if it was yesterday, simply carry on rockin', studded fists firmly raised once more. All the vital fluids from past belters like 'Screaming Fro Vengeance', 'Defenders Of The Faith' and of course lest we forget 'British Steel' have been found still sitting in their marked bottles and the lids still unscrew without too much force as the magic Priest metal formula is mixed once again.

The band's decision to continue through the hiatus without Halford paid off for Glenn and KK in particular as their performance has remained unchanged and maturing through the ages, dark and light, and the classic solo exchanges throughout the songs are every bit as good as back in the golden era. 'Judas Rising', 'Deal With The Devil', 'Hellrider' 'Wheels Of Fire' and 'Revolution' is and always will be the stuff classic Judas Priest is made of while 'Loch Ness' and 'Worth Fighting For' testify the band's right to take more subtle and epic directions without detracting their following.

Not their most monumental disc ever but 'Angel Of Retribution' is strictly no half-hearted cash-dash. Rob is back and means business with these boys once again. Another worthy and well-waited chapter in J.P's 30-plus year saga, you'd have been rather a foolish chap to have missed 'em on this year's UK tour.*

The Priest reign supreme once more.

8/10

By Dave Attrill

*see Hallam FM Arena gig review in Live section.

Jethro Tull - Nothing Is Easy (Live at the Isle of Wight 1970)
(Eagle Records - 2004)

The folky, beardy weirdy, flute bearing band at their ultimate who on this occasion play us some old songs, some new songs (well at the time anyway) and songs they'd never played before.

What can be said of Jethro Tull that hasn't been said before - they are the stuff of british Rock Legend so join them as they mesmerize the mighty Wight gathering with tunes like the classical instrumental bouree 'Dharma for One' with the unbelievable drum solo from Clive Bunker or the blues of 'My Sunday feelin'

You can't beat this as Ian Anderson screams down his flute as merrilly as ever. It's also out on DVD.

10/10

By Glenn Milligan

Jettison Eddy - Trippin' on time
(Neurra Records - 2003)

The commercial end very much so - safe-sounding It Bites with elements of Del Amitri and even Bush. Although they are from LA it's very British. The material is well produced but I don't think it's strong enough to make any big waves.

It's not until you get to the 5th track that anything really stands out - this being 'You' - a kind of Little Angels/Kiss of the Gypsy/Thunder like short ballad which is followed up by the hard bluesy 'Walk with me' that's really got the mojo the way Skin had it in their early days.

An average release for an ok addition for the pop scene where it appears the band seem to be aiming at.

6/10

By Glenn Milligan

April/May

Jaded Heart - Trust
(Ulftone Music - 2004)

Melodic Hard Rock from Germany with big vocals and large keyboards complete with thrusting guitar and loud drumming. OK, it's typically generic but a lot of this music is as some would say "stuck in the 80's. Us at Metalliville don't mind that fact at all because we dig it, especially Dave Attrill who never shuts up about the genre - he can't get enough of it.

This album is hard for all you AOR/Melodic Rock fans not to take a liking to and no doubt you'll be countlessly be playing the ballad 'If I Lose' or the rocking 'Healer'; the warm and positive Mr. Big-like 'Masquerade'; the momentous, bluesy, power-ballad 'let it rain' and my personal favourite on the album - the slide guitar electric blues of 'Sweet Summertime' or the belting 'Hating You'.

Give this band a chance - they definitely deserve a big break outside Europe.

8/10

By Glenn Milligan

March
JEZEBEL - Legionnes Del Sur
(Cruz Del Sur - 2004)

No don't worry, not Jezebel that might have once had Gene Loves… tacked on the front of their name but a different animal altogether…. of the bloody good-power metal-act-from-Spain variety. Their nation's Locomotive label have proved themselves a growing contender in the European market over the past two years and another homegrown contributor, Jezebel, support the case.

Again in the language of their land, the songs make for more than one pleasant listen and European festival organisers should be queuing up for them having heard their brand of Royal Hunt-meets-Iron Maiden-meets-Gamma Ray mayhem. Strong and effective use of all instruments, keys and guitars in particular pave this band's pathway and while the vocals are not exactly dissimilar to many of their mould, nothing at all is spoilt and there are also some very powerful solos adjoining those chorus melodies.

A solid hard slab of trad metal shaped to please, except those who aren't in favour of having to get to grips with lyrics in foreign language. Gene might not love this Jezebel but I certainly do.

9/10

By Dave Attrill

RECOMMENDED IF YOU LIKE: Iron Maiden, Gamma Ray, Royal Hunt, Last Tribe, Ring Of Fire, Queensryche

February
JIMI JAMISON - Empires
(Frontiers/Now & Then - 2004)

One of the old favourites again, ain't it. A fellow runs out of new ideas, for the time being anyway, so decides in desperation to inform everyone to their relief that he is still around, by rehashing a collection of his band's golden oldies. Survivor vocal legend Jimi Jamison is today's offender but he has offended diddly squat with this pristine latter of songs that deserve such a loyal makeover without damaging their original structure.

'Cry Tough', 'I'm Always Here', 'First Day of Love', 'Have Mercy', 'Just Beyond The Clouds', 'A Dream Too Far' and 'Calling America' are amongst songs that have remained classics over two decades thanks in part to their use on various TV shows, including a certain LA seaside-based drama series. Whether Jim Peterik was also involved in the recordings is at the time of writing unknown but whoever that is behind the ivories this time round knows his job just as well.

The additional three live numbers are the band at their barnstorming best, Jamison's voice no less powerful than on record. Just one song missing though, you know...er...Na... Na Na Na,... Na Na Na,.. Na Na Na-a-a-a-

9/10

By Dave Attrill

Jan. 2004
JADIS - Frantic
(Inside-Out - SPV)

Believe it or not, this is the sixth album by melodic prog rockers Jadis. The progressive edge in the production for 'Frantic' expands it past the barriers of regular melodic rock without delving into contemporary ideas.

Less is more and this disc reflects the time taken not to put too much in so as to spoil what is a good album. Every track conveys the idea of meaning to what the songs are about, with great effect.

Each instrument is given space to shine - although still guitar-based, it doesn't dominate and works with the harmonies to make a bright creative sound that doesn't become repetitive or stale.

8/10

By Steve Windle

JAGUAR - Run Ragged
(Angel Air Records - 2003)

Rising from the ashes like the proverbial phoenix, the NWOBHM scene seems intent on a complete second coming as another machine's cobwebs are dusted away. Jaguar were one of the first bands of this scene to reform, following Diamond Head and as was a quite likely case as for Scotland's Holocaust, only one original member remains in the club. Guitarist Garry Peppard may look like a stranger in this time, surrounded by his three comparatively younger present-day bandmates - some of which look less out of place in a nu-metal/skate act but there is still Jaguar's music to be heard under the disguise.

Rekindling their eighties melodic thrash metal sound to applauded effect has done the rejuvenated group a degree of credit with Peppard's age, as always no detriment in the slightest. Relying on diversity all the same, 'Run Ragged', 'Feng Shui' and 'No Change Given' fall amongst the more accelerated numbers, burning along in good ol' thrashin' fashion versus the more varied vibes generated by 'Nailed', 'Stray', 'Eighties' and 'My Weakness'.

A good mixture even if the latter mentioned four are shoved into the back end of the album and the overall samey-ness of the speed-propelled six opening tunes does absorb a bit after track 5 - try mixing the order up a bit better in future, lads. Other than that, most of the material weighs in at worth its money, so fans in particular (if there are still any around) will find this Jaguar not quite an XJS but one of the better standard saloons.

7/10

By Dave Attrill

Jesters Moon - S/T
(Bangin' Moon Corporation - S/T - 2002)

Very much metal of the 80's old school order that comes from Oregon, USA. Crunchy old choppin' riffs with a vocalist who sounds like a choked up monster cross with Bon Scott.

It's highly likable especially for the Priesty presence from a different band. Highlights include the atmospheric 'User' and the head up 'n' downing of 'Your on your own' with its swirly vocal heights and gutsy riffing.

It's Studded jackets, long hair and denim music down at the front of the stage stuff.

7/10

By Glenn Milligan, BA Hons CS

Pre-July 2003
JESSE JAMES - PUNK SOUL BROTHERS
(PLASTIC HEAD RECORDS - CDHOLE067)

Well I have heard it all now, Jesse James are a soul/punk band that are crossed between Clash, Dexy's mixed with your favourite bands like Snuff, Less than Jake, Reel Big fish and the Mighty Mighty Bosstones.

This twelve track CD comes complete with a six piece band that kicks ass with the style of music that is going around the circuit at the moment, it's full of enthusiasm and go to liven up any party, It also came with a CD-Rom for all you youngsters who can be bothered to put it in you computer. If you aren't sure about the full CD then purchase the single 'Empty Tank', which also includes 'Waste of time' and 'Wendy'.

It's nothing new for what is coming out at the moment but they are a band that will do well by jumping on the bandwagon of popular music and it's a band that will become popular very quick. Kids will love it.

7/10

By Tony Watson

Jetboy - One more for Rock 'n' Roll

(Perris Records - 2002)

Let's hear it for good old sleaze festers 'Jetboy' who's bass player is Hanoi Rocks man, Sam Yaffa. This is a compilation of their 'Damned Nation' and 'Feel the Shake' albums - in fact this there's an unreleased version of 'Feel the Shake' on here. It's a song that's very much in the AC/DC 'Problem Child/Highway to Hell' vein with a bit of 'Night Prowler' stuck in there as well.

Kiss's 'Hard Luck Woman' is performed brilliantly and I'm sure Peter Criss would give it a thumbs-up and a large smiling face. Yaffa's other band comes into mind during 'Rock 'n' Roller' due to its trashy 12-bar riff and squawking harmonica playing.

Two of the most renown numbers in the collection have got to be the country-bluesy, acoustic masterpiece 'Live and Die' that'd fit snugly on The Rolling Stones 'Beggars Banquet' album and the fantastic ditty entitled 'Bloody Hands' - now did Poison write 'Every Rose..' after hearing this or was the other way round - I'll let you decide when you hear it.

I wish we had bands around like this now - times change but in this case, not for the better. Jetboy's turn into Jetmen but the musical magic that was created will never die.

9/10

By Glenn Milligan, BA Hons CS

JoboJ - X
(Quad Records - 2002)

A few expressions that came to mind when listening to this LA, California guitar slinging nut-fruit that calls himself 'JoboJ' (real name - Joe Bochar) are: Heavy, Dark and Rampant (e.g.the tunes 'Chest Compression V.6' and 'X'), deep, crazy, experimental (e.g. the number, 'Tryptochen Junkie'), Jazzy and exquisite (e.g. the ditty, 'Condiment Bomb')... the list goes on and on.

A kind of fusionist that'll try anything and make it work kinda character in an all instrumental offering who has done demos for Hernandez, Cakewalk and Sonar Guitars.

He's like no other and seems to like squishy sounds as well as scrape noises, not to mention loads of off-the-wall muse stylings.

This is well recommended even for those of you who usually hate instrumental guitar albums.

8/10

By Glenn Milligan, BA Hons CS

JOURNEY - Red 13
(Frontiers/Now & Then - 2002)

Melodic rocks acts do like to try something different from time to time but it pays. However, it also does to give your loyal followers a fuller picture of what to expect as the less open-minded are quite unforgiving when they suddenly fail to recognise the band they once knew. I don't think that many LA Guns fans were fighting over copies of 1997 album 'American Hardcore' when they heard it, either. So has this deterred Journey from taking the same liberty. Don't sound like it.

'State Of Grace' roars through like another band cheeky enough to call themselves Journey have stolen the limelight. Don't kid yourself though, it is Neal Schon's nice boys of Rock n' Roll beyond this dark searing slice of newly bred intensity that the San Fran legends have barely been seen dead writing. Well, on the other hand, it does bear a faint resemblance to 'Edge Of The Blade' but hey, I'm already enjoying it. So is current frontman Steve Augeri, I'd say as he sings with the same crystal clarity of that other chap called Steve who I think used to be in the band. (oooh, pushing it there, Dave). 'State Of Grace' is a leap back to the Journey of old(er) but with a contemporary groove that sounds like a revisit to Augeri's Tall Stories days - yes, we wouldn't mind another T.S. album one day, Steve.

No release from Journey gets away ballad-free and that means four-track EPs as well. 'Walking Away From The Edge' is the band doing just that as they turn and head back inland to what their fans know and appreciate the most. 'I Can Breathe' arcs noticeably back to Schon and drummer Dean Castronovo's pre-Hardline act, the excellent Bad English, but knowing Neal Schon, any guitar work of his fits any tune of his by any band of his.

So, in the end, the material might not incur the wrath of many cynics alike and although I liked it either way, they've bridged the gap between old and new with only the best bricks. Journey, a band who've stood the test of time twofold, and now on a certain label, named after one of their greatest albums, look like securing a possible UK slot in the next year or two.

8/10

By Dave Attrill

Steevi Jaimz - Damned if I do (damned if I don't)
(Perris Records/Starry Eyes - 2001)


Welcome to the Planet of non-stop party sleaze-glam soundz - and here's your ringmaster - Steevi Jaimz (the original vocalist of Tigertailz - and I'm talking 'Young and Crazy' here). I witnessed this crazy dude in his wacko striped socks serenading the audience in Nottingham last year (2001) - and man, what a show - he was impressive and funnily enough, so is this album that comprises of various tracks recorded between '82 and '94.

This is a true indication on what many people in the UK are missing out on - why listen to some miserable noisy bunch of upstarts when you could have a damn fine time with happy 80's styled hair metal numbers (a Poison goes Pretty Boy Floyd sort of vein). I'm talking blow the roof off here with bangin' belters of a positive riotous style that include 'Ragamuffin', 'Shaken (not stirred)', 'Talk of the town', the cock-rocking, 'Take me to the limit' and the epic 'Cat on a hot tin roof' that's up there in my favourite sleaze song top ten - it's one of those fruit pastilles of the music world - I invite anybody to try and get through it without singing along to the chorus.

It's not all glitter though - there are some heavier, serious moments such as 'Sorrow's got a hold on me' or the Ozzy styled 'Gods will fly'.

Steevi Jaimz and his band are one of those rare outfits that make me proud to be from the UK - and that don't happen too often, I can tell ya !! A lot of the blighty output has been an embarrassing dirge or aimed straight at the kiddies - oh dear. It's great that Steevi has stuck to his guns and firing out what he and his band do best - and that's giving us a damn good time - at least somebody from this country is capable of it.

9/10

By Glenn Milligan, BA Hons CS

THE JELLY JAM - S/T
(INSIDE-OUT MUSIC SPV 085-41852 - 2002)

For the people who aren't familiar with The Jelly Jam, minus the keyboardist of Platypus and this is what is left, since the departure of Derek Sherinian the three remaining members continued under a new name of The Jelly Jam. For those who know of Platypus this is not Platypus, it's a complicated but interesting rock 'n' roll record.

The CD opens a door of classic progressive rock that releases the stamp of the individual musicians, which has come out due to the unique chemistry they share as a band and the individual personalities they have with their instruments but the majority of this masterpiece is based on Ty's marital problems. From 'I Can't Help You' to 'No Remedy' through to 'Nature's Girl' and 'Reliving' to the unforgettable 'Under the Tree', The Jelly Jam hit you with every emotion a human being could encounter through out a lifetime.

It may take a couple of listens to appreciate the full extent of what the CD is all about but once you get there, it will blow you away, the intensity and excitement it bring with every listen will have you playing it for years to come.

10/10

By Tony Watson

Jaded Heart - The Journey Will Never End
(MTM 2002)

Bombastic 80's Rock with squawky high Coverdale lead vocals and loud bv's to place the icing firmly on the cake.

Loud 'n' Proud music in the good old arena support group style, in fact Jaded heart have toured alongside Glenn Hughes and Mother's Finest in 1994 and Axxis and Heaven's Gate in 1997. Emulating bands like Whitesnake and Def Leppard (especially the ballad 'Only Human' that's even got that Bryan Adams flavour). The cocky rap riffage in 'We'll drag you down' reminds me of reminds of one those early Danger Danger numbers, the title escapes me (but feel free to e-mail me the name of the song I'm thinkin' of). Jaded Heart incorporate the best rock values of the last 20 or so years in all things Melodic.

Singer/Song-writer and Guitarist, Michael Borman (once a member of Bonfire) definitely shows that he is no new boy to the scene who thrusts ballsy melodic rock at you (the ditty called 'Dangerous Destiny'coming to mind straight away) as well as a plentiful splattering of ballads (that by no means are dribbling stocking fillers - which can be very much the case at times).

The album has been produced by Tommy Newton who has been associated with Helloween, Victory and Scorpions, so little wonder that it's production is big in all matter of the terms.

I'd like to say that they'll be headlining a tour of their own some day - maybe in a year or two I'll be able to chisel 'Jaded Heart Headline Tour coming to your city soon' - let's see what happens after their appearance at Z-Rock on May 5th 2002.
This is how Melodic Rock should sound - you can count on Jaded Heart to stop Melodic Rock sounding sour 'n' stale. Turn your amps up to 11.


9/10

By Glenn Milligan, BA Hons CS

Toby Jepson - Refresh EP

It is my belief that rap-metal is not going to go down in history as a good idea, popular as bands like "Linkin Park" are making it. Nah. What the UK music scene has been deprived of in recent years is good - call it old-fashioned if you like - heartfelt, loud, guitar-driven, pop-inflected ROCK.

Believe me, that's exactly what the Refresh EP delivers.

And its music you can feel good about. In stark contrast to "Ignorance is Bliss" this is a record about life, about living, and about getting on with it. It is five songs of pure, unadulterated rock written from the heart and delivered with raw abandon by Toby and his new band.

The opener "Unwind" is a high tempo, frenzied assault on your ear lobes with a riff that just ruins guitar strings. The second track, "Breakdown" is as catchy a grit rock stomper as you'll ever condescend to lend an ear to. "Forgiveness" has plenty of raw energy bottled up that releases after the opening verse; you could be forgiven for thinking that this was going to be a ballad, but no this one turns out to be a bass-y little number with a very catchy chorus.

The title track "Refresh Yourself" waxes lyrical about refreshing oneself, and this seems to be what Toby has done with the recording of this EP. Gone are the daemons, gone is the past, it is clear from the lyrics in this out-and-out rocker that Toby is looking to the future. A future that - if this EP is anything to go by - is going to be very bright.

The last track, "My aim is true" then takes the tempo down a little with the obligatory ballad, though there's not a piano in sight. And as you'll no doubt recall from his Angels' days, ballads are something that Toby does well. I can see this song going down a storm at future live shows, the fans will sing along word perfect, just as they ever did.

To summarise, with the Refresh EP, Toby hasn't gone for over-the-top theatrics, or complex melodies. He just lets the music - original music - do the talking. And the music is good, very good indeed. This EP will have you hitting the repeat button on your CD player for sure.

By Iain Roy
www.bigbadworld.net

Pre-2002

Jorn - Worldchanger
(Now & Then/Frontiers Records - 2001 -

Cat. no. FR CD 095)


David Coverdale had a Norwegian love child and he was named Jorn - no, not really - but Jorn Lande's voice is a dead-ringer for the Whitesnake front-man.

Musically Jorn are incredibly Sabbathy and have the ability to match much of the Brummie bands style in just one album. The opener 'Tungur Knivur' is very much like something you'd hear on their 'Headless Cross' album - loud 'n' ballsy with earth-shaking vocals - I guess you get the picture. Also enclosed are generous helpings of dirty hard melodious rock (a la 'Whitesnake) that will keep you entertained on a cold winters night and a quite fitting example of this is the brilliant 'Sunset Station'. You won't be able to control yourself from loving the Irish styled riff contained in the songs guitar solo - which numbers of this mature aren't complete without.

Call it an over-used term but his band is 'awesome' - they play classy rock that should be heard worldwide on all radio-stations on a regular basis - I wish (but in this sad pathetic commercialised world it'll never happen - unless big bucks are paid). But still, it's great to know that albums like this still get released - even though they get virtually no airplay whatsoever.

It's a thoroughly enjoyable listen for lovers of mid to late 80's Heavy Rock. Take the powerful onslaught of 'Bless the Child' where double bass drums rule thanks to the bangin' talents of Jon Arksel 'Hellhammer'. The title-track 'Worldchanger' is well worth a few listens. On bass we have Sid Ringsby and on the screechingly flamboyant six-string axe is Tore Moren who complete the unit.

This album is great mature Hard Rock that Black Sabbath, Dio and Whitesnake fans will love dearly.


8/10

By Glenn Milligan, BA Hons CS

Jet Set Satellite - Blueprint
(Nettwerk Productions 2001)

 

The new signing to Nettwerk Productions, 'Jet Set Satellite' have a very 'Mother Love Bone/Alice in Chains' sting to them.

The two main members (both Canadian) go by the names of Trevor Tuminski (Vocals/Guitar) and Dave Swiecicki (Keyboards/Guitar). They are joined by guests like the folk singer Martha Wainwright (the daughter of Canadian folk icon, Kate McGarrigle), the former Delerium member/Fear Factory Producer Rhys Fulber (who provides 'Nine Inch Nail-esque' programming on 'The night it went too far'.

It's impossible to get bored with this album, which cannot be categorised - take the Indian crossed with Grunge Vibe of the opener, 'Lies by the Thousands'. Tell you what, I'm sure I've heard the single 'Best way to die' before as it's one of those catchy rock efforts that sticks in your head. This has actually been a big hit at radio level in Canada and should do as well over here in the U.K. The song is also included as an unannounced bonus track (in its original form).

The title track, 'Blueprint' reminds me of 'The Cornell's '74/75, which was forever on VH-1 or MTV a couple of years ago. 'The Goodbye Letter' brings back all those magical memories of bands like Soundgarden and Faith No More, while some piping hot riffs come spiralling off 'Baby, cool your jets' which is a swirling majestic piece of up-to-date rock.

'After the Rain' sees Jet Set Satellite go back to the dark emotions of Alice in Chains and worth noting are the samples from Rhys Fulber - although the open snare sound is annoying - but maybe the band wanted this to be the case. 'Tinfoil Star' is a miserable song about an unhappy guy, which could have been nicked from Pink Floyd - it's of that calibre, honest!! 'Afterglow' (no it's not a cover of the old Small Faces song), but is another that could have been stolen from under Roger Water's bed - a moody number which you could imagine being an out-take from 'The Wall'.
'Suddenly' is a melodramatic number that vocally reminds me of ex-Gun 'n' Roses bassist 'Duff McKagan', but like the previous two, has that Floydy feel running through it.

This band could be the next big thing over here, especially with regard to the Indie fans, Kerrang/Metal Hammer Readership and Students in general. It will also have a large appeal to lovers of Grunge and even the odd Pink Floyd fan.

7/10

By Glenn Milligan, BA Hons CS

Eric Johnson/Alien Love Child - Live and Beyond
(Favoured Nations 2001)

 

Eric Johnson has been influenced by a number of remarkable six-string wonders like Steve Vai, Les Paul as well groups like The Beatles and The Ventures and gone on to become a sought after artist himself. Mr. J has done session work for the likes of Cat Stevens, Christopher Cross and Carole King, to name but a few. In fact, his second solo album 'Ah Via Musicom' turned out to be the scoring commercial goal he needed, due to 3 instrumental singles from the same said album going top 10 in any format which has never been achieved before.

'Live and Beyond' is the new 5" spinner from the renowned Grammy award winning guitarist, Eric Johnson and the band Alien Love Child. Made up of himself (vocals, guitar), Bill Maddox (percussion, drums and samples) and Chris Mansch (bass, bass keys and vocals) - a true Blues force, that are worth checking out. This album finds the guys captured live at a knockout gig in front of a well-appreciative Texan audience (dating back to January 2000).

The set list is a carefully chosen batch of fresh material - and is piled high with some brilliant songs like 'Last House on the Block' (which has that the ZZ Top and Humble Pie drive plastered together with Eric sounding very like Glenn Hughes, with even a short section of Jazz bliss there too). In 'Live and Beyond' you'll come across a number of styles, including the Jazz-Rock fusion mode of 'Rain', the slow blues of 'Once a part of me' and 'World of Trouble' or the Texan blues stop-start thang that is 'The Boogie King' (a tribute to John Lee Hooker).

Every number is a highlight. Take, 'Zenland' for example, which to me, comes across as a nice mix of Eric Clapton, Mark Knopfler, Steve Vai and Joe Satriani melted into one. Then there's the 12-barry 'Enzo Shuffle', the blues of 'Don't cha know' where Malford Milligan takes Centre stage with the mike or 'Shape I'm In', with Eric on vocals. The completely unpredictable instrumental 'Elevator Sky Movie' (where Eric sounds like Pete Townshend trapped in the body of Chet Atkins or Vice-Versa) is a pure element of surprise.

Steve Vai in the album promo biography states that,

'Eric has more colour tone in his fingers than Van Gogh had on his palette. His touch on guitar is honest and intimate. He is one of those few musicians who keeps getting better and better.'

This live album is most definitely one of those that will be on the top of the buying list of lovers of articulate precision blues guitar playing. A magical album that will warm your heart in good ole blues fashion.

9/10

By Glenn Milligan, BA Hons CS

The Juliana Theory- Emotion Is Dead

(Tooth and Nail Records -2000)

Released last year this is US indie-pop, which sounds like a cross between the
basis of "Ash" with the dark brooding electronica of Placebo. That said this
still sounds uniquely original. The haunting instrumental title track "Emotion
Is Dead" wouldn't sound out of place on a Garbage album. This album is truly
one interesting and fascinating experience to listen to. Plenty of standout
tracks here to sing along to. Notably "Don't Push Love Away", with its catchy
poppy chorus, and "We're At The Top Of The World, which includes lots of 'Sha
La La La La's' to make this particular track stick in your mind like
superglue. Unashamedly commercial guitar pop and brooding melancholy. A
definite winner on the radio and on your home music system.

8/10

By David Roberts, BA Hons FS

 

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