R
| August |
| Railway
– Finally Back: The Very Best Of 20 Years Well this is a band that I never heard the 1st time around which is a great shame and a crime – coming across like a Munich equivalent of early sounding Motley Crue as well as having elements of Spinal Tap, Ozzy Osbourne, pre-Hysteria Def Leppard and a bit of Saxon in places – good ole cheesey rock from way back when everyone was doin’ it and proud to be part of that scene. Highlights on the album include the opener 'Lick It, Stick It'; 'I Wanna Run'; 'Fight With A Killer'; 'Rockets' that sounds like a particular Led Zep blues ballad; 'I'm a looser'; 'Nightrider'; 'Love just for money' & the closer 'Dirty Boys'. Hope these guys come over to the UK soon - even if its just a support slot at the very most. Very entertaining. Putting the capital 'P' back into Party.
8.5/10 |
|
REISSUE - Unstoppable
(S/R - 2008) Reissue eh, another….. Hold on…of what…..
Doesn’t seem to say anywhere….oh, they’re the band
! 7/10 RECOMMENDED IF YOU LIKE Find out more at www.reissue.se |
| Revenge
- Titties-N -Beer A 3-piece
who trotted across from Florida to Ohio playing their rockin, rowdy
metal. What makes 'em interesting is the fact they are all vocalists
making it more colourful to the listener. 7/10 |
|
Rose Hill Drive - Moon
Is The New Earth
(Megaforce Records - 2008) As soon as saw the title of the band I new I was going to be in with some good stoner rock and how right I was, but Rose Hill Drive have got a slight twist that made me think of the Black Crows, The Cult and Wolf Mother. Rose Hill Drive have produced a good solid rocking CD that can be placed up there with the likes of Queens of the stone age and Wolf Mother. 'Moon is the new earth' is a great title for a CD that explains what this band is, Rose Hill Drive are the new sound of stoner rock with a CD that encapsulates the fuller sound of rock. 'Moon is the new earth', forces its way into your head and stays there for days on end with its catchy tunes such as ‘Trans am’, ‘Laughing in the street’ and the ‘8th wonder’. The rest of the CD also releases such a breathe of fresh air that intoxicates the lungs with joy and happiness and drive to live. What a wonderful collection of rock with more balls than a lake full of golf balls but without the attitude. 9/10 By Tony Watson |
June |
|
Roller – Candy
It Up
(Perris Records – 2007) A kick ass band from Chicago, Illinois who have the balls old AC/DC and the zest of 70’s Kiss. They have got it these guys and it’s a pleasure to play this album again and again. So much good stuff on here – you are spoilt for choice right the way through – a rock ‘n’ roll album of pure debaucher especially with songs as illuminatingly good as title track ‘Candy It Up’; ‘Backseat Suite’; ‘Heavenly’; ‘Rollin’ With The Devil’ and ‘Roller’ – well to be honest – it’s all so damn hot that you’ll melt your CD player. Cowbells, Crashing Guitar and Bon Scott like vocals – F*ckin’ Top Dollar Action! 10/10 By Glenn Milligan |
January
2008 |
| Uli
Jon Roth – The Best Of…
(SPV – 2006) Okay, it’s a bit late on my part but well worth raving about – a 2CD set full of one being classical and rock. A well put together compilation showing what Uli is capable of doing – absolutely mesmerizing to be honest. This lone ex-Scorpion Guitarist (who joins them now again) will blow your mind with his band and at times an orchestra on numbers such as ‘The Tempest’; ‘Bridge to Heaven’ (made famous by the late, great Pavorotti); ‘Starlight’ (with the crackin’ voicings); ‘Hamlet – the mild cigar’ – lol - sorry, I mean ‘Air De Bach’ totally beautiful playing and ‘Venga La Vita’ that you are bound to recognize. Highlights on CD include the Hendrix meets proggyness of ‘Burning Wheels Turning’; the epic ‘Hiroshema Today’ that’s over 12 mins long, classics from the Legends Of Rock – Live at Castle Donington 2CD set ‘Voodoo Chile’; ‘Little Wing’ and ‘White Room’ (feat. Jack Bruce). Worth checkin’ out as it gives an insight to this certain Mr. Roth’s work. 9/10 By
Glenn Milligan |
November |
RIDE
THE SKY - New Protection Ride The Sky, for those less than up to date of you metalheads out there is erstwhile Helloween skin-smasher Uli Kusch’s brand spank-diddling new power metal combo, formed on his departure from Masterplan, and with the offering from Beautiful Sin, his other main project of late turning out to be a bit good itself, our anticipation guns are loaded fully up. Such bullets by the belt load in much need as this record itself belts from beginning to its very end and not a filler to be found. The lead vocals from their chap, who turns out to be an original auditioner for Uli’s last outfit may be the only disappointment to Helloween-ites as his is a guttural, gravely range but still great all the same as well as a hard worker with his hooklines. Everything about as eighties as possible, all the guitar solos come and go exactly on cue but serve their time very well contribute as weightily to rendering ‘New Protection’, ‘Smile From Heaven’s Eye’, ‘Silent War’, ‘Break The Chain’, ‘The End Of Days’, ‘Far Beyond The Stars’, ‘Endless’ and ‘Heaven Only Knows’ the great juicy slabs of melodic metal they come to being on their arrival off the production line. All twelve do in their own right go towards forming nearly an hour of pure unimpeded power metal bliss without any brown bits and Kusch’s current machine takes him from strength to strength in pillar-sized leaps, landing at the other side without fault. On the unlikely event of any live activity on the back of this beaut’, we Brits wouldn’t mind a blast – hopefully, his old muckers, the mighty H.W. themselves, might invite R.T.S to support them on the road next time round. Until then, we’ve got time for a few (hundred) further blasts of this fantastic debut. 9.5/10
By Dave Attrill |
| RUN OF LAVA - Exploded Allusion Between their impressive debut EP and this theri debut album, anticipations for French metallers Run Of Lava was at quite a high. Luckily it seems it can stay there as this CD, while not entirely likely to revolutionise the face of metal, as the first minute or two of opener ‘Expanded Function’ confirms, is nonetheless a strong example of our Eurpoean friends doing it right. Early nineties extreme metal influences - yes that means they have solos – strive aplenty along the top of layers of Bay Area batterings herein, although an element of Strapping Young Lad in their vocals adds an element from the favourable half of the contemporary metal spectrum. ‘Abcess’, ‘Dry’, ‘Artificial Device’, ‘Post Traumatical Box’, ‘Cruelty Reward’ and an above-passable run of Sabbath’s ‘Electric Funeral’ push just about all the right buttons - ‘repeat’ included – and again while originality isn’t their greatest strength, substance over style is evidently one at the top for them. You may be sick of this line from reviewers, guys, but R.O.L are one band deserving of some attention and this effort is potential to secure them a festival slot on the continent. Hot Lava, indeed. 8/10 By
Dave Attrill |
|
RUN OF LAVA - Corrosion
EP
No, no a few covers of favourites by Pepper and the boys - these French newcomers associate with C.O.C’s scene of origination though on a much heavier basis here. Four quite decently crafted slabs of scream core than re surprisingly less pedantic in style than usual with opener ‘Expanded Function’ firing off in a pretty Motorhead-esque manner and ‘Dry’ housing some pleasant blue guitar meanderings that most purists might object to on this type of material, but not me. Their debut album only a few months away, this Lava may do more damage than Vesuvius’s did to Pompeii and that other place if they maintain such form. Not a bad start, lads. 7.5/10 By Dave Attrill |
|
Rise To Addiction –
A New Shade of Black For The Soul
(Mausoleum Records – 2007) After hearing their E.P. I was looking forward to hearing the 1st album and found out that its pretty good – albeit it took a bit to get used to because they have become a lot more aggressive it seems – not that they were light sounding on the e.p. of course. Good to get the ears around new versions of ‘Everlasting Wave’; ‘Cold Season’; ‘Falling As One’ & ‘To a God Unknown and fresh material like ‘Moth to A Flame’ that’s kinda like Seattle sounds meets Metal or the crashery blastings of ‘I Follow’ with its quieter melodic section and even a ballad in ‘Fessonia’ – now that’s a turn up for the books. This album is a grower and will take a few plays to get you hooked into this Melodic Machine Head meets Alice In Chains like band. See them when they support Trouble in Europe if you get chance. 8/10 By
Glenn Milligan |
March |
|
"Blast from the Past" Rellik - Heritage Of Abomination
Well, Rellik has released their full-length 10 tracks of Extreme War Inspired Death etal!!! Mike Coniglio leading the massacre of this quartet with brilliant riffs and Johnny Dove contributing awesome leads. Then, an array of Coniglio's low end/Guttural vox and the higher screams of might adding variety on this end! Trust me, this is not fattish lip service Rellik has really established themselves not only contributing intelligent lyrics with well thought out riffs Phil dishing out utter blast beats with double bass flurries and Brandon backing up the guitar onslaught with precision on bass. I tell you only a few Extreme Death Metal acts I cling to Krisiun is one of them and Rellik is up there also because they to me are not mindless in the guitar riffs or vocals. These guys have music that draws you in captivating the listener. This is what Death Metal nowadays is lacking: intelligence to creating riffs only unique to that band as Chuck did with Death/Control Denied. Johnny way improved on guitar (BC Rich Beast!) with everyone actually busting their asses to put out a unique release which I hope will be known worldwide if not already. If you admire precision in Death Metal then this release is a MUST have!!! Not something that will bore the listener with half assed riff structures, boring vocals/drums/bass like a lot of DM acts succumbing to nowadays. I think that many of people have lost interest in DM because of the established acts have become so dulled out I won't mention any here now most of you still involved in the genre know which bands I'm referring to. The re-recording of "Thy Kingdom Crushed" now with MUCH better
production, As it is my goal to represent Metal acts objectively there really are no complaints on my end in terms of musicianship, quality, and intelligence. 9/10 By Death8699 (MethylinInfo@aol.com) |
|
Rebel Meets Rebel –
S/T
(Locomotive Records – 2006) So what do you get when you cross a legendary redneck with members of a famous metal band? The Answer: Southern Rockin’ Metal. This sees the late Guitarist Dimebag Darrell & Drummer Brother Vinnie Paul of Pantera/Damageplan cross paths with David Allen Coe to produce one hell of a rompin, stompin hell of an album of the confederate nature – this is what the south is famous for – real honky tonkin’ vibes that’ll rock ya while ya sup down some moonshine whiskey while you are havin’ a wicked time with some hot ‘n’ horny southern bell with cut off shorts. 2 Dozen cookin’ cuts are found on here and each one is a major highlight that include the opener ‘Nothin to lose’ – no it ain’t the Kiss song but it’s a power-driven southern styled metal stomper that’s got the sounds of girls being pleasured; the outstanding title track ‘Rebel Meets Rebel’ with the incredible fiddle soloing; the humorous questioning ‘Cowboys do more dope’; the hillbilly like ballad ‘Arizona Rivers’; ‘Cherokee Cry’ with it’s Native American calls and the closer ‘N.Y.C Streets’ that even ironically enough quotes Pantera as well as Motorhead – cos Metal ain’t dead. Literally f*ck*n A throughout this album as D.A.C. says himself. Long Live the music and legend of Dimebag – Rock In Peace Mate !! 10/10 By
Glenn Milligan |
|
Right of Center –
True Believers
(S/R – 2006) A band from California who look kinda cowboyish who deliver some classic stoner rock all the way through this release. It’s familiar territory with the crunchy sabbathy riffing right from ‘Smoke’ to ‘Hand Out’. Highlights include the throbbing ‘Dirty Business’; the Skunk Anansiesque ‘Bleed’ that goes into powerdrive; the wailing ‘Odd Man’; ‘Intimation of Life’ and the slidin’ southern sounding ‘’Living End’. Cool Stuff. 7.5/10 By
Glenn Milligan |
2006 |
|
Rattlesnake Remedy
– Magic Man
(BEM Records – 2006) Birmingham’s answer to the sounds of LA’s Sunset Strip - think Love/Hate with a softer-touched Bon Scott on vocals – this being Lee Stone – he’s got it – cracking voice he has – husky at times and goes up to a high shrill. The 2 dozen tracks are really worth playin loud especially killer cuts like the opening slutzy Black Sheep Fiddle’; the bluesy harmonica inclusive ‘Payin’ My Dues’; the ballsy rockin’ and a rollin’ boot-scootin’ boogie of ‘Nothing Right’; the southern styled title track ‘Magic Man’ and the closing ballad ‘Don’t Say Goodbye’ which really surprises you after such a fired-up album. I missed them in September because I was at another gig in Sheffield, so hopefully the will return some time next year as I can’t let these guys pass by me again. 8/10 By
Glenn Milligan |
|
Rhapsody of Fire –
Triumph or Agony
(SPV – 2006) Is it Metal, is it opera, is it classical orchestral material or is it rock – well it’s a mixture of it all with songs based around the dark-age and fantasy a la deep-woods, dark-lands, caves, dungeons, wizards, elves, good and evil and other similar close topical elements - Italian band, ‘Rhapsody of Fire’ bring on a new genre of music that they have suitable called ‘Film Score Metal’. ‘Heart of the Darklands’ has Yngwie J. Malmsteen written all over it and I can see Blackmore’s Night jumping for joy during the medieval ‘Old Age of Wonders’, there are an array of narrators during the album later on in a 16 minute 26 second 5-part epic entitled ‘The Mystic Prophecy of the Demon Knight’ that includes actress ‘Susannah York’ of the Superman film series and British Horror Acting Legend that is none other than Christopher Lee as the “all knowing Wizard King”. This is like a musical equivalent of ‘Lord Of The Rings’ or something of that ilk – ‘Rhapsody of Fire’ pull this off perfectly and you imagine leaving the cinema at the end of track 11 when the closing credits have finished rolling. Indescribably Incredible. If only the UK had talent like this on a major label. Coming to a cinema near you, sorry I mean CD store. 10/10 By
Glenn Milligan |
|
Red Star Rebels –
Too Young To Care (E.P)
(S/R – 2005) A Glammin’ set o’ rockers from the UK who prove it’s still cool to have a good time as they are simply ‘Too Young To Care’ and ‘In It For The Kicks’ anyway. Each song has its own edge – the power ballad ‘The Fast Die Young & Pretty’ has elements of a couple of GNR songs and a Slash’s Snakepit song but I’ll let you spot them for yourselves. Nice ballad in ‘Hold’ as well – bloody damn fine singers these lads are. Also included is a DVD that shows how much they love getting pissed, rocking out, being crazy and generally making an arse of themselves – hilarious material it is too.Check ‘em out locally before the USA snaps them up and refuses to give ‘em back. 8.5/10 By
Glenn Milligan |
| June |
|
RELAPSED - Into
A Former State
(MTM - 2006) For any of you eagle-eyed AOR acolytes who may find familiar faces amongst the four gentlemen on the front of this sleeve, Relapsed feature three quarters of one of MTM’s flagship acts Guild of Ages. Those eagle eared may also prosper, from playing a couple of tracks in - I almost knew it was them on the spot – so I’m part-assuming it could actually be GOA under a new name. Still playing the sort of Danger Danger-esque lush of the same league as Steelhouse Lane but with their own more Dokken – like edge to it, these guys aren’t so much in a former state as never having escaped it first time round, not that we’d ever ask them to. Extremely catchy material almost throughout, including the cover of a Queen classic, this third guise of one of the Underground melodic rock scene’s proudest exports gets things off to a flying start with hooks and melodies made popular eighteen years ago but sadly made a crime by many fashion-trends since. One that I’d encourage anyone to commit, and just the way that Relapsed have here. 8.5/10 By
Dave Attrill |
| May |
|
RIVERA BOMMA - I
Am God
(Mausoleum Records - 2005) A Christian metal band, ain’t heard one of these for a bit, I must confess, though reading down the titles on the tracklisting before pressing the play button, practically gave away the game alone. Not so much in the Stryper way of things, these lads prefer to serve up the keyboard plastered power metal of that very European style though unbelievably as it may sound, they actually hail from the good ol’ US of A. A bit more cheesy than is bearable on a couple of numbers, R.B sustain a reasonable level of accessibility through their punchy guitar rhythms and a nice wavy ivory line beneath them. Pleasant. 7/10 By Dave Attrill |
| March |
|
Radio Vipers –
The Morning Sunburst
(S/R – 2005) Italian Rockers with elements of Slash’s Snakepit, AC/DC, G’N’R, Enuff Z Nuff and Extreme. A band who originally got somewhere after seeing Faster Pussycat . Thye were originally called ‘Carrion’ from ’92 to ’97 where in 95 they released a 6 track e.p. then in 2005 they came back as Radio Viper and this is the result. Good uptempo material like the Aerosmith cowbelling like ‘Do you wanna’ that even is a bit Cinderella in a Slash’s Snakepit kinda way. I like the slide guitar lead on this number and the same can be said too for ‘Take a look’. I’m a sucker for slide guitar playing if you may have noticed so ‘House Of Beggars’ gets my full attention. Another cool as track is the acoustic ‘Here comes the vipers’ after the official ending number ‘Body from Mars’. 8.5/10 By Glenn Milligan |
|
Rammstein – Mann
Gegen Mann (2 track promo)
(Island Records – 2005) Moderate to ballsy in your face Rammstein in their native language of course. Comes in album version and remix version by Alex Empire (which is 5 seconds longer). It’s ok but not exactly their best. 5/10 By
Glenn Milligan |
|
The Revivals –
S/T
(Crushed Roc Records Ltd – 2005) A garage rockin’ Faces like Verve (but don’t let this band put you off) bunch – from Perth, Scotland. It’s their debut as well. They crank up some real energy sounds that you’d expect to associate with a seedy little biker bar in the deep south of Florida., while incorporating a best of what’s best in British Rock ‘n’ Roll with lashings of good ale mixed in with country blues rock and a positive groovin’ feel of hangin’ out and havin’ a real good time – imagine Terrorvision meets Reef with a love for bands like Creedence Clearwater Revival, Lynyrd Skynyrd and The Black Crowes. Every song is a crucial piece from ‘Real Love’ to ‘Holding On’. In between you must ride the ‘Golden highway’; devour ‘Jimi Biscuits’ and be sure to keep rockin’ and rollin’ because this is so good that I guarantee you’ll be comin’ round again and again. A band I must see live. 10/10 By
Glenn Milligan |
2005 |
|
Rise To Addiction -
S/T (3 tracker)
(S/R - 2004) An exceptional outfit formed in Summer 2004, that were formed by ex-members of Blaze Bailey's band 'Blaze' with frontman H Armstrong completing the line-up who happens to be a harsh, full-throttle throater if ever I heard one. To put it bluntly, 'Rise To Addiction' have placed together the earthy elements of Creed with the supercharged in-your-face blasting of Machine Head forming a workable original sound that you wouldn't expect from a UK act. It's all been produced by famed Metal Maniac behind the mixing desk who goes by the name of Andy Sneap at Backstage Studios, Derbyshire. Supreme musicianship reigns throughout that comes with compliments from Steve Wray and John Slater (Guitars); Rob Naylor (Bass) and Rob Calvert (Drums). The opening track 'Falling as One' is both powerful and atmospheric that concerns a man who is losing is mind and control on what is around him. The lyrically mysterious female related 'Everlasting Wave' is up next (that happens to be my fave of the 3), especially when the guitar solos take over around four minutes in which completely take you by surprise. Then believe it or not, the last offering here, 'To a God Unknown' came together in the studio - a hard-hitting ditty with an invite to a high and mighty one. Already, several record companies have shown interest in signing the band and there's little wonder either. It'd be a crime not to give this top marks. Also included is the video for 'Falling as One' shot in a dangerous disused building in Sheffield plus some wallpaper to decorate your screen with 10/10 By Glenn Milligan |
| RTZ
- Lost And Found / DELP+GOODREAU - S/T
(Frontiers - 2005) Former Boston boys Brad Delp and Barry Goodreau had a well received release on MTM a few years back and I've had trouble tracking them since then. Back on one of Europe's other top melodic rock labels, this is a collection similar in principle to the offering I've just had to endure from Mike Tramp but eleven less lamer offerings than the Danish one cooked up in sixteen. Descending from such a legendary act obviously casts its immortal obligations with the fans and this collection of material recorded before the RTZ debut fulfils with little shortage of heartfelt hooks and melodies that a classic 70's/80's AOR album is made of though to new fans liking Journey and Foreigner helps quite a lot here, too. As a nice freebie, Delp and Goodreau's new CD, entitled….simply enough 'DELP & GOODREAU' comprises 10 freshly composed numbers, the last three of which are recorded live and continues, style-wise, where their other stuff left off and again guarantees pleasant listening for fans of their past acts, plus those other mentioned names. Mmmmm, nice…. 7.5/10 By Dave Attrill |
| 2004 |
| Rage
- From the Cradle to the Stage - 20th Anniversary The
aggressive power metallers live at Bochum, Zeche, Germany, 25th January,
2004. I can't say that i know much about these guys even though they've
been around for like 2 decades but they appear to be a big noise in
the rest of Europe. 8/10 |
| Rhapsody
- Symphony of Enchanted Lands II - The Dark Secret Conceptional
album in the second part of the story - it's the search for the 7th
Book. Basically it's full-on power metal with a choir and an orchestra
as well with plenty of songs about good 'n' evil and dungeons 'n' dragons. 10/10 By Glenn Milligan |
| Rich
Robinson - Paper Co-founder of
The Black Crowes is here in solo mode for the first time ever where
you see Rich Robinson relax and write for himself - as opposed to penning
for his bro Chris (the legendary Black Crowes frontman). Fans of his
former band will see a likeness to the less commercial side of the 'Crowes
and I'm talkin' 'Amorica' and 'Three Snakes and One Charm' that have
a self-indulgent downward feel about them. Another Black Cowes bit of
info is the fact that Eddie Hawrsch is on the album playin' those ebonies
and ivories. 6.5/10 |
| The
Ring - Tales from Midgard Outstanding melodic heavy
metal that's very Ozzy, Dio and Saxon at their best. 'The Ring' are
a 3 piece featuring well-known muso ilk - none other than Pontus Norgen
alongside Jakob Samuel and Marcus Jidell. 9/10 |
| Ring
of Fire - Lapse of Reality
(Frontiers - 2004) More serious high-ended, tight precision melodic rock from Mark Boals and his band 'Ring of Fire'. 'Lapse of Reality' is a soaring outstanding album, proving that this outfit fits as a perfect piece in the jigsaw puzzle of top realm musicianship with ballads like 'You were there' or the tougher, rougher sounds such as 'Machine'. It's dark in parts but other segments glisten like a newly cut and polished diamond. Mark's voice is as crystal clear as it was when he first started with Yngwie J. Malmsteen - there are epic performances to be found here among the dozen plus one tracks, one of the mightiest being the hypnotising 'Darkfall'. Four words sum it up - symphonic, sweeping and pure precision. 8/10 By Glenn Milligan |
| Rob
Rock - Eyes of Eternity
(Massacre Records - 2004) Fast and furious power metal from Florida - like a cross between Yngwie J. Malmsteen and Helloween with all the traditional narrative and tops - the elements, talks of evil and the 'We will fight on' ethics. 'Eyes of Eternity' being one of the best cuts on the album as well as the stomping, slower 'Rage of Creation' (the name of Rob's band) - and in an answer to Rob, "yes I do feel the rage of creation matey" and I witnessed it live in May in Daytona, Fl (see live review) this year. Other great stand-outs are the Dio-esque flavoured pronunciation warbles of 'Fields of Fire' with a killer guitar solo from Roy Z who is the collaborator on the album. 'You know' is a gorgeous track that starts up acoustic but with a stocatto deep bassy riff that'd fit snugly on a 'Rising Force' or up-to-date 'Iced Earth' album - it's got it all - bombasticism at its finest and you simply don't know what's gonna come along next (unless you've played it a few times that is). My personal fave on the album is 'The Hour of Dawn' - a song that starts off low octave in the vocal department, then gallops up to what seems like 200mph with an interstellar power yell for freedom as well as the high soaring guitar solo. For those of you lucky enough to get hold of a copy of the Digipack, then prepare to be blown away by the acoustic ballad, 'Beautiful Lady' that shows the emotional, romantic side of the 'Double R'. So when will he be gracing Europe with his 'Rage of Creation'. 8.5/10 By Glenn Milligan |
| September |
| Rhapsody
- The Dark Secret
(SPV - 2004) A symphonic neo-classical, half hour epic that features horror actor Christopher Lee taking the role of narrator on opener, 'Unholy War Cry' and 'Sacred Power of Raging Wind'. Elsewhere it's unbelievable folky material that's full-on orchestral on 'Guardians of Destiny' (English Version) coming complete with choir. The remixed 'Non Ho Sommo' is like Rick Wakeman let loose with Mike Oldfield and the English Ensemble - pure brilliance. This is an unbelievable release of musical splendour packed with enchanting big sounds and second to none performances. 10/10 By Glenn Milligan |
| August |
| REUBEN
- Freddy Kreuger (single) Now here's a name you wouldn't often expect to crop up as song title but alternative rocks acts more often than not, seem to specialise in rather odd tags. Sadly it's rather un-odd, and mainly uninteresting sub-grunge dirge that accounts fro the bland-if not blasphemous use of the legendary horror movie character's name, despite some quite appropriately chosen lyrical content and the two other tunes themselves boost little further fascination. Perhaps if these supposed Elm Street fanatics had opted for a cover of Dokken classic 'Dream Warriors' instead, I would have then identified a clear recommendation point. 4/10 By Dave Attrill |
| July |
| RAJNA
- S/T
(Holy Records - 2004) The problem we notice with some bands of this scene is how far some will go to distance their style from rock and still remain in association with the genre. Well top marks to Rajna, maybe, for not taking their music in a boyzone, Britney and beyond sort of direction but I still find it hard to dispute the feeling that they're taking a liberty or two with the stricter side of the scene's patronage, with this piece of Middle Eastern oriented instrumentalism. Soothing to the soul for quite a few and not unpleasant stuff if you've just got in from a horrible day at the office.... and that's where it ends. Without intending to offend any Hindi/Muslim/Asian people who encounter this review on the site, in the slightest, this music is very nice in its own right but if you're expecting any of the following instruments - electric guitars, bass, keyboards or drumkit - to be heard in use here, go and do your, erm... expecting elsewhere. 6/10 By Dave Attrill |
| Uli
Jon Roth - Metamorphosis of Vivaldi's Four Seasons
(SPV - 2004) This takes you back nearly three hundred years and then back up to date or as near as dammit simultaneously as Uli presents his version of Vivaldi's 'Four Seasons'. It's an eery album that straight away places you into old Hammer film like countryside - you can imagine the gritty old track road, the overhanging trees and the old farmhand going about his business with his wooden horse-drawn cart. The sound f/x of church bells are there too. Alongside his 'Sky Orchestra' the whole performance is mesmerising and it makes one realise what high a standard the old classical masters had - unlike these days although there is the exception now and again - like in the case here. It's a full spectrum of sound with Uli's Sky guitar reigning majestically throughout. He's even written narrative to structure the story and/or flow the seasons together and it works a dream. There are some incredible pieces on the album such as the well placed 'Venga La Primavera'; the bombastic 'The Tempest - Tuona e Fulmina' that sees the sky guitar firing its tone over the orchestra; 'Artemis'; the famous 1st section from Winter that Uli refers to as 'Ice and Fire' with his accentuated guitar working up a sweat and building up atmosphere with the string section. Uli also presents 'Metamorphosis' as well in which he has adapted some of the Vivaldi styles and made it his own at times. 10/10 By Glenn Milligan |
| April/May |
| Rain
- Headshaker From the name
of the band you'd not have known what genre of music they perform
- it's actually Power Metal and Rain originate from Italy. Imagine
the heavy updated Saxon mixed in with Judas Priest mashed in with
the sounds of bands like Helloween and Warlock. 7.5/10 |
| RESSURECTURIS
- Cuckoo Clocks Of Hell
(S/P - 2004) Well, here's one for the books. Italy's Ressurecturis have been doing the rounds since 1990 but this only their second album to have seen the light of day. Well having read about various ups and downs through the years including numerous label fluctuations plus a road accident a few years back, I think I'll just about excuse them. I've still got to review the album though, even if only to find out what lies beyond such an off-the wall title. Sadly, it at first turns out to be a bit of an anti-climax as we are treated to some rather average-sounding thrash/death fodder but by the end of track 2 I was away and bangin' (head banging that is, obviously) before you knew it. Of course, one listen and you can tell straight away that the bulk of the riffs are borrowed but at least kept arranged in a favourable manner, from the likely opinion of those most willing to hear. If you are a fan of the late eighties-early-mid nineties metal scene - yes there is a smidge of more latterday feel in the vocals - you can commit many worse crimes than listen to this. The whole album (music + graphics) can be downloaded for free from the bands web site - www.resurrecturis.com 7/10 By Dave Attrill RECOMMENDED IF YOU LIKE: Morbid Angel, Testament, Metallica |
| Roxx
- Outlaws, Fools and Thieves
(Perris Records - 2004) Been waiting for the next batch of recordings from the sadly defunct 'Roxx' that featured Ace Pinchum of Tigertailz. They were a band that never made it to being signed but were in the same calibre as Pretty Boy Floyd, Poison and Motley Crue. This collection grabs your attention instantly with unknown and mainly unheard party anthems like 'What's a boy to do?' about recollecting about the love for the original LA glam scene right through to the 'In the Groove' (Remix). Packed out with fun and big haired all the way with delights like the dirty 'Rockin' Horse'; the squalin' cowbelling 'Towing the line'; the pacey 'Pint of Blues'; the dark 'Mr. Mean'; my personal fave 'In the Groove' with its echoey harmonica addicting you to the song as well as the slutsy girl lyrics. An acoustic thang is captured on 'Shy Away' and I must give the thumbs up to hairband by numbers 'Ball and Chain'. One of the best hairbands I have ever heard - wonder if Perris have more in the vaults ready for us glammists to slavver over. 10/10 By Glenn Milligan |
| March |
| Rhinobucket
- Their 3 Studio Albums
S/T (Atlantic Records - 1990) Well you don't get much more AC/DC than the 'bucket as the self-titled debut shows they've git it to a 'T' or should that be an 'AC' or a 'DC' right from 'One Night Stand' right to the drivin' 'Ride the Rhino'. In between these two you can do no wrong with the shagfest of 'Inside/Outside'; 'Train Ride' and the last night of freedom of 'Blood on the cross'. 8/10
Get
used to it The second album carries on that similar AC/DC style of the debut opening with the exceptional 'Beat to death like a dog' right up to the closer 'Stomp' that emulates a monster having sex with a girl. Then in between there's the 'If you want blood' rip-off 'The Devil Sent You' with the rock continuing with the likes of 'Bar Time' and 'Scratch 'n' Sing'. Likeable Material. 9/10
P.A.I.N. This 3rd album at times lacks some of the fun of the first two but this 1994 was when the toils of grunge were rearing its ugly stare at your shoes head. There are far more realistic songs like the title track 'PAIN' as 'time waits for no-one'; the murderous meddlings of 'Too Much talk' but no fear, there's still a feel-good factor with the rock of 'Mad Maggie'; 'What'd you expect' and 'World gone mad' about a murder. 8/10 It's a sad state of affairs but maybe the fourth album could have been the one that could have seen the band in their own original light without the AC/DC influence taking over too much. Well that could all be a reality as Rhinobucket have reformed and have their fourth album coming out some time this year. By
Glenn Milligan |
| February |
| ROUGH
SILK - End Of Infinity
(Point Music - 2004) Giving melodic rock albums poor reviews is something I've almost never had the misfortune to do in Metalliville, but although I share none of Kerrang's uncharitable attitude to the scene, (like the 1K review this offering received) bands can still overstep the mark in degrees of cheesiness, that one little bit. Step forward Euro metallers Rough Silk. The musicianship's there, the ability and talent are there but the songs… well a few have turned up but the rest sound like over-pretentious panto-rock that's good for a bit of evening fun with the guests round and a few plates of nibbles on the table, but they are still doing themselves down in the department. Bands in this genre are capable of so much better so why R.S who have all the tools, instead use them to mix up a half-handful of reasonable quality Malmsteen/Artension-esque symph' rock numbers with what are barely better than comical B-sides, boggles one's mind. I've heard worse in my day but they need to get together and look back on their mistakes here if they are to prosper in the future. 5/10 By Dave Attrill |
| Jan. 2004 |
| RITUAL
- Ritual
(Tempus Fugit - 2004 Re-release) As you've just probably noted, this is not a stupendously fast new creation from the Swedish proggies but a reissue, including the UK for the first time, of their '95 debut album, which had no trouble in planting them on the scene as a soon-to-be revered name. Some of the numbers instantly found their fans but the troubled times that the Prog/Aor scene was in the middle of by then didn't help matters in trying to achieve deserved world status. Second album 'Superb Birth' released four years later still found its credibility even if again its market and sales territories were a little restricted and 'Think Like A Mountain' (see review further down in the R section) still saw its share of charitable write-ups worldwide. Guitarist/vocalist Patrik Lundstrom's is a familiar name in more than one place of late with his impressive 'Kaipa' project, also worth checking out, and is an equally educated musician and songwriter, as many of the top names in the genre and numbers like 'Wingspread'; 'The Way Of Things'; 'Big Black Secret' and seven-minute long seafaring epic 'Seasong For The Moominpapa'. A much yearned release by many for nearly a decade, here's your chance at last to see why, but be quick before it gets deleted again - you what things are like in this industry. 8.5/10 By Dave Attrill |
| Dec.
2003 |
| RAGE
- Soundchaser I'm glad these veteran metal acts have still got somewhere to sit and play in today's ever changing rock n' roll industry. German/US/Russian trio Rage have been in the business for over two decades now and though only bassist/singer Peavy Wagner survives from the early days, the rest of the current line-up, consisting of Victor Smolski and a familiar name on drums, Artension's Mike Terrana keep the old styles and vibes running to please. Quite obviously their line of melodic skull-pounding power metal would be about as welcomed by the trend-possessed many today as Michael Jackson in a playgroup, but festivals beckon to bands like these, to make the best of their extended lease of life. Rage are one band who with albums still as strong as this deserve such a chance of salvation. 55 minutes of pure metal fun with hardly any bits missing. 8.5/10 By Dave Attrill |
| RAMOS
- Living In The Light
Josh Ramos is, and has always been one of the single utmost revered guitarists in the American melodic rock scene. From his days with the equally respected singer Kevin Chalfant in 707 and The Storm through to his current project Two Fires (also featuring Chalfant) memorable for their Gods 2000 get-together with Jim Peterik and Kelly Keagy, JR's immense performance quality as a musician goes without a word of argument. Also seen of late with reformed titans Hardline and Robert Fleischman, which was probably at least in part responsible for the high receipt of said comebacks, Josh now pushes apart some space in his schedules for yet another chapter in one of AOR's best followed life stories. A guy who's deserved the entitlement to release a solo album or one carrying his name on the front cover from the day he began, Ramos pays back the dues here in big packets, combining everything done originally involving that Chalfant gentleman, plus vibes of Survivor, Scarem, early Danger Danger and Steve Walsh's recent Khymera project, which was pretty damn decent itself (see 8/10 review elsewhere on this site), this is class-crammed melodic rock for both the deserving and the uneducated too. You know that from the very millisecond that the opening title-track 'Living In The Light' kicks off, that Josh Ramos's music is an animal not easily tamed. Practically speaking, all twelve tracks rock in one way or more and alongside 'Living…', I'd specifically recommend 'Seize The Day', 'The Dream Is Alive', 'Come Back To Me', 'Love Is The Magic', 'Take It Or Leave It' and 'You're So Far Away' for the most frequent spinnings. Partnered by the impressive Mark Weitz on vox and Josh's fellow current Hardline bandmate Michael T. Ross on keys amongst contributors, Ramos builds these songs to last and should he land a solo slot at any Frontiers fests in the near future, I hope that as many of these creations are on the set for the public to admire as time permits. His skills never letting up for a minute - as if they would - Josh delivers another bulk package of the very best the Ramos brand has to offer. So who says that you need Kevin Chalfant or Johnny Gioelli alongside you to make it work? Nice one, that boy. 9.5/10 By Dave Attrill |
| REMBRANDTS
- Lost Together
Prizing the Artenzia roster even further open, US veterans the Rembrandts find their first album in some time the subject of another deal from melodic rock's most vibrant new label at present. Famed mainly for the Friends theme 'I'll Be There For You', this is truthfully speaking my first full stab at what Messrs Solem and Wilde's games in the name of rock n' roll are. The answer is, quite pleasant, harmless ones, really. An assortment of hard rock, pop, indie, blues, western and the odd ska moment spreads evenly or in some cases less evenly over the fourteen numbers herein and it is quite difficult knowing what to call this band -apart from their own name. 'Lost Together', 'too Late', 'The Way She Smiles', 'Another Day Down', 'Buddy Jo', 'Big Plans' and 'Some Other World' mark the different elements mixed as the other tracks pour into the test tubes from out of their respective bottles. Having missed most of this band's past catalogue, I'm regretting so every minute of the day now. American in about every meaning of the word, I see why stuff like this upholds its market on their side of the water but over here, a signature tune off a slightly successful US sitcom is about their only saving grace. A shame, that. 8/10 By Dave Attrill |
| ROSWELL
- Void
Roswell are a death/black metal act from you'll never guess where…..Sweden. And another bl**dy good one too for more reasons than one. For starters they've got a distinctive guitar sound for their genre. Secondly, they've got a distinctive style too. Melodic, old-school extreme metal chordage meets with vocal flavours balanced appropriately somewhere between then and now, adds points-a-plenty to their scene cred', even if the disc's length doesn't as much - this stuff could do with a bit more than 31.5 minutes of space, lads. Roswell's style
may sound alien to some but they definitely landed with good intentions. 8/10 By Dave Attrill RECOMMENDED IF YOU LIKE: |
| ROYAL
HUNT - Eyewitness
A pile of newspaper clippings is a very far stretch from the expected sleeve design choices for a symphonic metal album. Then again, Royal Hunt's use of the media industry as a concept for their material on this latest disc is not the first delve into more diverse depths for them or one or two other bands of this kind, and in some cases, the music spreads its wings at the same time. The Danish quintet have made their biggest impact to date with their Gods 2003 show at Bradford Penningtons but have always had their foot stamped down hard in the scene from the start. Kept tightly together as always round the never-denied talents of keyboardsman Andre Andersen, 'guitarist Jacob Kjaer and current frontman John West, 'Eyewitness' maintains the standards by which melodic metal is judged, the instruments racing neck-and-neck in totally unimpeded momentum. The twin opening onslaught
of 'Hunted' and 'Can't Let Go' plus 'Edge Of The World' are the Hunt
at their traditional best, sandwiching in between them 'The 'Game Of Fear' sustains the power drive in near likewise manner, and then, 'Wicked Lounge' announces time again 'for something different', by way of a more laid back, blues like workout in the principle to that Metallica tried on the 'Load/Reload' albums. John West's second album with RH is having a endlessly growing effect on his reputation as a performer. The American, also frontman with fellow scenesters Artension and once for a while with Swedish legend Yngwie Malmsteen has work that he can take anywhere and I only hope that his two current day acts could gain a higher status in the rock n' roll ranks, this lot in particular. Another record worth Hunt-ing down at your nearest store. 8/10 |
| IZZY
REID BAND - Copperhead Road EP
(MCPS - 2002) Sounds a bit like a mutation of several Guns n' Roses members doesn't it. It isn't anything to do with Axl's cohorts past and present but the first two numbers sound quite inspired by the softer rootsier material off the 'Use Your Illusion' and 'Lies' albums. The title cut (actually a cover of a classic Steve Earle number) also makes you think that someone clever has decided to mix eastern and western into one song but I can't diss this experimentation, the formula has proven itself today as working. 'Blue Room' is a startling switch of style, going for glam-edged hard rock and one is made to wonder if two bands of the same name are sharing this record. Instrumental closer 'Sometimes' is quite akin to moments off recent prog releases I've assessed, made all the more digestible by a sudden change in tempo, halfway through. Unlike several other new acts whose EPs/samplers I've had the misfortune to have to review lately, IRB's hype is a lot better deserved 8/10 By
Dave Attrill |
| Ring
of Fire - Burning Live in Tokyo 2002
As the bio says, this is 'Neo Classic Power Metal' and I ain't arguin' against that. OK, the title is virtually stolen from a Glenn Hughes Live album - no prizes for guessing that one. This if did not know is Mark Boals' band outing that's got Tony McCalpine on lead guitar. Vocally it's serious pitch-perfection and musically exquisite - the dogs b*ll*cks to be exact and there ain't nothing finer than those. The Japanese worship every second of it especially the tribute to their nation 'Samurai' where he asked 'Is this the best city in the world or what ? as if they'd say no- it's all a highlight to be honest - but let me direct you to disc 1 - track2, 'Bringer of Power' - disc 2, 6 (operatic tenor), 9 (Piano ballad) and the bands anthem 'Ring of Fire'. (Yes, I will fill the tracks in, unless you'd be kind enough to let me know) 10/10 By Glenn Milligan, BA Hons CS |
| Razamanaz
- S/T
Sleaze just don't get better than this - a set of songs from an obscure glam band named 'Razamanaz' who sadly appear to have vanished without being notice by anybody of us likewise minded fans in the UK. They tread the musical line made famous by AC/DC, Kiss, Motley Crue and Britny Fox (Michael Kelly is in this band actually - that's before he joined the 'Fox) Among their own stuff like the slammin' and squawkin' 'Feel it'; the Def Leppard, High 'n' Dry era feel of 'Rock 'n' Roll Outlaw' due to it's vocal style and Clarke/Willis like guitar soloing and the LA Gunsy 'Tied up (in love)' they've thrown some steamin' covers like a cookin' version of 'King of the night time world' by Kiss and Aerosmith's 'Seasons of Wither'. A band I wish I had the chance to witness live. 9/10 By Glenn Milligan, BA Hons CS |
| Roxx
Gang/Mojo Gurus- Hot Damn
Now this is the band that brought out the classic 'Scratch my back' but this album is just pure 12-bar indulgence that harks back to the style of the 50's and 60's. After a short while it becomes boring. There's just a lack of original substance and it's as though it was put together because they owed the record company an album - hope their next album gets back to their former glory. 5/10 By Glenn Milligan, BA Hons CS |
| July 2003 |
| Ring
Of Fire - Dreamtower
(Frontiers/Now and Then - 2003) Ex-Malmsteen singer - who goes by the name of Mark Boals bands and my god do they sound like Yngwie Malmsteen's 'Rising Force' or what? Tony McCalpine is definitely a major contender who takes care of the guitar duties herewith. This is high-precision Neo-classical Rock throughout with plenty of soloing, double-bass drumming and it goes without saying the remarkable interstellar, I can reach Pluto crystal clear tenor vocals of Boals himself. Highlights include the pompously majestic 'My Déjà Vu'; title-track 'Dreamtower' and the seriously excellent 'System Utopia'. Wonder if that famous Swedish Shredding Sweetpicker has heard it yet? - he's bound to approve of it. 8/10 By
Glenn Milligan, BA Hons CS |
| Chris
Robinson - New Earth Mud
(Redline Entertainment - 2003) A departure from the bluesy hippy tinged retro that you associate 'The Black Crowes' with. In fact this debut is also more contemporary styled - a la early to mid 70's Elton John in a US mellowed country kinda groove. Miles more ballads appear here which must be due to the fact that he feels more relaxed with himself after his marriage to Kate Hutson. Highlights include the romantically treasuring 'Safe in the arms of love' with its quirky solo section; the sad and haunting 'The kid that ain't got none'; the moving 'Could you really love me?'; his dedication to the wife 'Katie Dear' that's Led Zeppelin orientated and the funky Sly Stone meets James Brown ditty 'Ride'. This album is a grower and gets better every time you play it. 8/10 By Glenn Milligan, BA Hons CS |
| Pre-July 2003 |
| RAMPAGE - The Arrival (Self-Released - 2003) On first being introduced to this newly conceived Canadian act, I couldn't help from noticing their name but have this strong assumption that they might be fronted by none other than Randy Rampage, the original voice of thrash legends Annihilator. So it turned out not to be so, but that doesn't prevent similarities between this and the produce of Jeff Waters and pals from occurring. They keep it eighties all the way, even through to the sleeve cover design but record with a very fresh modern day-ish output and keep the material understandable all the way through. So their stuff, does in the main tend to tread on familiar ground, but when they keep their head out of the sand, and work knowing the ropes, what more should we ask. Solos and good old-fashioned trad metal melodies are aplenty and songs like 'Bloodline', 'Reagan's Dream' and in particular 'Heaven' serve the style loyally. There is one familiar name amongst the credits, Bassist Stan Miczek having played for the likes of Honeymoon Suite and 24K over recent years, and I'm sure the whole name Rampage will be on people's lips if they maintain this potentially increasing performance. Good stuff. 8.5/10 By Dave Attrill |
| RITUAL - Think Like A Mountain (Inside Out - 2003) It's like Dream Theater have just become a trendy band, it's got to be that, ain't it. The worshipped curse of innovation possesses more souls by the minute amongst which are the quite coincidentally named Ritual. From opener 'What Are You Waiting For', about as DT-esque as one would dare get at the lawyers discretion, through to 'Moomin Took My Head' bred on similar grounds, and then 'Infinite Justice' and 'On' , tunes that would please five out of six Flower Kings fans, the diversity seekers' wet dream comes as true as it can from this well conceived new band. 'Humble Decision' and Explosive Paste' are indie-oriented numbers while 'Shamarama' and 'Off' take a few more leaves than they should out of fellow newcomers Yakuza's books but the remaining tracks... let's not spoil all your surprises. Packed with musicianship that pulls its weight and creativity that throws it flying round the room, that's what Ritual appear to base their performance on here - well it paid for other bands who followed that principle before them. Psychedelic rock tailored to satisfaction. 9/10 By Dave Attrill |
| RPWL
- Stock
(Inside-Out - 2003) Imagine piecing together the keyboard elements of Genesis (mid to late 70's) with the charms 'n' vocal styles of Pink Floyd - well this is what RPWL are like. It's definitely a band who have put my interest back into Prog Rock. Highlights of which there are many include the tranquil 'The Way it is'; the spacey Hawkwind vibed 'Gentle art of swimming' and the tremendous 'Forgive Me' trilogy. Awesome stuff. 8/10 By Glenn Milligan, BA Hons CS |
| RONDINELLI
- OUR CROSS OUR SINS
(MTM MUSIC - 0681-56) The selling point to the monstrous rock album is the all-star line up. We have on vocals Tony Martin (ex-Black Sabbath), guitars Teddy Rondinelli (Flex Papalardi), bass Neil Murray (Whitesnake, Gary Moore and Black Sabbath), and on drums Bobby Rondinelli (Blue Oyster Cult, Black Sabbath, Doro, Rainbow). This is a typical rock album that will melt the hearts of any rock enthusiast, this nine track CD gives you the power the riffs and the flicks that is expected on a hard hitting rock album. Despite the line up I found this CD disappointing and lacking in enthusiasm and passion but it will be a CD that is going to be loved by the rock and melodic rock listener. 5/10 By Tony Watson |
| Uli
Jon Roth - Legends of Rock - Live at Castle Donnington
(SPV - 2002) A stellar cast of artists including alongside Uli including 3 members of UFO (Michael Schenker, Pete Way and Phil Mogg), Jack Bruce, Don Airey (now of Deep Purple), Barry Sparks (bass) and ex-Jethro Tull drummer, Clive Bunker. You'll hear them perform a whole list of classics ranging from Cream's 'Sunshine of Your Love' to UFO's 'Doctor, Doctor' at a gig that took place at The Annual Rock and Blues in 2001 - this time at the famous Castle Donnington Racetrack (not Ripley, Derbyshire as it was originally gonna be held at) due to the foot and mouth scare that was doin' the rounds. Your bound to get entranced by the nice bit of solo stuff from Uli John Roth in songs like 'Sky Overture' and 'Trail of the wind'. Ok, trivia time for ya - What's the Beatle song aired during 'Fireworks Jam'? And before I got off course too much, remember that you can buy this on DVD also, but this is quality for starters - supreme sound and some of the best rock classics ever. 9/10 By Glenn Milligan, BA Hons CS |
| RAISE
HELL - Wicked Is My Game
(Nuclear Blast - 2002) Looking at the cover, I had quite a good idea of what to expect from that sweetest of all things, a black metal band. Raise Hell took me quite by surprise, though. Yes, they are a black metal act but an alarmingly distinguishable one at that. Okay, so you've got the electric-whisk-lodged-down-throat -styled vocal rasps but the instrumentation seems to be playing another album alongside. Instead of just tedious one-speed riffage practically running non-stop throughout, they've opted for the best of the more commercial side of the Californian 80's thrash scene as their influence factor, with Megadeth and Testament being the dominant vibes along with a healthy portion of early Metallica velocity to provide the most of the driving force. Cutting a long story short, you've got vocals as aforementioned, set to unusually melodic thrash licks. The musicians are no idiots here and while the riffs sometimes sound to lack a little in the originality room, this particular combination is one they can just about safely call their own, and guitar work like the sort we are graced with here is what makes the definitive extreme metal album of today. A definite for any decent European metal festivals over coming years. 8/10 By Dave Attrill |
| Todd
Rundgren - Bootleg Series - Volume 1 - Live at the Forum, London
'94
(Sanctuary Records - 2002) Technical nutcase, Todd Rundgren was been let loose in London where he brought his own interactive stage set minus a backing band but with a computer stacked high with samples - oh yeah and some vocalists too going by the name of 'The TR-i Girls'. It was the 'New World Order Tour' where (Todd invited the audience onto the stage to play guitar - 'It's in Db, it's in Db' he shouts daring a 15 minute plus version of 'Secret Society'. You also get the drum machine played by a crowd member for 'Love Thing' and at other times Overtones invited on stage if they saw the Green light. It's a recipe for disaster but it works brilliantly- thank god his Mac didn't crash or he'd have been up sh*t creek. Much of the gig is nutty rock-pop that's worked around the guitar and synthesizer: Highlights include 'Day Job', 'Fascist Christ'; the medley featuring 'Love Thing' and 'Black and White' as well as the acoustic encore, 'One World'. The stage is small - a round pyramid shaped effigy with 20 T.V screens about showing cartoons and footage of Rundgren. If you were lucky you got the chance to shoot footage of Todd onto a big screen using a large camera - no what artists let's you have a go at that. This performance gives a whole new meaning to the term 'Live Concert' - like nothing I've ever known since or after. 7/10 By Glenn Milligan, BA Hons CS |
| RAIN
FELL WITHIN - REFUGE
As you can guess from the record label, Rain Fell Within are like a dark symphony with their eerie gothic sound and the unforgettable operatic harmonious vocals of Dawn. This extraordinary CD is for a limiting minority crowed, if you are looking for something different in the gothic side of things then this is one for you. I cannot fault the musical concept or the talent that come from within but, and this is not a dig at Dawn herself, her screeching vocals just go straight through me like a hot knife through butter, I think that her vocals are too high and are not eerie enough for me to keep my concentration throughout the CD but get rid of the vocals and I could have fallen in love with this ten track musical masterpiece. As I have lost all interest, I feel I cannot say much to justify this talented six-piece band. It's just not my cup of tea. 3/10 By Tony Watson |
| RECKON
WITH ONE - THE PURPOSE OF EXISTENCE
Reckon With One brings back the youthful memories of early Metal Church and or Death but much more mid tempo, it's not too extreme but at the same time thrills the listener with well-written progressive arrangements and guitar melodies. These three guys from Canada
show their dark side, with pummelling percussive force and intense vocals,
which blends with it's harmonious riffs and extreme corruption that
brings you to the forefront of eighties metal with a two thousand sound,
there is no accurate compilation of words that could describe the musical
abundance that enters the ears but Recon With One, will and do show
you how talented they are through their emotional pain, brutality and
beauty that is released through the expression in music. 8/10 By
Tony Watson |
| REDEFINE
- Jennifer Cried (Single)
(Sugar Shack Records) I raved about act in recent months, I checked out this single from Bristol nu-metal noisemongers Redefine. An interesting contrast greets me on the title track, with the vocals being repeatedly tossed back-and-forth from melodic punk to demented industro-core gargling, by-passing practically all in between. Not bad, not bad. 'A Whole New Year', the first of two cuts exclusive to the EP is well-penned in melody but falls flat on its proverbial Chevy Chase due to the badly recorded acoustic guitar/vocal lines which sound like they've had about half a minute's rehearsal time. 'Monkey Dojo' is an interesting tune and has practically sod all to do with the other two numbers - an electro-pop type offering which defines the diversity possible in the space of only three tracks. The accompanying promo vid for Jennifer Cried looks like the basic low-budget bedroom-shot effort you expect from a teen metal band but the intercut storyline of a young relationship meeting its tragic end is quite hard-hitting - the girl featured, taking a gun to her fella is obviously this Jennifer mentioned. Quite an interesting mixed bag of ideas, I must admit. 7/10 By
Dave Attrill |
| REMY
ZERO - THE GOLDEN HUM
Remy Zero is LA based quintets who have been friends since their childhood. On this third album have relied on their innate ability to create moody rock and add texture to the tracks within a way that one minute you are swept away with the magical moments of the bands sensitive side, which then builds to an aggressive surge that fills the songs the band and the listener with a full body of excitement. From the moody instrumental brilliance of the intro track 'The Golden Hum' we then are opened to the talented abilities mixed with full emotion of 'Glorious #1', 'Out/In', 'Bitter' and also the magnificent single 'Save Me', which is also the theme music to the hit TV show 'Smallville'. The Golden Hum is an album that will have you singing and tapping throughout the tracks without you realising it. You may find that Remy Zero throw in a touch of 'U2', 'Live', 'Lenny Kravitz' and a slight touch of 'Marillion' but at the same time keeping their own identity. The Golden Hum is one of the most enjoyable rock albums of this year that will not be left collecting dust in years to come. 9/10 By Tony Watson |
| Roxx
- Diamonds and Rust
Let's travel back to the glam days of the 80's when life was a blast and put on something slendid - enter Roxx. A fine example of a class underground band band that should've made it - problem was that there were so many similar bands around at the time. Anyway, these here demos are a perfect party moment waiting to explode in an early Motley Crue kinda way dating from '85 to '89. Let's hear it for the sqawking George 'Roxi' Hall and his hair bear bunch who stand clad in tight pants tucked in cowboy boots et al. When you hear the opening to 'Breakdown' or the sqealin' guitar solo in 'Better than Dead', you just know it makes sense. It really is a party from beginning to end - just a pity about the distortion problems on 'Rockin' the City' because the number is pure LA styled Brilliance - I just love how it all blends together. Down to the cheese we go with the Big Bopper opening 12-bar, 'Lickity Split' or the rompin' sleaze of 'Hot Sweet' or the dialogue about the blonde babe who you'd pay $1200 dollars just to sqeeze her (find out what by buying the album). Vince Neil Perfection. Don't expect state of the art sound quality (they are demos) but do expect to be given a damn good time. 10/10 By
Glenn Milligan, BA Hons CS |
| Jack
Russell - For You
The voice of Great White has broke out of the rock mould and gone for a more matured contemporary style that radio stations these days are likely to pick up on. Changing musical and vocal paths has been on the cards for a while, since breaking up Great White late last year. Jack Russell has teamed up with famed Producer/Musician, Bob Kulick and Billy Sheerwood. 11 fabulous songs have been recorded which to be honest, I can't commend enough. Take the opener, 'Any kind of love', a very joyous song or the following splendid ballad 'Always' about the woman he loves - that's oozing with with warm vibes and ambience. The title track 'For You' is a perfect example of how love ballads should be composed - it's a pure celebration of the subject, written by Swaynce (who also has a deal on the same label). 'The Best is yet to come' is Beatley brilliance with plenty of 'Oh yeah, Oh yeahs' phrasing around the well played and penned arrangement and 'When the Wind Blows' is a nice reminder is a nice reminder of Georrge Harrison's style - in fact, The Beatle's were one of Jack's main influences. Closed with a melodic and cheerful ballad, this debut solo album (that I hope will be the first of many) is dedicated to his late Father, John Russell who sadly passed away not too long ago. No doubt he's real proud of you Jack - this album is absolutely exceptional. 10/10 By
Glenn Milligan, BA Hons CS |
| Redifine
- S/T
If you want to hear Slipknot during puberty then this is the band for you. The album has a nice electric sound to it, but the fact that you can hardly make out the words of the songs is enough for me to slate this band completely. I suppose if you like the screaming in horror movies - then again, this album's for you. There are hardly any musical themes at all during this album. Sorry, but all I've done is listen to this album for the past few days and I feel as if my head is going to explode. I like listening to songs where you can sing along - with Redifine, you wouldn't know whether to sing along or slit your wrists. A big fat 0/10 By
Simon Moorhouse |
| Rose
Tattoo - Pain
The first studio album from the Tatts in 18 years is this!! Angry's gang are back doing the business with 16 kicking cuts. Rose Tattoo are the Australian equivalent of Status Quo (as in, before Quo lost the plot and started appealing to Lawyers and Bank Managers). They have plenty of attitude and tasty lashings of slide guitar as well. Angry Andersen never seems to lose his Oz accent and wailings like a revved up Alex Harvey in the style of Bon Scott. Hear them reel out class simplistic rockers like 'The Devil does it well', the male honesty of 'Someone to F*ck' or the working classiness if 'Hard Rocking Man', 'Union Man' or 'One more drink with the boys'. A European tour is on its way too - make sure you catch 'em. This album is a biker and rock fans paradise. Good old fashion bar-boogie. 7/10 By
Glenn Milligan, BA Hons CS |
| ROYAL
HUNT - The Watchers
Hey, these lads have just had an album out, haven't they. True - but this time it's an odds 'n' sods comp' featuring live versions, new versions, full versions and edited versions of ten various tracks from their illustrious past. European melodic metal legends Royal Hunt impressed many with last year's CD 'The Mission' as they have throughout the decade they have been around for. Keyboardist Andre Andersen and former singer DC Cooper have made further good names for themselves with solo offerings in recent years whilst various other members past and present have cropped up in other albums and acts from the scene. John West, also recently involved with newer Frontiers signings Artension, is now the man behind the mike for this well-worshipped Scandinavian/Dutch outfit. Along with said other act's keyboardsman, the ubiquitous Vitalij Kuprij, this is one chap who deservedly throws his weight around on the scene. Just listening to the epic live tracks on this disc makes you question how any band can try and defeat the mighty Dream Theater in their game just like that, but the Hunt have come pretty damn close to achieving this feat. A 14-minute studio track in which the vocal lines don't kick in until about two thirds of the way through, tests me a tad at first but 'Intervention' which I believe is the full version of its previously available self, is still worth a few repeat spinnings. I still admit, I prefer a certain other 14-minute tune, by Iron Maiden a little more than this one. Comparisons aside, 'The Watchers' is an enticing listen for both fans of the band, and of the genre, alike.
8/10 By
Dave Attrill |
| February 2002 |
| REVOLVER
- THE UNHOLY MOTHER OF F*CK The title 'The Unholy Mother of F*ck' gives you the purchaser that sense of attitude and aggression and yes, that's what you get. A band founded in Braunschweig Germany, have the resemblance of across between Motorhead, Entombed, Crowbar and the slow deep heavy side of Slayer, but there still seems to be a little bit missing from the production, it sounds a little bit empty in places with their punk and metal combination. Revolver have filled the CD with aggression and attitude to the point that it's nothing new, it's not a CD that will blow you away with excitement, nor is it a CD that you will think 'This is brilliant' you either love it or hate it, there is no in-between. 'The Unholy Mother of F*ck' is a bit of a let down. There is a combination of sounds from the above-mentioned bands, which haven't come over so well, out of the twelve tracks, the only track I can say I have thoroughly enjoyed is the last track '1987', which is an instrumental, don't get me wrong it's not because there aren't no vocals, it's a track that hasn't been rushed in the writing or been played witho |
