F
December |
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Famous - All The
World
(Burning Records - 2008) With the greats like Led Zeppelin, Pink Floyd, AC-DC, Black Sabbath, Famous have developed a sound that is so new and fresh but still showing the appreciation for the old style rock of the 70’s and 80’s. All the world is very close to the sounds of Audioslave, late Soundgarden, Alter Bridge and Black Stone Cherry. The combination of solid rock with passion and enthusiasm drives the CD from start to finish. This nine track CD enters into a new dimension of rock music, pushing out all the barriers but not spoiling the sound of what rock music is about. ‘Black Hole’ opens the CD with such passion and devotion, you would probably find it difficult to accept the rest of the CD also throws its heart out to the listener as it delves through ‘Today I’m Gonna Kill – The World’, ‘Heaven Will Come’, ‘Take Me Out’ and ‘Give Me Your Soul’. An excellent rock masterpiece. 9/10 By Tony Watson |
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Fizgig – Out
Loud
(S/R – 2008) Hailing form Bellevue, IOWA this rock band start off pretty good and deliver up 7 tracks altogether for this ere CD. The opening hard rock song is great, going by the name of ‘Partytown’ is a killer number but the rest are rather sub par songs that would be more at home on a Cliff Richard album than a Rock CD. A pity really as they are a good band but need way more balls to make an impact. Keep to the formula of the 1st song and you are onto something guys. Shame as Fizgig just fizzle out. 5/10 By
Glenn Milligan |
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Jack Foster III - Jazzraptor’s
Secret
(Muse-Wrapped Records - 2008) This is the forth CD from Jack Foster III, Jazzraptor’s Secret has a broad range of musical influences such as Jazz, Progressive rock and easy listening. A ten track and very interesting CD full of intricate guitar riffs, melodic vocals and tame drum beats that would put a baby to sleep, but lacks the power and ambition that I would expect from a rock artist. Although the CD is easy to the ears, I found myself wondering about and doing other things; the music didn’t keep me interested and didn’t keep me entertained in the slightest. 3/10 By Tony Watson |
August |
|
Family - Best of
Family and Friends
(Angel Air Records - 2008) Well what can I say; I thought I had landed back in the 60’s with a bunch of hippies. Family have been around since the beginning of mankind and are still going strong. Best of family and Friends is a massive compilation of songs, which have expanded over 40 years and if you’re lucky you may even pick up the version with a DVD that was recorded in Newcastle in 2002. Roger Chapman expressers his vocal abilities throughout the CD showing why he is still around today. From the start of ‘Burlesque’, to ‘The weavers answer’, ‘In my own Time’ and ‘Part of the load’, Friends demonstrate exactly what the 60’s and 70’s were about, which could easily put Pink Floyd and Jethro Tull in their place. Family are probably part of most Hippies families and will remain there for the rest of there lives, and if that is the case then this is a must for the collection, even if it’s just for the DVD. Not really my cup of tea but all the same you can’t knock class when you hear it. 7/10 By Tony Watson |
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Fields of Iaru - Alone
in Inertia
(Dark Cavey Records - 2008) What ever you do don’t listen to this by yourself or even with earphones on, as it will scare the pants off you. I am not going to disagree with anyone if they want to call this style of music ‘Egyptian Black Tomb Metal’, which suits it quite well. The music is full of Middle Eastern percussion, pounding drums that are accompanied by doom-laden guitars and a vocal that would put Bathory’s first album to shame. The eerie atmospheric sound explodes into your evil souls and works through your body like scarab would on a feast. From start to finish the echoing shudders ripple through your veins bringing the blood to boil with horrifying tracks such as ‘The birth of Anubis (the awakening)’, ‘lord of the necropolis’, ‘Mistress of the jackal headed god’, ‘The beauty of death and decay’ and ‘The rise of the sun god’, which finishes the CD with a sense of fuck me, what was that? Fields of Iaru will end up with a very strong following that you will only see in the dead of night. BEWARE the Fields of Iaru will get you 8/10 By Tony Watson |
PETER
FREISTEDT - LA Project 2
(Zinc Music - 2008) I recently
reviewed another disc from this label by a chap called Robbie Dupree
who seemed interested in playing virtually everything that wasn’t
rock and still it got passed off as such a music. 8/10
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FROM THE INSIDE - Visions
(Frontiers - 2008) Danny Vaughn. An inescapable name on melodic rock cds theese days. The Tyketto mighty-mouth doesn’t let a year go by releasing something under one of his many respected guises but this is of course still one of the most respected men in this genre so it is due. Rendering the four-year hiatus since the first F.T.I. disc practically redundant, this incredible follow-up is exactly where this genius left off before. Accompanied by current House Of Lords shredder Jimi Bell and journeyman four-stringer Fabrizio Grossi, opening with his most-Survivor-esque moment in the form of ’Light Years’ is a solid promise of quality and thank f*** that the infuriating anti-rip voice-overs hold off long enough to enjoy the first chorus. ‘Making Waves’ is typical Vaughn and as usual great with it before both styles meet headlong for ‘If It’s Not Love’. ‘Listen To Your Heart’ is very easily describable as an almighty confrontation of ‘Was There A Time’ and ‘Suddenly’ tailored to reward those that constantly worship this legend and is up there again with the best. ‘Love Is No Stranger’ and ‘21 Century’ uphold the standards to full height with the latter introducing Jimi’s HOL sound to those in the shame of not yet to have heard this guy. - listen to how he clears that solo in fifteen seconds and keeps it in the gel, before that brief pause fanfares Dan’s return to the mike. ’Days Of Hunger and Moment To Moment’ are simply Danny doing it the way he does best but sandwich a potential gem in between, in the shape of the Journey-like ’Visions’. Out of the blue as I’ve just finished saying this, ‘One More Night In Heaven’ is probably the strongest ballad he has written since ‘Standing Alone’ and should be a live staple on all future solo shows. ‘Push Me Off’ is a hearty rocker that sums Danny Vaughn up in a nutshell as one of the most powerful singers/songwriters in the AOR business today and is the closest to the ‘Ketto that he dare get today. No drop in the momentum because the last number now upon us, ‘Telemetry’ allows us to savour the best of his soulful chorus vocal talents - reaching for the high notes from the ladder of passion he stands on without having to hold onto. Sadly it’s time to climb down again and admire another fine day’s work courtesy of a chap who has never slacked a day on the job in his entire musical life. Bringing a superb team along with him once more has done the fella credit and I hope James Christian’s listening proudly because Jimi Bell’s proven himself no one-band pony to boot and the chemistry has simply further bubbled for an even more explosive result. Danny is a man who can do anything with or without help from anyone but with the correct ingredients to his disposal once again, comes through tops. Blinding again, Mr V. I say no more. 9.5/10 By Dave Attrill |
June
2008 |
Funny
Money – Reissues
(Perris Records – 2007) Steve Whiteman’s band back with a frighteningly great album of funtime rock ‘n’ roll 80’s Americana LA Sunset Strip style. Yep, before you ask he fronted a band called Kixx a few years ago You can’t get enough of this kinda stuff and its well produced with some hot numbers amass a great album such as the opening ‘Off My Rocker’ about having a chick who can cook and sew (well that’s what you need when you is getting on bit); the beautiful reminiscing love ballad in ‘Baby Blues’; the grab ya straight away dance-floor non-stoppin, simply lyrical ‘Boogie Man’. Then there’s ‘Suckin’ My Blood’ – you’re suckin me dry baby – oh yeah ! – I especially like this one for its surprise harmonica solo – spot on that dude and nearer there’s a classic ballad that all good albums need in the form of ‘Dry Eyes Cry’. Get it ! 8/10 By Glenn Milligan |
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Funny Money –
Stick It!
(Perris Records – 2007) Stick what where? That is the question – well when it’s these cock rockers, do we really need to ask – a sincere 100% nope in this case – haha. Full of feel-good tunes of the sort that you loved from a couple of decades ago - big hair, cowboy boots etc – you get the picture as well as some more grown up stuff as well. Highlights on here include ‘Hot on your heels’; ‘Crush’; the serious autographical sound ‘Fool’s Confession’; the piping hot ‘Slow To Blow’; the mushy ballad ‘Thousand Thank Yous’ and ‘Weeds & Roses’ with killer countrified rockin’ blues solo and harmonica squealin’ not to mention angst filled lyrics about some chick that’s p*ss*d him off. ‘About Women’ is a good throbber of a number to end on as well with its addictive bass line and AC/DC riffage – makes sense to me! 8/10 By Glenn Milligan |
2007 |
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FLAGELLATION - Incinerate
Disintegrate
(Lost Entertainment - 2007) In a mini album allocating a full track out of just six for the use of an intro is a dodgy stunt to pull with the paying listener. Considering by the lump of directionless death metal racket that is the following track, ‘Chaos The Flesh’, it nearly gelled that the intro might be actually the most interesting listen on the album. Hoping Lost Entertaiment hadn’t done what their name indicates already, I probed the remaining two thirds of Flagellation’s debut in the hope that their impressive maiden release by fellow Swedish signees Machinery, a member of whom appears here too, wasn’t a fluke. ‘Threshold To Madness’ and ‘Purified By Fire’ sink in however and the panic is over as further explorations of all things San Franciscan are undergone, and continue on to the title song while gothier closer ‘Vast Desolation’ takes things in an even more diverse direction,- - I’m actually reminded of Fear Factory a little bit there. Patchy at first, our first taste of these guys eventually becomes sweeter in the mouth before we begin to contemplate swallowing and I hope that their first full-lengther has more numbers of the ilk of the latter four here. All in all, pretty good in the end despite my earlier disappointment. 7/10 By
Dave Attrill |
|
Freedom Call –
Dimensions
(SPV – 2007) Power metal 4-piece from Germany who hammer it at us throughout the album and as put in the bio ‘The album raises the question where the climatic disaster will lead, what the fate of the human race will be and whether our future may be not on earth but far away on another planet of the universe’. 12 tracks of passion and all things sincerely metal – even name-checking themselves on ‘United Alliance’ with ‘We are Freedom Call’. They are made up of mainstays Chris Bay (Vocals/Guitar) and Dan Zimmerman (Drums) and joined by 2 new guys who go by the names of Armin Danderer (Bass) and Lars Rettkowitz (Guitar). There’s a slight bit of humour to them especially in ‘Mr. Evil’ with its name-check. This is a collection of fast, melodic songs with high vocals, with drums being beaten to hell – oh no doubt you get the powered-up picture. Some nice orchestra moments in Demons Dance’ and Light up the Sky’. I like the classical elements that appear in the opening of ‘Words of Endeavour’ – nice ballad dudes, great keyboards riff in the title track that has a European Metal feel goin’ down there’. Love the ‘Magic Moment’ church organ and the bagpipes on ‘Far Away’ that adds something extra to the genre. Cracking album. 8.5/10 By
Glenn Milligan |
2006 |
|
Fair Warning –
Brother’s Keepers
(Frontiers – 2006) High class melodic hard rock from and I can’t help thinking that this frontman, Tommy Heart sounds so much like the leader of Hardline as well. Highlights include the opener that is the bombastic ‘Don’t keep me waiting’ and likewise of a similar nature is ‘Generation Jedi’; the beautiful ‘Rainbow Eyes’; ‘Push me on’ withits great guitar solo which features a tasty bit of sweetpickin’; the powerful melodic ‘The Way’; ‘Once bitten, twice shy’ (no it’s not a cover of the Mott the Hoople song) or the closing number with the delicious harmonies on the loving AOR ballad ‘All I wanna do’ that kinda reminds me of a Robbie Williams number as it’s so perfectly polished. This band put the balls and interest back into AOR. 9/10 By
Glenn Milligan |
July |
|
Fatal Smile –
Neo Natural Freaks
(GMR Music Group – 2005) Precise, decent metal band opening up with a ditty about Alien freek geeks – what ! then its straight forward after that. They come from Stockholm, Sweden and like their debut, it has been produced by Jonas Ostman (who is has done the knob twiddling bizniss for Yngwie Malmsteen) and mixed by Stefan Glaumann. Fresh, bright, bolstering, crunchy metal right through that at times have the vibe of harder edged bands like Pantera - here you’ll find good melodies especially on numbers like ‘Dead Man Walking’; ‘Crash and Burn’; the gripping single ‘Learn – Love – Hate’ ; ‘Colourblind’ and the closer ‘11th Hour’. Great vocals, great playing, great songs – what more could you ask for. 8/10 By
Glenn Milligan |
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FLATLINE - S/T
(3 Track Demo)
Another Sheffield outfit sounded promising when I recently heard them live, Flatline don’t stoop too drastically below on their recorded material either. Blending punk, alternative, sleaze and old-school rock in chequering smidgens through these three jumpy little numbers, they build up a style with strong modern day attitude but also one that has a classic feel too. If this demo is available at any gigs or mini-local fests, grab it - another slice of Steel city talent awaits your support. 8/10 By
Dave Attrill |
|
Frost – Out
in the Cold
(Mauseleum – 2006) A guitarist going by the name of Jack Frost brings together a bunch of well known and less well known Rock vocalists who sing some original songs and a few covers too. I have to say that the best material is that that has Ted Poley on vocals who opens up the album with ‘Wasting Your Time’ and later covers ‘Sign of the Gypsy Queen’ as well as closing with ‘Head First. Other highlights from other vocalists include ‘Out in the Cold’ that is a good hard rock number with XYZ’s Terry Illous on vocals; the Bad Company like ‘Peter & Me’ (Dale Toth at the mike). Frost’s cover of ‘Cold as Ice’ is exceptional with Jeff Martin on lead vocals with back-ups from Paul Shortino of Rough Cutt) or the atmospheric piano led after death questioning of ‘Passage to the other side’ with Toth again on lead vocals’ Interesting album. 9/10 By Glenn Milligan |
| May |
|
FIGHTSTAR - Waste
A Moment (1-track promo)
(Universal Island Records) If there’s one thing that as a rock webzine we hope we should never find ourselves in the position of having to do, it is to review material by someone from a BOY BAND. That aside, Busted weren’t actually that bad but definitely no leveller with Charlie Simpson’s new outfit. Fightstar play a familiar style as well, though we’re talking that of Alter Bridge, Drowning Pool, Pearl Jam and Bush –type influences and comes with the sort of hook and driving guitar line that sells in stacks in rock, the way Simpson’s erstwhile scene of association did in pop circles. Already doing well in shops, the guy may have already have high profile but should rightfully be destined for much higher with this material. Given the choice between Charlie Simpson and Bart Simpson, I’m afraid out little yellow-faced friend loses out this time. 8/10 By
Dave Attrill |
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FLOTSAM AND JETSAM
– Live
(Mausoleum) TRACKS No Place For Disgrace, Swatting at Flies, Hard On You, Chemical Noose, Me, Wading through The Darkness, The Master Sleeps, Nothing To Say, Thrash, Hammerhead, Secret Square, Escape from Within, Dig Me Up To Bury Me. Amidst new and hereinto undiscovered metal sensations that labels such as Belgium’s Mausoleum Records bring to our attention, there is still the rapidly evolving obligation to help bring at least one fabled metal institution back into the fold. Phoenix’s Flotsam and Jetsam’s chief claim to fame is, to most casual metal observers, their dispensing of one Mr J. Newsted to a certain San Francisco –based outfit I might mention. To the loose listeners of F.A.J themselves, they have always prided themselves on their distinctively melodic sound, given that they are of course a thrash band, and if your introduction to their material indeed happens to be via this 13-track gig recently recorded in their Arizona hometown, you’ll find your own expectations quite easily summarised. Harbouring the bulk of their best known line up, Jetsam maintain the form of performance that did the originals their cut of justice in their heyday, along with frontman Erik AK’s one-of-a kind warblings, sounding, at the large part of times, like a hybrid of Joey Belladonna, Blitz Ellsworth and at a fair amount of turns, Cro-mags’s John Joseph. For those used to properly balanced production quality, I must warn you that the disc is very shaky regarding this side of matters, mostly picking up only one guitar, and it sounds like either the crowd were all suffering from a very bad case of laryngitis or this was a live studio jam that a few out on the street stopped by the door to listen to. Pity that that’s had to ruin things as the Flotters put on a good exhibition here, and being signed again clearly means they’re far from forgotten. 7/10 By Dave Attrill
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FORCE OF EVIL- Black
Empire
(Escapi) Force Of Ev…. Names, eh. Serving as less than an accurate warning in the cases of some bands’ musics, FOE’s can take pride in harbouring a considerable level of substance behind such a trite moniker. Though in possession of most of the stereotypical factors on the receiving end of more or less equal levels of ridicule to a name like theirs, this side of 1990, the elements have met via some clear experimentation and the resultant liquid is quite a fizzling mixture. For the curious, it’s classy old-school eighties thrash twin guitar assaults with vocals likely to win a few Priest/Helloween fans’ hearts around the world plus an industrial/goth tint that has a checquered presence throughout but hangs around enough to be recognised as an integral element of their sound. Most would particularly chortle at their lyrical content with the songs all focused on various horror movie icons but the idea is tastily applied and keeps an air of catchiness to most of the tunes. Summing all sides together, the vast cheese factor stays at the sleeve only - the music is their own more thought-driven direction and is an enjoyable conglomeration in the end run. Worth trying. 7.5/10 By
Dave Attrill |
|
FEAR FACTORY –
Demanufacture
(Roadrunner - 1995) ALBUM LINE UP: When Fear Factory first introduced themselves to all and sundry on planet metal in 1992, their debut long-play offering ‘Soul Of A New Machine’ documented the birth of a strange yet volatile new species, at a time when the primal waves in the rock n’ roll world were being hogged by our friends from Seattle. If the LA quartet’s first taste was a welcome enough package however, few could anticipate the ferocity its follow-up was to inflict on the scene a mere three years on. I heard the first snips from ‘Demanufacture’ on TV’s ‘Noisy Mothers’ show about a couple of months before its release and instantly I found the metal album that had been aching at all corners of its body to be made. The no-sh*t Sepultura bludgeon of opening cut, ‘Demanufacture’ itself, rattles the ribs no less than equally today as it did a decade earlier, a piece of vintage death metal that their industrial voyeurisms fail to spoil. ‘Self Bias Resistor’ is where the bands more melodic side is showcased, for those unfamiliar with ‘Soul..’ in particular, almost relying in entirety on Burton C .Bell’s soulful gothic interludes that take the form of a more hyped up Pete Steele. The chorus built round this side of Bell’s voice garners it a significance the previous track doesn’t in this aspect. If there’s two cuts worth the price of the album alone, six-minute
long ‘Zero Signal’, my favourite of the eleven numbers,
rates as one of them without fail and gives Bell and guitarist Dino
Cazares in particular more than their fair share of space to assault
the senses in as both take turns to ply their trade with respective
prowess. The two runs of the seemingly endless verse-bridge(s)-chorus
arrangement, seperated by a meaty lump of Metallica/Testament riffing
from our man Dino spread the components out very liberally with the
suddenly slowed-down tempo closing rhythm line along to Burton’s
chant of ‘I Am So Numb’ probably the first of the most absorbing
parts on the record. Back to familiar ground ‘Body Hammer’ and ‘Flashpoint’ stomp, stamp and swing the aforementioned instrument beginning with H at all in their path in a way that can only indicate they’d been inspired by the arrival of a certain other Cali metal act fronted by one Rob Flynn esq. ‘H.K- Hunter Killer’ parallels the title track almost identically, this powerful thrasher differentiated by Bell’s immortal rant of ‘I a-a-am a cri-i-iminal’ (I’m sure you’re a perfectly law-abiding chappie, Burton my ol’ mate) that keeps it anther Factory fan fave to this very day. ‘P*sschrist’ is the final in the band’s common format, on the album and host’s Bell’s most immense performance, his bloke-stuck-down-a-chimney delievery on that last chorus one of the most spine-shuddering moments you’ll ever endure on a metal tune. The guy’s more subdued half dominates closing epic ‘A Therapy For Pain’, a track that could hardly take the band’s moniker more literally if it tried with its seemingly endless closing crescendo Terminator-esque samples but still a very worthily -selected ending for an album of its type. Truthfully speaking though, Fear Factory do not really belong to a type. They are one. A type that has gone on to produce several more albums of almost matching calibre but none can elude the shadow of this monstrosity. Still a mightily-followed act today and with bassist Christian Olde Wolbers now switched to guitar following Dino’s departure, their legacy will be carved in the name of ‘Demanufacture for decades to come. 10/10 By
Dave Attrill |
| Flirt
- Silent Night (Single)
(S/R - 2004) Nashville, MI band that've been round since the late 70's give us their version of 'Silent Night' that starts as typical carol style and then goes into a fast revvin' punk number - thank Christ - scuse the pun. Comes in a German version too. 8/10 By Glenn Milligan |
|
TOMMY FUNDERBURK -
Anything For You
(Frontiers - 2004) Tommy Funderburk’s name has not been an obscure quantity over the last two decades though his only work I’ve heard is his backing vocals with Whitesnake. This mighty solo offering sets the record straight as the veteran takes full advantage of his new lease of life on one of Europes’s top hard rock labels and delivers to perfection. Despite his work qwith Coverdale et al, his choice of tool, apart from the occasional hint is more from the Harem Scarem or Bryan Adams rack which is always welcome in a space on my shelves, aided by a seven-strong backing band including one or two other recognisable names from the current scene. A strong offering from a man getting the notice he deserves with a voice we should hear more, much more often, ‘A.F.Y.’, is rich in hooks, harmonies and classic hard rock swagger that sells records like this. Tommy had better get a slot at the Gods this year - if it’s on again - cause they are going to love this fella. In the meantime, they’re gonna love this just as much. 9.5/10 By Dave Attrill RECOMMENDED IF YOU LIKE |
| Edward
Faust - Transient
(Wintersongs -2004) Doomy, dark and a bit like Metallica in a church yard especially 'The Circle' and 'What lies within' that is melodic rock like with a big patch of fog over it. This nicely crosses metal and gothic making an intriguing listen. Be cool to hear a full album by this guy. 7/10 By Glenn Milligan |
| FREAKHOUSE - Beautiful Misery (Reality Entertainment - 2004) The nice thing about nu-metal's more subtle side is that material of such form renders the genre a bit more approachable by traditional hard rock purists, all the while staying loyal to its own. Freakhouse seem prepared to please all and I'm sure I've already encountered opening cut 'Disconnected' beforehand. An excellent number and more of its level follow amongst the other ten, 'Beautiful Misery', 'Cleansing', 'Love Hates Me', 'Peel Away The Skin' and 'Liars Inc' being those I'd particularly point my finger at. Loaded to the brim with balls-out angst, feel and attitude, there's plenty to enjoy, as much and more so on stages and club dancefloors nationwide throughout this record. Not one for just the freaks. Well worth hearing. make that buying. 8.5/10 By Dave Attrill RECOMMENDED IF YOU LIKE: OTHER RECOMMENDED ALBUMS: |
| October/November |
| Flyz
- Aphrodisia
(Self Released - 2004) Excellent 3 piece from Leeds with 'Aprodisia' being the debut album that's got plenty for you to shout about. Not to be at all confused with those jumped up kids 'McFly' as these guys 'Flyz' have plenty of experience under their belts. Fresh material is here that's for sure which is slightly indie orientated (but don't let that put you off as it ain't that depressing sh*te) - this has more in common with AC/DC and quality rock 'n' roll. There's crackin' boogie in 'Deadman's Legs'; the nice ballad 'Goodbye' the waling rabid 'In a hole'; the wanna-be model sung about in 'Red Light' and the stonking 'Jealous' which is a ballad-come-blaster in the chorus. Check 'em out as they should be big in the future. 9/10 By Glenn Milligan |
| Funny
Money - Back Again (re-release)
(Perris Records - 2004) A band of Kix members - vocalist Steve Whiteman alongside Jimmy and Ronnie. Positive rock 'n' roll that's been mastered by Rodney Mills (guilty of creations by Journey and Lynyrd Skynyrd). 9 tracks are from the original release with the other g from the deleted live EP. You'll find happy well-structured adult orientated glam rock - if there is such a thing - well let me tell ya - there is now!! A sort of of Def Leppard meets Smokie with an appetite for the sounds of classic 80's Sunset strip LA vibe of artists like Pretty Boy Floyd', Ratt and Love/Hate. Songs of par excellence include the supreme studio numbers 'Horny Little Angel'; 'Wrapped Around You' plus live cuts like 'boogie Man' and 'Baby Blues'. I'm very pleased to say that Kix have recently reformed - let's just hope they come over and blow a few fuses in Europe. This album does more than just wets the appetite for the band. 8.5/10 By Glenn Milligan |
| September |
| FORSAKEN-
Anima Mundi
(Golden Lake Productions - 2004) A year on in the wake of their previous impressive disc, Maltese melodic gothsters Forsaken are in action again. Catching one of these tunes part-way through though is a less than advisable idea. Every song is like its own story within, going through various progressions and assortments of rhythm and time changes, but not without expert musical coordination and feel, and hooks do find their own place to sit on this bus, too. Not ones for squeezing stuff into short spaces, all the seven tunes are anything up to eleven minutes in span, obviously allowing the progressive vibes to be sensed in more ways than just one. Ideal for those who like thoughtfully arranged deep-flowing metal tunes but with a hint of old-school chug and thrash attitude added. 8/10 By
Dave Attrill |
| FUNERUS
- Festering Earth
(Ibex Moon Records - 2004) Another previously unheralded act creeps out of the woodwork, this album's being quite accurate of what goes on most of this planet of ours at the mo'. I can't possibly imagine what they are going to sound like - can't I b*****ks - when I put it on then. The usual tricks are performed
but at least with a bit of style and unusually some slight Dream Theater-ish
vibes at brief intervals of subtlety towards the back end of the album,
and the guitar and bass synchrony of siblings John and Jill McEntee
make for common aural assault without sounding like an excuse for racket
in the background. 7/10 By
Dave Attrill |
| August
|
| Feinstein
- Third Wish F*ck me, its either Ian Gillan or Glenn Hughes with a Swedish twang in his voice singing for Dio - nah, only joking - it's actually John West (of Royal Hunt/Artension). The leader of the band though, going by the name of David 'Rock' Feinstein is none other than the brother of Ronnie James Dio (who was replaced by Ritchie Blackmore when Elf became Rainbow all those many astral moons ago). Also in the band is Southern Rocker, Bob Twining of Foghat and The Outlaws with the outfit being made complete with bassist Jeff Howland and drummer Nafe Horton. Produced by the bombastic Sword bearing king himself - Joey DeMaio of Manowar the album is pure throbbing metal of the highest order with the immense opener 'Regeration'; the down and head-banging title track 'Third Wish'; a 'Still I'm Sad' like number entitled 'Inferno'. Other highlights include the Ozzy meets Saxon'ish 'Masquerade'; 'Far Beyond' that could literally be a cousin or brother of Dio's 'Holy Diver' or Black Sabbath's 'Heaven and Hell' with its bass and rhythm guitar riffage. Get this album now - M. E. T. A. L. !!!!!!! 8/10 By Glenn Milligan |
| FIGHTS
- FIGHTS (Single)
(Xtra Mile - 2004) Take one letter off the end of that name lads and Rob Halford might want a word with you. Then he might let them off considering their line in music is as far removed from his post Priest outfit as could possibly get. Boasting a catching funk-lune through some of the guitar grooves, Sheffield quartet FIGHTS keep their pop-directed material their own way and give this material its own approachability factor. Try. 7/10 By
Dave Attrill |
| Firegarden
- 2164
(S/R - 2004) A poppy rock meets metal band from Sheffield, UK who often play the Classic Rock Bar. They've got decent harmonies, young voices and are well established with their instruments, have a taste for the blues (Nevergreen) and old-school Rock (they cover Deep Purple's 'Highway Star' - just scrap those high screamy bits as it don't sound too clever). Half is studio and half comes from a live gig at The Grapes from 25th March. They come up trumps bothways. Check 'em out they will be doing a local gig not too far away. 7/10 By Glenn Milligan |
| Freedom
Call - Live Invasion
(SPV - 2004) Can't say that I've heard of these guys before but they are bl**dy good and appear to be well known in the European territories. So what type of music is it - Power Metal of course of the Helloween, Silent Force, Gamma Ray variety that comes across very majestic not to mention symphonically triumphant at its best. Land anywhere and prepare to be blown away. It's a pleasure to hear all these numbers - right from 'The Spell' to the closer 'Hymn of the Brave'. 'Lord of Light' has a keyboard sound and style not too dissimilar to a famous Europe number - which is rather funny really. Like all bands of this genre there are plenty of songs concerning warriors, knights, overcoming evil and holding the power for freedom so if that's your bag then this ones for you. They've added a neat bonus cd also that features ditties from an unreleased EP as well as state-of-the-art covers of Helloween's 'Dr. Stein' (that if truth be told I put on before the rest of the package) and a Powered 'n' Metallized version of Ultravox's 'Dancing with tears in my eeee-iiiiii's' (I mean 'eyes' but I just could resist that). This 2 cd set invaded my speakers and truly conquered. 10/10 By
Glenn Milligan |
| July |
| FIREBALL
MINISTRY - The Second Awakening
(Nuclear Blast - 2003) The effective revival of old school metal, in the working of late, some say may have come too late to avoid suffering at the hands of Slipknot and beyond but I say it's never too late to pump that vital gallon of fresh blood into the veins of the genre. So bl**din'-well there. It's fortunate too that Ozzy is still doing prosperously for himself in the music biz today or LA's Fireball Ministry would have most likely gone largely ignored, their frontman's voice sounding jaw-droppingly reminiscent of the legendary Brummie warbler at the best of the duration. 'King', 'Master Of None', 'Flatline', 'In The Mourning', 'He Who Kills', 'Rollin' On', 'Choker' and bonus cut 'Dark Descend' are quite tailored to suit his style which goes in the Pepper Keenan direction too at fitting intervals on all numbers, and the guitar work owes coincidentally equal amounts to both the bands with which we associate the aforementioned two people. Having been out for five months already at the time of writing, I only wish that albums like this would reach the Metalliville camp sooner, so our raving would be to greater effect as this is a certified blinder. Hooks galore in all corners, 'The Second Great Awakening' is for traditional heavy metal, exactly what its title says. Let's hope it means it too, this time. 9/10 By
Dave Attrill |
| FROZEN
SHADOWS - Hantisses
(Holy Records - 2004) Amongst all the various weird noises French label Holy sign to their label there's at least something approachable for the preferably more straightforward metal fans. Not that Frozen Shadows are that straight forward in their own right, (nor is their name anything to do with Hank Marvin's mates getting trapped in the Artic in t-shirts and shorts) but their production of black metal will attract them their fans by the boatful without too much trouble. In formula it's mainly the expected vocals and guitar styles aplenty but a variety of movements still finds space to be made in the music, some melodic moments prevailing to welcoming eardrums around the earth. There is a sense of old-school metal attitude in one or two numbers - nice one - and the riffing rarely lets up. A bit more of that diversity element would have served to please as a few tracks were less than immediately catchy, for that reason, but Frozen Shadows have done a good job with this disc. Promising material. 7/10 By
Dave Attrill |
| March |
| Force
of Evil - S/T A band featuring guitarist
Hank Sherman of Mercyful Fate; Michael Denner (ex-Mercyful Fate) also
on guitar; Bjarne Holm (Mercyful Fate Drummer from 1995); King Diamond
bassist, Hal Patino and vocalist Martin Sheene of cult metal act, Ironfire.
The idea came into fruition when King Diamond was busy in solo mode
with perfect thing being that all members of 'Force of Evil' are based
in Copenhagen, Denmark whuch erases any geographical and logistical
problems completely. 8/10 |
| February |
| FINAL
FRONTIER - 2nd Wave
(Z-Records - 2004) Mladen Borosak is a guy of many talents. Through his work with Triumph and more notably with Von Groove and 24K, his associated style has become increasingly renowned as his own. Drawing his influences mainly from the seventies, his talents made the latter act's 'Bulletproof' album one of the melodic hard rock high points of 2001. 'Second Wave' is the second album from his latest side act also involving impressive vocal find Rob Morratti. This chap's voice does seem to have changed in the year or so since their debut, going for a more guttural and noticeably Jamison-esque range. Mlad the Impaler has coincidentally enough come up with the songs to suit - the guy who changed his last name to Haze on their last disc might be considering changing again, to Peterik, this time round the round, but does not hide his own methods underneath, with luscious amounts of grooves and slides on the solos. 'Second Wave', 'Somebody's Got To Pay The Price', ''Lost Inside A Dream', 'Sherry', 'Faithful Heart', and 'Lydia' are still six from ten tunes that while showing a band rapidly moving on at a speed unexpected, still deliver the top quality Canadian goods, made all the possible by Mladen's performances once again. With a new VG album due, life currently looks very peachy for this chap. 8.5/10 By Dave Attrill |
| Jan.
2004 |
| Firehouse
- Primetime
(Leverty Music - 2003) Nothing musically has changed that much in the Firehouse camp - it's still as good as ever - but now the band are self-released on Bill Leverty's own label. Piled high with positive late 80's arena friendly rock such as 'Crash' and the supposedly live 'Door to Door' with its motoring riff and drivin' vibe that'll work especially well on a Sunday (listen to it and find out why). On the bass is a new dude called 'Dario Seixas' who complements the rest of the 'house perfectly just like the late Bruce Waibel always did. The band take a trip into the blues with 'I'm the one' with a fluffy bit of the old organ in there. And yes, before you ask they still have the knack for knocking up a gorgeous ballad with the song 'Let's Go' fitting the bill the exquisitely. Fans of the band will love it but no doubt those god-damn DJ's will still be playing us songs from the 1st album and f*ck all else. With a release of this quality I think that they should get credit for what they are doing now - it's 'Primetime' don't you think.. 9/10 By Glenn Milligan |
| Dec. 2003 |
| Firebird
- No. 3
Bill Steer's trio on their 3rd release funnily enough (their 1st for SPV as their previous two ('Firebird' and 'Deluxe') were available via Music For Nations). Firebird have themselves engrossed in similar style - that engrosses retro blues rock a la Humble Pie and Jimi Hendrix, so plenty of late 60's/early 70's like riffin' is a guarantee. The vocals from Bill are slender and tenor; the drum action comes from George "Jolle" Atlagic and that bottom end bassin' is courtesy of Roger Nison. The songs, 10 in all, like in the good ole vinyl fashion include 'Tumblin' down' with it's long guitar solo and rhodes piano; the Black Crowesy 'Station' and the best numbers in my humble opinion 'Hard Hearted' with its hard-hitting Humble Pie like riff and the slow 'n' bluesy 'Off the leash'. So if you fancy some groove to your night and wanna travel back around 30 years to classic sounds, you won't do a deal better than this. 8/10 By Glenn Milligan, BA Hons CS |
| FORSAKEN
- Iconclast
Some bands come out from the most unlikely of places. Like Malta actually have a goth metal scene? According to Forsaken, they do. And as something of a bonus to boot, this most unlikeliest of nationalities has here dispensed a band with one of the freshest, matured, classiest goth/doom metal sounds heard. With Leo Stivala's crystal-clear vocal produce, which wouldn't sound too out of place on a traditional HR/HM record, accommodated by the work of the four musicians making their sweet noises alongside, this little selection of tunes practically none of the 35 minutes they spread their markers within. 'Where Angels Have fallen' and 'Martyr's Prayer' are the best of the four but all more or less make the disc worth picking up. 8/10 By Dave Attrill |
| THE
FORSAKEN - Traces of the Past
(Century Media - 2003) The first time in Metalliville history we've encountered two bands of the same name, let alone in one month, though handily this lot have that little T-word on the beginning of their name. Firstly getting the harsh part of the review over with, some of these titles are dangerously cheesy, lads - most of today's other black metal acts know better than 'A Time to Die', 'God of Demise' or 'One More Kill'. Seeing through that trivial banality, the material hiding behind it contains surprises a-plenty with substantial and often unforseeable rhythm and speed changes, within all of the tracks. Echoing Slayer, Maiden and Metallica in various places reaps due credit too, especially when they actually cover one of the latter's classics. Their version of 'Blackened' is sped up in a few more places than Hetfield et al's original but leaves nothing behind on the way. If you like anything Norwegian and noisy combined with the aforementioned titans then the Forsaken are seemingly happy to cater. Particular other acts of this genre should listen to this lot and learn. 7.5/10 By Dave Attrill |
| FOUR
SQUARE - 3 Chords, 1 Card
(Bad Taste Records - 2003) I shudder with a degree of discomfort as I look at the first part of this CD's title, and you'd guess even more so as it enters my decks. However, as they've been so honest as to admit their indulgence in that most frowned upon of trendy musical habits, I'm going to return the kindness and give them a go. Good decision because as soon as track 1 'Mistreated' is away and rockin', the only thing I'm left worried about is if this band are on the wrong label - Artenzia being a more suitable home for their style. Four Square do as you expect have a purely pop/indie structure to their material but the harmonies I catch on a lot of these tracks are akin to those you'd expect of AOR giants Harem Scarem and Mitch Malloy nowadays and also Bon Jovi at more than one time. There are very few numbers which don't require a second listen for fast appreciation. 'Mistreated', 'Hitmaker', 'The line', 'Life Forgotten', 'Tee Vee' and 'We Alone' are true sounds of another ambitious new rock act making their stamp in the sand but given this thing's lasts a measly 34 minutes in duration, what the 'ell, just might as well play the whole thing again and again, as you'll have more time. I would. 8/10 By Dave Attrill |
| Fu
Manchu - Go for it ... Live!
Two cd-set from the 'chu - the band who are regarded by many as the innovators of Stoner Rock alongside Kyuss. Let them take you on a pebbled journey of fast slabbing songs played in front of crowd live during their California Cross Tour 2002 - 22 tracks in all to be exact that includes 'Hell on wheels'; 'King of the road'; 'Downtown in Dogstown'; 'Wurkin'; 'Superbird'; and the best by far 'Saturn III' with spacey effects and elongated instrumental sections that's like Sabbath meets Hawkwind' in a distant part of the Universe. Personally to me, a lot of the songs sound very alike - fuzzy guitar riffs, slammin' drums and slappin' raspin' vocal stabs that's like Rage Against The Machine meets The Beastie Boys - well just about but it's not as fast from the throat. The stlyle obviously works for 'em as they've fans that dig 'em the world over. 7/10 By Glenn Milligan, BA Hons CS |
| Marc
Ferrari - Lights, Camera, Action
A hot collection of unused numbers made for films by Keel's ex-guitarist, Marc Ferrari after the Rock and Metal scene changed in the early 90's. With a variety of rock styles such as the opener 'Run the Road' and the similar 'Caution to the wind' that has that motoring vibe of Glenn Hughes (with vocals provided by Bob Reynolds) to the pacin' bopper 'Right on the money' with Burning Rain's 'Keith St. John' holding the mike; the cheesey AC/DC'ish 'Too hot to stop (sung by Steve Plunkett of Autograph) and the bluesy 'Depth of my soul'. This album is brilliant - no other words needed. 9/10 By Glenn Milligan, BA Hons CS |
| Pre-July 2003 |
| FOREST
STREAM - Tears Of Mortal Solitude
(Earache - 2003) Doom metal, or melodic death metal albums, if you prefer are one of those things that rarely cease to amaze me - apart from how few have the balls to do one. Of course, there sure ain't no crime been done here, boy, but I always wonder if bands following this line take a bit of a liberty in the eyes of extreme metal's laws of style. A band who sound brutal, angry, hateful.. and nice, at the same time, throughout. It seems Europeans earn their licence for this business ahead of everyone else as Russia's F.orest Stream have put their names on the paper with this very interestingly arranged CD, the growling vocals and grinding guitars being allocated only about two-to-three minutes a time amongst the lush symphonic keyboard harmony that dominates the duration of each epic tune. Those of you who take the time to listen will get the impression that either there are two different songs or two different bands taking their turn with each track - such is the vibe generated by the structure of these tunes. If Dream Theater were a death metal act, this lot could have been SUED. A superb and absorbing slab of dark metal as it should be played with appeal to followers of more than just one genre. 9/10 By Dave Attrill |
| FUNKERVOGT
- Survivor
(SPV - 2003) It's amazing what can be crossed over with what nowadays, isn't it. Like rock n' roll with dance for example. Germany's Funkervogt have followed the trend of blending aggressive vocal workouts in with a dance synth beat underlayer. Most will compare this material in similarity to Gravity Kills but with less of the guitars so the only metal connection to be found is through Jens Kastel's guttural vocal histrionics. The tunes are well laid out and easy to understand in both performance and lyrically too -dance fans, if you're planning to switch on expecting loads of wailin' and warbling about love, sex and kissin', you can effing well look elsewhere. There are elements that remind one of KLF classic 'What Time Is Love' through the feel of the whole record though a tad less manic, but its attitude rarely withers. Industrial perfection as only Europeans know how to get it. 8/10 By Dave Attrill |
| FIELDS
OF THE NEPHILIM - FALLEN
JUNGLE RECORDS - JUG After a break of over ten years, Fields of the Nephilim released an amazing single 'From the fire', which astonishingly charted at 83 in the UK charts without any promotion, this soaring dark hard rock ballad, taken from the new album 'Fallen' showed the fans that they are back and they mean business. This brand new ten-track studio CD is a start of unfinished dark enthusiasm that was left when the band split in 1991, although the members of Fields of the Nephilim never split from the business, their fan base stayed as they toured with new bands and material. 'Fallen' is probably the heaviest and darkest album to date, which has released new passion for their darkwave underground following, when you hear 'Dead to the world', 'From the fire', 'Deeper' and 'One more nightmare' you know deep down that with these eerie tracks of Sodom, the Fields of the Nephilim have been re-incarnated from the dust and death of their late eighties image to be once again to reign the thrown of darkness If the gothic sound wets your appetite then 'Fallen' is a CD that will finish the jigsaw in your dark gloomy CD collection. 9/10 By Tony Watson |
| FINAL
FRONTIER - The First Wave
Teaming up with his old mate Rob Moratti, they've made together what I can only describe to the best of my accuracy as a 24-Groove album, combining the key elements of Mladen's two most prolific acts plus a few hints of Mr Naro's latest rocker, into one glorious solid mass. And would you believe it but by some slight coincidence, Moratti's voice is little less than an exact platter of Phil's and Groove's Mike Shotton -there's irony for you. Switching the subject to the songs themselves, I think that appetites for live shows on the account of this act have been well and truly wetted. 'Two Strangers', 'Restless Heart', 'Long Live Those Golden Years', 'Forever's A Heartbeat Away', 'Once Touched by Love', 'Soul Surrender' and the excellent 'Last To Know' lay down the law to the doubting if there are any. That said, they are just as importantly definitive examples as to why this sort of music deserves more favourable following, not to mention the talent beyond its construction. In one line….
Mladen came, saw, rocked and went … hopefully back to the studio
to record another one that's just as good. Then remember, there's the
next Von Groove album to look forward to as well….. oh, stop it
Mlad' you've spoiling us.
|
| ROBERT
FLEISCHMAN - World In Your Eyes
(Frontiers/Now & Then - 2002) Excuse me if this sounds a tad rude but I sort of. almost forgot this bloke existed. The last time he was heard from was nearly two decades ago on the Vinnie Vincent Invasion album and that was it.. Gone. Like the ring in Lord Of The Rings he remained undiscovered for years until Mark Ashton did a Bilbo Baggins of sorts by stumbling across him again recently. As not so unusual for most ex-big hair rockers, the first present-day shot of him shows the fella sitting there sporting a cropped do and with an acoustic guitar tucked under his arm, but surprisingly not looking at all bad for his age. Impressively the same compliment can be extended to this comeback offering from the man who once fronted a fledgling Journey prior to the legendary Steve Perry. Instead of the sort of 70's/80's retro leanings you probably placed your bets on, well I'd call them off because this album has more to do with present day maestros Danny Danzi and Mitch Malloy than anything else though Mr. F does blend plenty of his home-grown produce into the album. And who better to help him keep the crops dusted than.. What, this chap again?! Oi, that will do. There will be less of that talk about the prestigious guitar talents afforded to us on the half of Mr. Josh Ramos, young man. So the Two Fires/Storm/Hardline six-stringer shifts from one great act to another like a grasshopper on steroids, but as a musician so much in demand, the guy gets little time to rest. Hurricane's Kelly Hansen joins in with Fleischmann and Ramos in making songs like 'Heaven To Me', 'World in Your Eyes', and 'Just One Kiss' worth the price of the album themselves. Of the seven other tunes, most stand more than decent themselves through about three so so are a tad less catchy, but Robert Fleischmann can't be forced to please everyone, even after the time he's been away. Nice one Rob, let's hope you're back for good this time, too. 8/10 By Dave Attrill |
| THE
FLOWER KINGS - Unfold The Future
(Inside Out - 2002) When asked to produce a review of this latest Flower Kings release, I was more than chuffed to give it a spin, being the big progressive rock fan I am. And from what I've heard of the band, they live up to their reputation. The album is possibly the most musically diverse that I've ever heard. Shifting and jerking from quirky and uptempo, to dramatic, soft and harmonious, it's a clever mix that is reminiscent of anything from early Pink Floyd to the present stuff by Transatlantic (of which one of the Flowers is also member). Like Transatlantic, this sixteen track double-album starts off starts with an epic number lasting just over half an hour, 'The Truth Will Set You Free'. When hearing it, it seems like a combination of six seperate tunes smartly weaved together. These guys prove that they're good without being pretentious and without taking the fun out of what they do. 'Unfold The Future' has a overall, lively style, adding an array of colour and texture that runs throughout the album. 9/10 By Steve Windle |
| Four
Star Mary - Welcome Home
(Spitfire Records - 2002) The second album is always the hardest it's been said but Four Star Mary don't seem to have had a problem. They've improved and matured ten-fold when you come this to their debut, 'Thrown to the Wolves'. It's extremely warm and melodic - not raw garage songs, rah, rah like 'Thrown...' was . Of course they still have that raw Mary sound on occasions on songs like the crackin' 'All l see' and 'Darker Days' but many songs feature incredible vocal performances like 'Train' and 'Prison'. Stand-out numbers without a doubt have got to be the soulful 'Bleed On'; 'Empty' and the acoustic closer, 'Stars come down' . 'Welcome Home' is gonna be held by welcome arms and thoroughly treasured. An absolute joy of an album. 10/10 By Glenn Milligan, BA Hons CS |
| Free
Spirit - Shadow of a man
(Self-Released - 2002) Finnish rock band 'Free Spirit' who formed in '92 (but were put on hold a wee while due to Studies and Military Service) are bashing out the 80 s sounds with this self-released effort. OK, the overall sound is a bit boomy and slightly distorted at times but musically it's very good. They come across like a more European equivalent of The Cult with the early rawness of Whitesnake - especially in the bawlings of the Vocals that cut across nicely in 'Radiant High'. There's almost a tribal vibe surrounding their offerings that's to be found in the Zepped up 'Easy Days' about, funnily enough, tribes in the mountains. The Scorpions are definitely a big influence to these guys as well and that comes across in 'Pale Spirit of light' that even gets a bit Doro Pesch in the musical department also. The closer, 'Cry of an Eagle' is a beautiful melodic rock epic and I recommend it to you gladly. If given enough press in the right places, this band would be huge in Europe. 7.5/10 By Glenn Milligan, BA Hons CS |
| Pre-2003 |
| Fantastic
Super Foofs - Devan Endo EP
(Floating Toast Records- 2002) When I first put this on, I nearly turned it off straight away. Just horrible-sounding unrehearsed student grunge-by-numbers with a singer who seemed to know everything apart from singing, but then the chorus arrived… thank God for that. Very melodic and still retaining the alternative direction but fully in contrast to that messy verse line. An unexpectedly enjoyable tune by this Welsh three-piece leads to an immediately enjoyable cut in 'My God You Showed' - pure pop-punk as some might be used to, though with plenty of aggression. 'Enjoy The Ride' is sort of okey-dokey, an typical indie rock number with a Beatles-y bounce under its feet, but the credit belongs to the first two numbers. Not a bad showing from another new young act on their way to bigger things and likely to garner some regular footage in Kerrang before long. I can only hope for them that they thrive before the rock fashion trend market finally turns another direction. 7/10 By Dave Attrill |
| Mike
Fillius - S/T
(Self-Released Demo - 2001) Falling somewhere between Joe Satriani and Steve Vai with touches of Randy Rhoads, New Yorker, Mike Fillius. He's rather good to say the least. Highlights include a cover of the early 60's classic 'Pipeline' and originals like 'Halls to Hell' or the hells at your door feel of 'Trespassing', the racing 'Bad Wiring' or the country 12-bar rock of 'Spillway Jam'. This guy'll get picked up somewhere sooner or later and I wish Mike the absolute best of luck - I think he'll go far. Mike fills you up with 6-string instrumental charm 'n' splendour. Check out his website - http://www.geocities.com/mikefillius for more info on this future guitar guru. 9/10 By
Glenn Milligan, BA Hons CS |
| Firebird - S/T (Rise Above /Music For Nations - 2000)
The retro 70's Blues-Rock enthusiasts self-titled debut who are fronted by Bill Steer (ex-Carcass/Napalm Death) released this on Rise Above Records a couple of years since and picked up in the UK by Music For Nations. By comaparing this to the second album 'Deluxe' - you can tell that Bill Steer (Guitar/Vocals), Leo Smee (Bass/Organ) of Cathedral and Ludwig Witt (Drums) of Spiritual Beggars were still experimenting with the style as some of the songs fall a long way off perfection - but you can see where they were musically heading towards. The production leaves a bit to be desired because the volume of the vocals is rather lacking at times and are overpowered by the instrumentation. Overall though, it's an OK album with one or two significant tracks such as 'Torn Down' and the cover of Traffic's 'Stranger to himself'. Look out for album number 3 - out soon. 7/10 By Glenn Milligan, BA Hons CS |
| Fozzy
- Happenstance
If you've not heard of Fozzy, then where have you been for the last 20 odd years - these guys invented Heavy Metal. Well that's the message they are sending out or should I say sending up to the Metal masses. So who are they? - basically a spinal tap-like cover band where the members have daft names that include vocalist, Mongoose McQueen (who's actually WWF Star, Chris Jericho), at the side of Duke LaRue on lead guitar (real name Rich Ward, ex-Stuck Mojo) and also on guitar is Lord Bayden Powell (Producer, Andy Sneap). Fozzy put their own touch onto classics like Black Sabbath's 'Mob Rules', Judas Priest's 'Freewheel Burning', WASP's 'Love Machine', Scorpions 'Big City Nights' and many more. Just as good as the originals - I'm amazed just how good a singer Jericho is - his range is rather extensive and the rest of the line up is, well, pretty f*ckin' mindblowin' musically. The best covers band I've heard in years (a cover band getting a record deal? Hmmmm- I guess it's who you are and who you know) - although they do claim that the songs were stolen from them. Coming to a rock pub near you some century soon. Be sure to check out the CD-Rom 'EPK' which is a humourous Bad News meets Spinal Tap Documentary about the band. 8/10 By Glenn Milligan, BA Hons CS |
| FRICTION
- S/T
Another one of those new names we first mentioned in Metalliville's pages about a year back, re-emerges with a rollicking debut CD under Europe's No. 1 melodic rock banner. Friction, for the unaware, are fronted by the former Lionsheart singer Steve Grimmett, with Nick Burr on guitars, and programmed drums too I understand, with bassist Gavin Cooper making up the numbers. Yeah, so the legacy of Grimmett's late outfit shimmers faintly in the air here but progression is proven at the same time. Steve's voice is starting to lean into the Lawrence Gowan area for starters and my guess is that the other musical influences point at Mitch Malloy, House of Shakira and Heartland plus various things that Kevin Chalfant has been a part of in his time. Oh yes, and I'd include Sweet as well - there's an applaudable blast of that old seventies fave 'Action' as already popularly covered by Def Leppard a few years back on their 'Retro-Active' record. ' Breathe On Me', lets the guitar work toy with the heavier side of life and this track can be checked out on 'Z's Rock The Nation vol 1' sampler. . 'Little Miss Predictable' would fall into my faves slot - an inspiring hybrid of Mr Big-meets-24K style retro-rock- rumblings. 'I'm Back', 'Blue Collar Fever' and 'Forgive & Forget' are the other most repeatable cuts but the whole album is a pretty enjoyable British hard rock experience. They're opening up this year's Z-Rock show, by the way. Try to be there in time to catch 'em. 8/10 By
Dave Atrill |
| February 2002 |
| Fydolla Ho - Red Headed Woman (Demo)
Don't play this on a sickly stomach because I guarantee this bunch'll make you feel worse. Imagine a female fronted Dead Kennedy's who happens to be no other than actress 'Shawnee Smith' who's got an odd wailing, chanting vocal style that's real different to boring Britney-like-clones that are doing the rounds continuously. It's appealing - big style!!! They go by the genre known as Emo Metal and this 7 tracker is a top-notch eye-opener indeed. From the opener 'Overbend' which is a slammy punk bag of madness about doing somebody doggy fashion !!! 'Maja' and 'Ink' are by far the highlights - 'Ink' is very Incubus' and proves they've got some good melody to offer as well as punk palaver. They could be huge on the
Metal scene - in fact 'Fydolla Ho' make Hole look
7/10 By Glenn
Milligan, BA Hons CS |
| Pre- 2002 |
| Firebird - Deluxe (Music-For-Nations - 2001)
It's extraordinary that this trio is headed by the ex-Carcass and Napalm Death front-man, Bill Steer. It sounds nothing like his former bands - but instead it harks back to the glorious early Blues-Rock of the late 60's/early 70's. It could be said that Firebird are the b******d children of Humble Pie, Free and Cream - they are just that good. 'Deluxe' is the bands 2nd album -out on 27th August and is the follow up to their self-titled debut. It's elaborately brilliant - simply take my word for it!! Take the Cream-esque drum-work of 'Hammers and Tongs' (courtesy of Ludwig Witt, who also plays percussion) which even has striking stoner/grunge frenzies going on as well. Or what about 'Steamroller' with its dirty blues hooks and John 'Bonzo' Bonham styles drum rolls - so that the track live up to its name. The real turn-up for the books is the ballad 'Miles From Nowhere' where Bill Steer proves his worth as a beautifully heart-rendering vocalist - it's a far cry from his Grind-core vocals in Carcass - you just wouldn't think it was the same man. Imagine The Beatles 'While my guitar gently weeps' goes Deep Purple in an unplugged mode - as well as Bill's guitar sounding like Jimmy Page's Gibson (in his The Song Remains The Same/The Rain Song' approach). There's even hints of 'In A Broken Dream' by Python Lee Jackson hidden in their. 'Zoltana' puts me firmly in mind of The Small Faces 'Wham Bam Thank You Mama' in a Free meets Cream style rolled up into one. That guitar solo is Fu****g mind-blowing - especially when the bass flows so well around it (courtesy of 'Leo Smee') and drums eventually take over for a short stint - I just love the cymbals that spiral high up in the mix. The closer is really something special; simply titled 'Slow Blues' and comes across as a raw live studio effort that features Bill voice with a distorted, vocal effect - and then there's the stunning harmonica blasting out - 'Kin A. Firebird's 'Deluxe' album puts Progressive Blues/Rock back on the musical map where it belongs. I bet Humble Pies's Steve Marriott and Free's Paul Kossoff would consider this album as purely essential listening - and you should too. I just got to give it 10/10 - it's never away from the stereo. Get it bought.
|
| F
- MINUS - SUBURBAN BLIGHT
There isn't a lot I could tell you about this CD, it's typical Punk. There isn't any songs that stand out, but who gives a damn when all you want to is beat the hell out of your best friends. There is so much energy within this CD - 23 minutes isn't enough; another 23 minutes should have been put down, which would have made it worthwhile and more enjoyable. You get into the CD when it is finishing. It's just not long enough. Never mind! 7/10 By Tony Watson |
| Four
Star Mary - Thrown to the Wolves
So you've not heard of 'Four Star Mary' before!!! - Well you should have, and if you happen to be a fan of 'Buffy the Vampire, then odds are, their music will ring a bell as the opener 'Dilate', 'She Knows' and 'Pain' have all been featured on the show. This Californian Quartet is made up of Tad Looney (Lead Vocals), Zu (Guitar/BackingVocals), Steve Carter (Bass) and Chris Sobchack (Drums). They have that Creed and Pearl Jam resonance about them, so if that's your delight then here's another bands offerings you'll certainly want to digest. Tad has that oomph and drive in his vocal delivery that guys like Eddie Vedder are famous for - and very soon you'll be adding Mr. Looney to the list. It could be said that Four Star Mary have a Pop-Punk Aura about them, especially the track 'Pain' which has a cruising open snare groove, thanks to Chris Sobchack the resident skin basher. 'Nevermind' has a real energetic thrill to it where the vocal pattern ties up incredibly well the guitar sound. In fact, to be completely honest, from every song I get the impression that these guys really do mean business (I know that sounds a bit too clichéd, but it's true!!! They will kick your ass!!!). Take the gutsy numbers like 'Shadows' and 'Say It' for first-class bolting examples. Place 'Four Star Mary' in the 'Gonna Be Huge' pile. The readership of two notable U.K. Metal Magazines are gonna swoon over this band. Mark my words - I'm sure to be proved right. 7/10 By Glenn Milligan, BA Hons CS |
| FURTHER SEEMS FOREVER- The Moon Is Down (Tooth & Nail Records)
This ia a band who show promise
within most of the tracks on the album. A 6/10 By
David Roberts, BA Hons FS |
